Bach Bibliography
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Author : Talbot, Michael
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Your search has generated the following results ...
TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Talbot, Michael:   The Concerto Allegro in the Early Eighteenth Century. MLetters 52/1, 2 (Jan; Apr 1971), 8-18; 159-172
2. Talbot, Michael:   A Vivaldi Sonata with obbligato Organ in Dresden. OrganYb 12 (1981), 81-103
3. Fanna, Antonio; Talbot, Michael (eds.):   Vivaldi vero e falso: Problemi di attribuzione. StudiMVenetaQuadVivaldi 7 (1992), 192p
4. Talbot, Michael:   A Further Borrowing from Albinoni: The C Major Fugue BWV 946. [cr]Rostock1990 (1995), 142-161
5. Talbot, Michael:   Die italienische weltliche Kantate. [ce]WeltBachKantaten 2 (1997), 33-48
6. Talbot, Michael:   De Italiaanse wereldlijke cantate. [ce]WereldBachCantates 2 (1997), 32-47
7. Talbot, Michael:   Purpose and peculiarities of the Brandenburg Concertos. [p]BCB_Exeter (Jul 1998)
8. Talbot, Michael:   Purpose and Peculiarities of the Brandenburg Concertos [p]BS_Dortmund (Jan 1998)
9. Talbot, Michael:   Purpose and Peculiarities of the Brandenburg Concertos. DortmundBachF 2 (1999), 255-289
10. Talbot, Michael:   Itariago no Sezoku Kantata. [ce]BachKantataNoSekai 2 (2002), 53-78
11. Talbot, Michael:   Wenzel von Morzin as a Patron of Antonio Vivaldi. FaschSt 9 (2003), 67-76
12. Talbot, Michael:   Die italienische weltliche Kantate. HandbMlGattungen 17/2 (2010), 25-32
13. Talbot, Michael:   Die Violine als Imitator anderer Instrumente in der Musik von Antonio Vivaldi und Tomaso Albinoni. TelemannKonfBer 15 (2010), 56-69

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