Bach Bibliography
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Author : Stauffer, George B.
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Stauffer, George B.:   Bach's 'Art of fugue': An Examination of the Sources. Introduction. [Seminar Report.] CurMcol 19 (1975), 47-50
2. Stauffer, George Boyer:   The free organ preludes of Johann Sebastian Bach. diss. (1978), iv, 311p
3. Stauffer, George B.:   The Chronology of Bach's Free Organ Works. [p]AMS_Minneapolis (Oct 1978)
4. Stauffer, George B.:   The Matter of Tempo in Bach's Two- and Three-Part Inventions: Chacun à son temps? [p]AMS_Allegheny (Apr 1980)
5. Stauffer, George Boyer:   The Organ Preludes of Johann Sebastian Bach. StudMcol 27 (1980), xi, 261p
6. Stauffer, George B.:   Über Bachs Orgelregistierpraxis. BachJb 67 (1981), 91-105
7. Stauffer, George B.:   Upstairs at the Thomasschule: Bach's Method of Keyboard Instruction as Revealed in the Manuscripts of H. N. Gerber and Anonymous 5. [p]AMS_Boston (Nov 1981)
8. Stauffer, George B.:   Johann Mattheson and J. S. Bach: the Hamburg connection. [ce]NewMatthesonStudies (1983), 353-368
9. Stauffer, George B.:   Bach's Pastorale in F: A closer look to a maligned work. OrganYb 14 (1983), 44-60
10. Stauffer, George B.; Earle, Eugenia:   'I have often felt both suprise and delight at the means he employed to make, little by little, the faulty good, the good better, and the better perfect ...' -- J. S. Bach as Reviser of his Own Keyboard Works. [p]AMS_GreaterNewYork (Apr 1983)
11. Stauffer, George B.:   Bach's 'Orgelbüchlein': More Than Just a Liturgical Year. AmerOrganist(2) 19/ 3 (Mar 1985), 76-78
12. Stauffer, George B.:   Bach as reviser of his own keyboard works. EarlyM 13/2 (May 1985), 185-198
13. Stauffer, George B.:   'This fantasia is unique, and never had its like'--Problems of Dating Bach's Chromatic Fantasia and Fugue in D minor, BWV 903. [p]AMS_GreaterNewYork (Apr 1985)
14. Stauffer, George B.:   Fugue Types in Bach's Free Organ Works. [ce]JSBOrganist (1986), 133-156
15. Stauffer, George B.:   Bach's Organ Registration Reconsidered. [ce]JSBOrganist (1986), 193-211
16. Stauffer, George B.; May, Ernest (eds.):   J. S. Bach as Organist. His instruments, music and performance practices. [ce]JSBOrganist (1986), 308p
17. Stauffer, George B.; May, Ernest:   Preface (to J. S. Bach as Organist). [ce]JSBOrganist (1986), vii-x
18. Stauffer, George B.:   Forkel's letters to Hoffmeister & Kühnel: A Bach Biographical Source Recovered. JMcol 5/4 (Autumn 1987), 549-561
19. Stauffer, George B. (ed.):   The Forkel-Hoffmeister & Kühnel Correspondence. A Document of the Early 19th-Century Bach Revival. (1988), xxviii, 151p
20. Stauffer, George B.:   Christian Gottlieb Zieglers 'Anleitung zur musikalischen Composition'. Ein Bach-Dokument aus der New York Public Library. BachJb 74 (1988), 185-189
21. Stauffer, George B.:   'Diese Fantasie ... hat nie ihres Gleichen gehabt.' - Zur Rätselhaftigkeit und zur Chronologie der Bachschen Chromatischen Fantasie und Fuge BWV 903. [cr]Leipzig1985 (1988), 253-258
22. Stauffer, George B.:   'This fantasia... never had its like': on the enigma and chronology of Bach's Chromatic Fantasia and Fugue in D Minor, BWV 903. BachStud 1 (1989), 160-182
23. Stauffer, George B.:   Once Again: Bach's So-Called B-Minor Mass. [p]AMS_Capital (Apr 1990)
24. Stauffer, George B.:   On the Unfinished State of Bach's Mass in B Minor. [p]AMS_Chicago (Nov 1991)
25. Ritchie, George; Stauffer, George B.:   Organ Technique: Modern and Early. (1992), xv, 382p
26. Stauffer, George B.:   Boyvin, Grigny, D'Anglebert, and Bach's assimilation of French Classical organ music. EarlyM 21/1 (Feb 1993), 83-84, 86-96
27. Stauffer, George B.:   Leipzig: a cosmopolitan trade centre. ManM 4 (1993), 254-295
28. Stauffer, George B.:   J. S. Bach as Organ Pedagogue. FestschriftSer 12 (1994), 25-44
29. Stauffer, George B.:   Sammenstillingen af praeludium og fuga. Organistbladet 60/1 (1994), 11-25
30. Stauffer, George B.:   De organist Bach. [ce]WereldBachCantates 1 (1995), 86-101
