Bach Bibliography
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Williams, Peter F.:   J. S. Bach and English Organ Music. MLetters 44/2 (Apr 1963), 140-151
2. Williams, Peter F.:   Bach at Edinburgh. MTimes 104/1449 (Nov 1963), 815
3. Williams, Peter F.:   Bach Thoughts from Edinburgh. MTimes 106/1472 (Oct 1965), 771-772
4. Williams, Peter F.:   The European Organ 1450-1850. (1966), 336p
Review:
MTimes cviii/1489 (Mar 1967) 230-231 (Walter Emery), followed in no.1490 (Apr 1967) 332-333 by Cecil Clutton and author, further followed by Emery in no.1491 (May 1967) 427-428.
5. Williams, Peter F.:   The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54/4 (Oct 1968), 503-523
6. Williams, Peter F.:   Basso continuo on the Organ. MLetters 50/1, 2 (Jan; Apr 1969), 136-152; 230-245
7. Williams, Peter F.:   Figured Bass Accompaniment. (1970), 117, 131p
Review:
MTimes cxii (1971) 239-240 (Denis Arnold)
MLetters lii/3 (1971) 321-322 (Jack Allen Westrup)
JAMSoc xxv/3 (1972) 476-479 (Tharald Borgir)
OrganYb iii (1972) 105 (Gustav Leonhardt)
MQ lviii/2 (1972) 308-315 (George J. Buelow)
AmerRecorder xiv/3 (1973) 91 (Dale Higbee)
8. Williams, Peter F.:   The Organs of Saxony. MTimes 111/1533 (Nov 1970), 1141-1143
9. Williams, Peter F.:   The French Silbermann. MTimes 112/1535 (Jan 1971), 77-78
10. Williams, Peter F.:   Bach Organ Music. BBCMGuides 20 (1972), 71p
Review:
MTimes cxiii/1554 (Aug 1972) 775 (Walter Emery)
OrganYb v (1974) 130-133 (Roger Bullivant)
11. Williams, Peter F.:   Bach Recitatives. MTimes 115/1579 (Sep 1974), 747
12. Williams, Peter F.:   Bach's Seven Fughette. MTimes 116/1589 (Jul 1975), 653, 655, 657
13. Williams, Peter F.:   Why do we need a new book on Bach's Organ Music? MReview 38/4 (1977), 249-257
14. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? MTimes 120/1636 (Jun 1979), 476-479
15. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. MTimes 120/1637 (Jul 1979), 571-573
16. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 3: The suspirans. MTimes 120/1638 (Aug 1979), 648-650
17. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. MTimes 120/1640 (Oct 1979), 816-818
18. Williams, Peter F.:   A New History of the Organ from the Greeks to the Present Day. (1980), 233p
Review:
MReview xli/3 (Aug 1980) 235-237 (John Horton)
FontesArtisM xxvii/3-4 (Jul-Dec 1980) 231-232 (Pierre J. Hardouin)
EarlyM ix/1 (Jan-Mar 1981) 106-107 (Howard Schott)
GalpinSocJ xxxiv (Mar 1981) 166-168 (Edward Ridley; Keane Alexander)
MQ lxvii/1 (Jan 1981) 118-124 (George B. Stauffer)
Notes xxxviii/1 (Sep 1981) 71 (George R. Hill)
MLetters lxii/3-4 (Jul-Oct 1981) 370-371 (James Dalton)
19. Williams, Peter F.:   The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) (1980), 357p
Review:
EarlyM ix/1 (Jan 1981) 96, 99-100 (Stephen Daw)
Music in Worship xvi (Jun 1981) 17-18 (Robin A. Leaver)
Notes xxxviii/1 (Sep 1981) 65-66 (George Stauffer)
Mf xxxv/2 (1982) 195 (Raimund W. Sterl)
MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton)
BachJb lxviii (1982) 166-169 (Ernest May)
OrganYb xiii (1982) 146-147 (Gustav Leonhardt)
MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson)
AmerOrganist(2) xx (1986) 29 (Arthur Lawrence)
20. Williams, Peter F.:   The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). 1 (1980), 365p
Review:
AmerOrganist(2) xiv/10 (1980) 6-8 (Hettrick Jane Schatkin)
Notes xxxviii/1 (1981) 65-66 (George Stauffer)
MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton), followed by author in MLetters lxv/1 (Jan 1984) 135
BachJb lxviii (1982) 166-169 (Ernest May)
Mf xxxv/2 (1982) 193-196 (Raimund W. Sterl)
JBritishInstOrganStud vi (1982) 117-118 (John Rowntree)
MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson)
AmerOrganist(2) xx (1986) 29 (Arthur Lawrence)
21. Williams, Peter F.:   BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9/3 (Jul 1981), 330-337
22. Williams, Peter F.:   The Musical Aims of J. S. Bach's 'Clavierübung III'. [gs]Dart (1981), 259-278
23. Williams, Peter F.:   J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 68 (1982), 131-142
24. Williams, Peter F.:   Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73/ 4:869 (Apr 1982), 3-4
25. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--I. AmerOrganist(2) 17/ 1 (Jan 1983), 45-47
26. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. AmerOrganist(2) 17/ 3 (Mar 1983), 50-52
27. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? AmerOrganist(2) 17/ 9 (Sep 1983), 42-47
28. Williams, Peter F.:   The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. BaslerJbHistMpraxis [Sonderband] (1983), 230-240
29. Williams, Peter F.:   J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11/1, 3 (Jan, Jul 1983), 46-52; 332-339
Review:
EarlyM xi/3 (Jul 1983) 419 (Guy Sigsworth) [correspondence] followed by a reply by the author
30. Williams, Peter F.:   The Organ Music of J. S. Bach. III: A Background. 3 (1984), 309p
Review:
Notes xli/4 (Jun 1985) 712-713 (Russell Stinson)
EarlyM xiii/2 (May 1985) 279-280,283 (John Butt)
Mf xxxix/2 (1986) 166 (Raimund W. Sterl)
BachJb lxxii (1986) 140-143 (George B. Stauffer)
RevueMcol lxxii/2 (1986) 292-294 (Georges Guillard)
AmerOrganist(2) xx (1986) 29 (Arthur Lawrence)
PerformPractReview ii/1 (Spring 1989) 103-106 (Kimberly Marshall)
MLetters lxxi/4 (Nov 1990) 559-561 (Keith Elcombe)
31. Williams, Peter F.:   Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. AmerOrganist(2) 18/ 2 (Feb 1984), 38-39
32. Williams, Peter F.:   Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. AmerOrganist(2) 18/ 9 (Sep 1984), 44-45
33. Williams, Peter F.:   J. S. Bach: Mass in B minor. EarlyM 12/1 (Feb 1984), 137,139,141
Review:
'Bach's chorus [correspondence.]' in: EarlyM xii/3 (1984) 431 (Malcolm Boyd); xii/4 (1984) 591 (Joshua Rifkin).
34. Williams, Peter F.:   Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12/3 (Aug 1984), 345-354
35. Williams, Peter F.:   Some Tercentenary Questions for the Performer. AmerOrganist(2) 19/ 1 (Jan 1985), 42-46
36. Williams, Peter F.:   Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. AmerOrganist(2) 19/ 2 (Feb 1985), 56-57
37. Williams, Peter F.:   Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. AmerOrganist(2) 19/ 3 (Mar 1985), 118-119
38. Williams, Peter F.:   Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. AmerOrganist(2) 19/ 4 (Apr 1985), 82-84
39. Williams, Peter F.:   Suggestions for Playing the Works of Bach--IX: The Italian music. AmerOrganist(2) 19/ 5 (May 1985), 74-75
40. Williams, Peter F.:   Suggestions for Playing the Works of Bach--X: The Transcriptions. AmerOrganist(2) 19/ 6 (Jun 1985), 44-46
41. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. AmerOrganist(2) 19/ 7 (Jul 1985), 56-58
42. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. AmerOrganist(2) 19/ 8 (Aug 1985), 38-40
43. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. AmerOrganist(2) 19/ 9 (Sep 1985), 62-64
44. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? AmerOrganist(2) 19/10 (Oct 1985), 117-119
45. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. AmerOrganist(2) 19/11 (Nov 1985), 91-93
46. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? AmerOrganist(2) 19/12 (Dec 1985), 60-62
47. Williams, Peter F.:   'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. [ce]BHSTercentenaryEssays (1985), 327-346
48. Williams, Peter F.:   Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays (1985), xiv, 363p
Review:
EarlyM xiii/4 (Nov 1985) 571,573 (Malcolm Boyd)
MLetters lxvii/3 (Jul 1986) 290-292 (George J. Buelow)
MQ lxxii/2 (1986) 272-282 (George B. Stauffer)
AmerRecorder xxvii/3 (1986) 117 (Eleanor Selfridge-Field)
Mf xl/4 (1987) 364-366 (Hellmut Federhofer)
BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze)
49. Williams, Peter F.:   Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? Concerto 2/4 (Jun 1985), 41-48
50. Williams, Peter F.:   Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? JAmerMInstrSoc 11 (1985), 38-54
51. Williams, Peter F.:   Encounters with the Chromatic Fourth ... or, More on Figurenlehre. MTimes 126/1707-1708 (May-Jun 1985), 276-278; 339-343
52. Williams, Peter F.:   New Bach? [on recently discovered chorales] MTimes 126/1710 (Aug 1985), 452
