Bach Bibliography
Search Result - Ordered Chronologically

The keys being searched are:
Author : Smither, Howard E.
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Your search has generated the following results ...
TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Smither, Howard E.:   A History of the oratorio. Vol.2: The oratorio in the Baroque era. Protestant Germany and England. (1977), xxii, 393p
Review:
MQ lxi/1 (1979) 128-133 (Helen E. Baker)
RevueMcol lxvi/2 (1980) 233-234 (Michel Noiray)
OMzs xxxvii/12 (1982) 716 (Theophil Antonicek)
2. Smither, Howard E.:   A History of the oratorio. Vol.1: The oratorio in the Baroque era. Protestant Germany and England. (1977), xxvii, 480p
Review:
Brio xv/2 (1978) 56-57 (Clifford Bartlett)
MQ lxiv/3 (1978) 397-402 (Ellen T. Harris)
Notes xxxiv/4 (1978) 55-57 (Margaret Murata)
EtudesClassiques xlvii/1 (1979) 57 (Joseph Legrand)
MLetters lx/3 (1979) 341-345 (Winton Dean)
NRivistaMItali xiii/3 (1979) 699-703 (Lino Bianchi)
JAMSoc xxxii/2 (1979) 343-349 (Sven H. Hansell)
OMzs xxxvii/12 (1982) 716 (Theophil Antonicek)
3. Smither, Howard E.:   A History of the oratorio. Vol.3: The oratorio in the classical era. (1987), 784p
Review:
NZsfM(2) cxlix/9 (1988) 71 (Susanne Oschmann)
JRMA cxiii/2 (1988) 347-350 (Malcolm Boyd)
MLetters lxix/4 (1988) 522-524 (Julian Rushton)
Mf xlii/2 (1989) 184-185 (Helmut Loos)
NRivistaMItali xxiii/1-2 (1989) 152-155 (Lino Bianchi)
4. Smither, Howard E.:   Arienstruktur und Arienstil in den Oratorien und Kantaten Bachs. VeröffJoachimJungiusGWiss 62 (1990), 345-368
5. Smither, Howard E.:   A History of the oratorio. Vol.4: The oratorio in the nineteenth and twentieth centuries. (2000), xxiv, 829p
Review:
Notes lviii/2 (2001) 334-336 (Philip Olleson)
MTimes cxlii/1875 (2001) 78-80 (Michael Fuller)
MLetters lxxxiii/3 (2002) 480-482
Mf lvi/1 (2003) 88-89 (Martin Loeser)
6. Smither, Howard E.:   Historicism in nineteenth-century German oratorio. DetroitMMcol 28 (2000), 263-276
7. Smither, Howard E.:   Die Auferstehung und Himmelfahrt Jesu von Johann Friedrich Agricola und Carl Philipp Emanuel Bach, ein Vergleich. CPEBachKonzepteSR 3/1 (2001), 122-136

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