Bach Bibliography
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Author : Schulenberg, David
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Schulenberg, David:   Composition as Variation: Style and Theory in the Sonatas of C.P.E. Bach. [p]AMS_GreaterNewYork (May 1981)
2. Schulenberg, David:   Composition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers. CurMcol 33 (1982), 57-88
3. Schulenberg, David Louis:   The Instrumental Music of Carl Philipp Emanuel Bach. diss. (1982), viii, 408p
4. Schulenberg, David:   The Instrumental Music of Carl Philipp Emanuel Bach. StudMcol 77 (1984), 192p
5. Schulenberg, David:   Musical Expression and Musical Rhetoric in the Harpsichord Works of J. S. Bach. [p]AMS_Vancouver (Nov 1985)
6. Schulenberg, David:   C. P. E. Bach in the 1740s: The Growth of a Style. [ce]CPEBachStud (1988), 217-231
7. Schulenberg, David:   Performing C. P. E. Bach: Some Open Questions. EarlyM 16/4 (Nov 1988), 542-551
8. Schulenberg, David:   Expression and Authenticity in the Harpsichord Music of J. S. Bach. JMcol 8/4 (Fall 1990), 449-476
9. Schulenberg, David:   Composition and Improvisation in the School of J.S. Bach. [p]AMS_Chicago (Nov 1991)
10. Schulenberg, David:   The Keyboard Music of J. S. Bach. (1992), 473p
11. Schulenberg, David:   C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. Bach 23/2 (Fall-Winter 1992), 5-30
12. Schulenberg, David:   Musical Expression and Musical Rhetoric in the Keyboard Works of J. S. Bach. ContributStudMDance 19 (1992), 95-109
13. Schulenberg, David:   Musical Allegory Reconsidered: Representation and Imagination in Baroque Music. [p]AMS_Montreal (Nov 1993)
14. Schulenberg, David:   Carl Philipp Emanuel Bach. [ce]18cKeyboardM (1994), 191-229
15. Schulenberg, David:   Composition and Improvisation in the School of J. S. Bach. BachPerspectives 1 (1995), 1-42
16. Schulenberg, David:   Musical Allegory Reconsidered: Representation and Imagination in the Baroque. JMcol 13/2 (Spring 1995), 203-239
17. Schulenberg, David:   Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance Studies Approach. [p]AMS_Southwest (Feb 1997)
18. Schulenberg, David:   'Partes feminarum': Gender Representation in Baroque Music. [p]FTM_Virginia (Jun 1997)
19. Schulenberg, David:   A Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491. (1998), 4p
20. Schulenberg, David:   Missing Spitta Manuscript Found. [Berlin, Bibliothek der Hochschule der Künste, Spitta Ms.1491] AmerBachSocNL (Fall 1998), 6-7
21. Schulenberg, David:   The 'Sonata auf Concertenart': A Modern Invention? [p]ABS_Yale (Apr 1998)
22. Schulenberg, David:   Genre and Invention in Early Eighteenth-Century Instrumental Music: Sonatas and Concertos from the Bach Circle. [p]AMS_Boston (Oct 1998)
23. Schulenberg, David:   Versions of Bach: Performing Practice in the Keyboard Works. BachPerspectives 4 (1999), 111-135
24. Schulenberg, David (ed):   The Music of J. S. Bach. Analysis and Interpretation. BachPerspectives 4 (1999), x, 208p
25. Schulenberg, David:   Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach. JMcolResearch 18/2 (1999), 139-160
26. Schulenberg, David:   When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music. DeClavicordio 4 (2000), 37-53
27. Schulenberg, David:   Bach no Kenban Ongaku. (2001), 727p
28. Schulenberg, David:   Music of the Baroque. (2001), xiv, 349p
29. Schulenberg, David:   Performer's View. AmerBachSocNL (Spring 2002), 3, 8-9
30. Schulenberg, David:   The Last Bach-Family Engraved Print: The Musical Supplement to C.P.E. Bach's Versuch. (2003)
31. Schulenberg, David:   'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach. [ce]KeyboardInBaroqueEurope (2003), 157-168
32. Schulenberg, David:   Recent Bach Studies. JMcolResearch 22/4 (Oct-Dec 2003), 387-402
