Bach Bibliography
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Author : Dirst, Matthew
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Dirst, Matthew:   Tradition, Authenticity, and a Bach Chorale Prelude. AmerOrganist(2) 25/ 3 (Mar 1991), 59-61
2. Dirst, Matthew; Weigend, Andreas S.:   Baroque Forecasting: On Completing J. S. Bach's Last Fugue. SantaFeInstStudSciComplexity 15 (1994), 151-172
3. Dirst, Matthew:   Samuel Wesley and the Well-Tempered Clavier: A Case Study in Bach Reception. AmerOrganist(2) 29/ 5 (May 1995), 64-68
4. Dirst, Matthew:   An Authenticity Grounded in Tradition: Czerny on Bach. [p]AMS_Southeast (Sep 1995)
5. Dirst, Matthew Charles:   Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. diss. (1996), vii, 176p
6. Dirst, Matthew:   An Authenticity Grounded in Tradition: Czerny on Bach. [p]ABS_California (Apr 1996)
7. Dirst, Matthew:   Bach's French Overtures and the Politics of Overdotting. EarlyM 25/1 (Feb 1997), 35-44
8. Dirst, Matthew:   Mozart, Bach, and the Way to Fugue. [p]AMS_Southwest (Mar 1997)
9. Dirst, Matthew:   Doing Missionary Work: Dwight's Journal of Music and the American Bach 'Awakening'. [p]ABS_Washington (Apr 2000)
10. Dirst, Matthew:   Redefining the 'Natural': Eighteenth-century Bach Criticism and the Ideal of 'Unity in Diversity'. [p]AMS_Southwest (Oct 2000)
11. Dirst, Matthew:   Doing Missionary Work: Dwight's Journal of Music and the American Bach Awakening. BachPerspectives 5 (2003), 15-35
12. Dirst, Matthew:   Mirror images of the heroic composer: Bach and Handel in the nineteenth century. [p]ABS_NewBrunswick (Apr 2004)
13. Dirst, Matthew:   Continuo Practice in the Bach Cantatas: Instruments and Style. KeyboardPerspectives 3 (2010), 101-112
14. Dirst, Matthew:   Bach's French overtures and the politics of overdotting. [ce]BaroqueMusic (2011), 391-400
15. Dirst, Matthew:   Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn. (2012), viii, 186p
16. Dirst, Matthew :   Continuo Practice in the Bach Passions. [p]ABS_Rochester (Sep 2012)

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