Bach Bibliography
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Author : Dreyfus, Laurence
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Dreyfus, Laurence:   The Use of the Harpsichord in the Sacred Works of J. S. Bach. [p]AMS_Minneapolis (Oct 1978)
2. Dreyfus, Laurence:   J. S. Bach's Experiment in Differentiated Accompaniment: Tacet Indications in the Organ Parts to the Vocal Works. JAMSoc 32/2 (Summer 1979), 321-334
3. Dreyfus, Laurence Dana:   Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. diss. (1980), 341p
4. Dreyfus, Laurence:   The Length of Bass Notes in J.S. Bach's Secco Recitatives. [p]AMS_Denver (Nov 1980)
5. Dreyfus, Laurence:   Zur Frage der Cembalo-Mitwirkung in den geistlichen Werken Bachs. [cr]Marburg1978 (1981), 178-184
6. Dreyfus, Laurence:   J. S. Bach and the Status of Genre: Problems of 'Style' in BWV 1029. [p]AMS_Louisville (Oct 1983)
7. Dreyfus, Laurence:   J. S. Bach's Concerto Ritornellos and the Question of Invention. [p]AMS_GreaterNewYork (May 1984)
8. Dreyfus, Laurence:   The metaphorical soloist: Concerted organ parts in Bach's cantatas. EarlyM 13/2 (May 1985), 237-247
9. Dreyfus, Laurence:   J. S. Bach's Concerto Ritornellos and the Question of Invention. MQ 71/3 (1985), 327-358
10. Dreyfus, Laurence:   The Metaphorical Soloist: Concerted Organ Parts in Bach's Cantatas. [ce]JSBOrganist (1986), 172-192
11. Dreyfus, Laurence:   The Articulation of Genre in Bach's Instrumental Music. [cr]Philadelphia1985 (1986), 10-38
12. Dreyfus, Laurence:   The capellmeister and his audience: Observations on 'enlightened' receptions of Bach. [cr]Stuttgart1985 (1987), i: 180-189
13. Dreyfus, Laurence:   J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029. JMcol 5/1 (Winter 1987), 55-78
14. Dreyfus, Laurence:   Bach's Continuo Group: Players and Practices in his Vocal Works. StudHistM(Harvard) 3 (1987), xii, 264p
15. Dreyfus, Laurence:   Bach and the Pursuit of Contemplative Time. [p]AMS_Oakland (Nov 1990)
16. Dreyfus, Laurence:   Matters of Kind: Genre and Subgenre in Bach's Well-Tempered Clavier, Book I. [fs]Scheide (1993), 101-119
17. Dreyfus, Laurence:   What is an Invention? [ce]Dreyfus (1996), 1-32; 247-249
18. Dreyfus, Laurence:   Composing against the Grain. [ce]Dreyfus (1996), 33-58; 249-250
19. Dreyfus, Laurence:   The Ideal Ritornello. [ce]Dreyfus (1996), 103-133; 250-251
20. Dreyfus, Laurence:   The Status of a Genre. [ce]Dreyfus (1996), 103-133; 251-254
21. Dreyfus, Laurence:   Matters of Kind. [ce]Dreyfus (1996), 135-168; 254-256
22. Dreyfus, Laurence:   Figments of the Organicist Imagination. [ce]Dreyfus (1996), 169-188; 256-257
23. Dreyfus, Laurence:   On Bach's Style. [ce]Dreyfus (1996), 189-218; 258-259
24. Dreyfus, Laurence:   Bach as Critic of Enlightenment. [ce]Dreyfus (1996), 219-244; 258-260
25. Dreyfus, Laurence:   Bach and the Patterns of Invention. [ce]Dreyfus (1996), 270p
26. Dreyfus, Laurence:   Bachian invention and its mechanisms. [ce]CambridgeCompanion_Bach (1997), 171-192
27. Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Shozen). BCJ (Dec 2001), 46-53
28. Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-1-Sho: Jo. BCJ 48 (May 2001), 26-32
29. Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro. BCJ 49 (Jun 2001), 28-38
30. Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). BCJ 51 (Feb 2002), 35-44
31. Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). BCJ 53 (Apr 2002), 34-40
32. Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). BCJ 54 (Jun 2002), 36-47
33. Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth:   Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS (Mar 2007), [5]
34. Dreyfus, Laurence:   Bachian Poetics in the St John Passion. [p]SMA_Glasgow (Apr 2009)
35. Dreyfus, Laurence:   The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion. BachPerspectives 8 (2011), 96-121
36. Dreyfus, Laurence:   Early music defended against its devotees: A theory of historical performance in the twentieth century. [ce]BaroqueMusic (2011), 499-527

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