33. Schulenberg, David:   The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. [p]AMS_Houston (Nov 2003)
34. Schulenberg, David:   The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. [p]IS_Memphis (Nov 2003)
35. Schulenberg, David (ed.):   'Probestücke', 'Leichte' and 'Damen' sonatas / Carl Philipp Emanuel Bach. CPEBachCW 1/ 3 (2005), xxxiv, 190p
36. Schulenberg, David:   Seventeenth-Century Keyboard Music in Northern Europe: Germany, Austria, and the Netherlands. [ce]WorldOfBaroqueMusic (2006), 185-212
37. Schulenberg, David:   Fugues and Fingering: Scales and Other Technical Devices in Bach's Contrapuntal Works. [p]AMS_RhodeIsland (Sep 2006)
38. Schulenberg, David:   Why we know so little about Bach's early works: a case study of two keyboard fugues. [fs]Williams70 (2007), 169-203
39. Schulenberg, David:   C.P.E. Bach in Zerbst: The six sonatas of fall 1758 with contributions on the early biography and compositions of Carl Fasch. Schr_MittDMges 14 (2007), 131-152
40. Schulenberg, David:   The Sonate auf Concertenart: A Postmodern Invention? BachPerspectives 7 (2008), 55-96
41. Schulenberg, David:   Fugues, form, and fingering: Sonata style in Bach's preludes and fugues. EastmanStudM 58 (2008), 14-23
42. Schulenberg, David:   Modifying the Da Capo? Through-Composed Da Capo Arias in Cantatas and Oratorios of Bach and Handel. [p]ABS_Bethlehem (May 2008)
43. Schulenberg, David:   El clave bien temperado, parte I. Quodlibet 42 (Sep-Dec 2008), 115-130
44. Schulenberg, David (ed.):   Keyboard Concertos from Manuscript Sources II / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 2 (2009), xviii, 225p
45. Schulenberg, David:   An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. Bach 41/2 (2010), 24-60
46. Kulukundis, Elias N.; Schulenberg, David (eds.):   Keyboard Concertos from Manuscript Sources VIII / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 8 (2010), xvi, 8, 271p
47. Schulenberg, David:   Crossing the Rhine with Froberger: Suites, symbols, and seventeenth-century musical autobiography. DetroitMMcol 55 (2010), 271-302
48. Schulenberg, David:   J.S. Bach, C.P.E. Bach, and the invention of the concerto for keyboard and strings. EarlyKeyboardJ 25-26 (2010), 29-59
49. Schulenberg, David:   The Music of Wilhelm Friedemann Bach EastmanStudM 79 (2010), 354p
50. Schulenberg, David:   Editing Bach's 'preludes and fugues' for organ. OrganYb 39 (2010), 59-72
51. Schulenberg, David:   An Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784). [p]ABS_Wisconsin (May 2010)
52. Schulenberg, David:   An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. [p]BICB_Belfast (Jul 2010)
53. Schulenberg, David:   Modifying the Da Capo? Through-composed arias in vocal works by Bach and other composers. 18cM 8/1 (Mar 2011), 21-51
54. Schulenberg, David:   An enigmatic legacy: Organ music and the Berlin Bach traditions. KeyboardPerspectives 4 (2011), 153-174
55. Schulenberg, David:   Bach's temperament. EarlyM 40/1 (Feb 2012), 166-167
56. Schulenberg, David :   Preludes and Fugues by Bach? Questions of Text, Genre, and Attribution in the Organ Works. [p]ABS_Rochester (Sep 2012)
57. Schulenberg, David:   Performing C. P. E. Bach: some questions answered? EarlyM 41/1 (Feb 2013), 119-122
58. Schulenberg, David (ed.):   Preludes and Fugues I / Johann Sebastian Bach. SämtOrgW(Breitkopf2) 1 (2013), 140p
59. Schulenberg, David:   Carl Philipp Emanuel Bach: a tercentenary assessment. EarlyM 42/3 (Aug 2014), 335-345
60. Schulenberg, David:   The Music of Carl Philipp Emanuel Bach. EastmanStudM 114 (2014), xv, 416p
61. Schulenberg, David (ed.):   Preludes and Fugues II / Johann Sebastian Bach. SämtOrgW(Breitkopf2) 2 (2014), 148p

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