31. Stauffer, George B.:   J. S. Bach's Harpsichords. FestschriftSer 14 (1995), 289-318
32. Stauffer, George B.:   The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing. BachPerspectives 2 (1996), 1-9
33. Stauffer, George B.:   The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection. BachPerspectives 2 (1996), 181-203
34. Stauffer, George B. (ed.):   J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade. BachPerspectives 2 (1996), xv, 219p
35. Stauffer, George B.:   Bach der Organist. [ce]WeltBachKantaten 1 (1996), 87-102
36. Stauffer, George B.:   Bach: The Mass in B Minor ('The Great Catholic Mass') (1997), xiv, 309p
37. Stauffer, George B.:   President's Report: The first ABS CD, Bach Perspectives 3, and ABS New Haven. AmerBachSocNL (Fall 1997), 1
38. Stauffer, George B.:   Changing issues of performance practice. [ce]CambridgeCompanion_Bach (1997), 203-217
39. Stauffer, George B.:   Bach the Organist. [ce]WorldOfBachCantatas 1 (1997), 77-92
40. Stauffer, George B.:   President's Report: ABS Activities in Washington, Bethlehem, and New York. AmerBachSocNL (Fall 1998), 1
41. Stauffer, George B.:   De sinfonia's. [ce]WereldBachCantates 3 (1998), 156-175
42. Stauffer, George B.:   President's Report: The Latest News from Leipzig. AmerBachSocNL (Fall 1999), 1
43. Stauffer, George B.:   Die Sinfonien. [ce]WeltBachKantaten 3 (1999), 157-176
44. Stauffer, George B.:   Bachs Leipziger Orgel- und Klavierwerke. Bachfest_Leipzig 2000 (2000), 71-82
45. Stauffer, George B.:   Bach's Leipzig Organ and Clavier Works. Bachfest_Leipzig 2000 [English edn] (2000), 73-82
46. Stauffer, George B.:   Beyond Bach the Monument, Who Was Bach the Man? NYTimes (2 Apr 2000)
47. Stauffer, George B.:   Organist Bach. [ce]BachKantataNoSekai 1 (2001), 131-154
48. Stauffer, George B.:   Rewriting Bach, As Bach Rewrote Others. NYTimes (25 Feb 2001)
49. Stauffer, George B.:   Sinfonia. [ce]BachKantataNoSekai 3 (2002), 265-297
50. Stauffer, George B.:   Breaking New Ground: Bach's Cantata Movements with Obbligato Organ. [p]ABS_Houston (Apr 2002)
51. Stauffer, George B.:   The Arts and Royal Extravagance: Music at the French Court. [ce]WorldOfBaroqueMusic (2006), 105-121
52. Stauffer, George B.:   Bach and the Bounds of Originality. [ce]WorldOfBaroqueMusic (2006), 213-234
53. Stauffer, George B. (ed.):   The World of Baroque Music: New Perspectives. [ce]WorldOfBaroqueMusic (2006), x, 293p
54. Stauffer, George B.:   The Symbolum Nicenum of the B-minor Mass and Bach's Late Choral Ideal. [cr]Belfast2007 1 (2007), 116-117
55. Stauffer, George B.:   The Symbolum Nicenum of the B-minor Mass and Bach's Late Choral Ideal. [cr]Belfast2007 1 [supplement 3] (Nov 2007), 11p
56. Stauffer, George B.:   Music for 'Cavaliers et Dames': Bach and the Repertoire of His Collegium Musicum. [ce]AboutBach (2008), 135-156
57. Butler, Gregory G.; Stauffer, George B.; Dalton Greer, Mary (eds.):   About Bach. [ce]AboutBach (2008), xi, 216p
58. Stauffer, George B.:   Bach's Cantata and Passion Movements with obbligato Organ. [fs]Kooiman70 (2008), 19-41
59. Stauffer, George B.:   Bach and the Lure of the Big City. [ce]AstonMagnaAcademy (2009), 243-266
60. Stauffer, George B.:   The complete organ works of J.S. Bach: The Leupold Edition. AmerOrganist(2) 44/ 9 (Sep 2010), 40-43
61. Stauffer, George B.:   Ein neuer Blick auf Bachs 'Handexemplare': Das Beispiel Clavier-Übung III. BachJb 96 (2010), 29-52
62. Stauffer, George B. (ed.):   Clavier-Übung III / Johann Sebastian Bach. CompOrgWorks(Leupold) 8 (2010), xxxii, 136p
63. Stauffer, George B.:   Bach's Late Works and the Central German Organ. KeyboardPerspectives 3 (2010), 113-130
64. Stauffer, George B. (ed.):   Pedagogical works: Eight short preludes and fugues, pedal exercitium, Orgel-Büchlein--Standard Urtext. CompOrgWorks(Leupold) 1a (2012), li, 139p
65. Stauffer, George B. (ed.):   Pedagogical works: Eight short preludes and fugues, pedal exercitium, Orgel-Büchlein--Practical Urtext. CompOrgWorks(Leupold) 1b (2012), xxxviii, 197p

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