Bach Bibliography
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Series : [fs]Leaver65
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Snyder, Kerala J.:   Tradition with Variations: Chorale Settings per omnes versus by Buxtehude and Bach. [fs]Leaver65 (2007), 31-50.   [BWV 4, 97, 100, 107, 112, 117, 129, 137, 177, 192]
2. Butler, Gregory G.:   Bach's Preluding for a Leipzig Academic Ceremony. [fs]Leaver65 (2007), 51-67.   [BWV 65, 191, 198, 531, 545, 547, 564, 590, 667]
3. Leahy, Anne:   Bach's Setting of the Hymn Tune 'Nun komm, der Heiden Heiland' in His Cantatas and Organ Works. [fs]Leaver65 (2007), 69-101.   [BWV 61, 62, 36, 699, 599, 659, 660, 661]
4. Marissen, Michael:   Historically Informed Rendering of the Librettos from Bach's Church Cantatas. [fs]Leaver65 (2007), 103-120.   
5. Franklin, Don O.:   The Role of the 'Actus Structure' in the Libretto of J. S. Bach's Matthew Passion. [fs]Leaver65 (2007), 121-139.   
6. Melamed, Daniel R.:   Two Unusual Cues in J. S. Bach's Performing Parts. [fs]Leaver65 (2007), 141-146.   
7. Clement, Albert:   Johann Sebastian Bach and the Praise of God: Some Thoughts on the Canon Triplex (BWV 1076). [fs]Leaver65 (2007), 147-168.   [BWV 1076, 769]
8. Tomita, Yo:   Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988). [fs]Leaver65 (2007), 169-191.   
9. Zager, Daniel (ed.):   Music and Theology: Essays in Honor of Robin A. Leaver.   Lanham, Maryland: Scarecrow Press, 2007. vii, 281p. ISBN: 0-8108-5414-7; 978-0-8108-5414-7. [contents]

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