53. Williams, Peter F.:   Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. AmerOrganist(2) 20/ 6 (Jun 1986), 63-64
54. Williams, Peter F.:   Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 72 (1986), 123-125
55. Williams, Peter F.:   The Snares and Delusions of Notation: Bach's Early Organ Works. [ce]JSBOrganist (1986), 274-294
56. Williams, Peter F. (ed.):   Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. EdEulenburg 1390 (1986), xxxviii, 51p
57. Williams, Peter F. (ed.):   Kunst der Fuge / Johann Sebastian Bach. EdEulenburg 1391 (1986), xlvi, 138p
58. Williams, Peter F.:   The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' [fs]Fisk (1986), 267-282
59. Williams, Peter F.:   Hints for performance in J. S. Bach's 'Clavierübung' prints. EarlyKeyboardJ 5 (1986-87), 29-44
60. Williams, Peter F.:   Playing the organ works of Bach: Some case studies. (1987), 128p
61. Williams, Peter F.; Owen, Barbara:   The Organ. (1988), 438p
Review:
EarlyKeyboardJ xi (1993) 142-144 (John T. Fesperman)
62. Williams, Peter F.:   2/4 Time and J. S. Bach. [p]AMS_Southeast (Mar 1988)
63. Williams, Peter F.:   French overture conventions in the hands of the young Bach and Handel. BachStud 1 (1989), 183-193
64. Williams, Peter F.:   A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17/1 (Feb 1989), 43-54
65. Williams, Peter F.:   Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. EarlyM 21/4 (Nov 1993), 613-622
66. Williams, Peter F.:   Johann Sebastian Bach and the Basso Continuo. BaslerJbHistMpraxis 18 (1994), 67-86
67. Williams, Peter F.:   Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. EarlyM 22/1 (Feb 1994), 101-113
Review:
EarlyM xxiii/2 (May 1995) 365-366 (Douglas Hollick, followed by the author)
68. Williams, Peter F.:   Towards a close reading of Carl Philipp Emanuel Bach. FestschriftSer 13 (1994), 143-156
69. Williams, Peter F.:   Két esettanulmány az előadói gyakorlat és a notáció részleteinek témaköréből; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. BachTanulmanyok 4 (1995), 5-41; 25-41 Latin 2
70. Williams, Peter F.:   Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. (1996), 441p
Review:
OMzs lii/8 (1997) 74 (Hartmut Krones)
MKirche lxvii (1997) 399 (Wolfgang Stockmeier)
Organ(Mainz) i/1 (1998) (Jean Claude Kaegi)
Mf lii/3 (1999) 373 (Werner Breig)
Mtheorie xiv/4 (1999) 378-380 (Reinhard Schäfertöns)
MSacra cxix/1 (1999) 41 (Guido Krawinkel)
OrganYb xxix (2000) 188-190 (Michael Heinemann)
ArsOrgani xlviii/2 (2000) 109-110 (Martin Weyer)
71. Williams, Peter F.:   Orugan Kyoku. [ce]BachJiten (1996), 294-298
72. Williams, Peter F.:   Considérations sur la nouvelle mesure ŕ 2/4 au début du XVIIIe sičcle. [cr]Metz1994 (1996), 85-98
73. Williams, Peter F.:   J.S. Bach y el compás de 2/4. Quodlibet 5 (Jun 1996), 3-18
74. Williams, Peter F.:   The Chromatic Fourth. During Four Centuries of Music. (1998), 272p
Review:
EarlyMReview 40 (1998) 4-5 (Clifford Bartlett)
MLetters lxxix/4 (1998) 586-588 (Lionel Pike)
TimesLiterarySuppl 4976 (1998) 20 (Colin Matthews)
MagyarZene xxxvii/2 (1999) 197-207 (Katalin Komlós)
EarlyM xxvii/3 (1999) 485-486 (Fabrice Fitch)
Mf liii/3 (2000) 353 (Diether de la Motte)
ZsGMtheorie iv/1-2 (2007) (Ariane Jeßulat)
75. Williams, Peter F.:   Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. (1998), 476p
Review:
MKirche lxix/2 (1999) 111-112 (Wolfgang Stockmeier)
MSacra cxix/1 (1999) 41 (Guido Krawinkel)
ArsOrgani xlviii/2 (2000) 109-110 (Martin Weyer)
OrganYb xxix (2000) 188-190 (Michael Heinemann)
Mf liv/1 (2001) 76-77 (Werner Breig)
76. Williams, Peter F.:   Some thoughts on Italian elements in certain music of Johann Sebastian Bach. Recercare 11 (1999), 185-198
77. Hurford, Peter; Williams, Peter F.:   Approaches to Bach Performance and Scholarship, then, now, next (Nov-Dec 2000)
78. Williams, Peter F.:   Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. (2000), 365p
Review:
Organ(Mainz) iii/4 (2000) (Jean Claude Kaegi)
OrganYb xxix (2000) 188-190 (Michael Heinemann)
79. Williams, Peter F.:   Playing and studying Bach: Where next? BIOSJ 24 (2000), 80-92
80. Williams, Peter F.:   Are we any closer to understanding Bach, the organist and organ-composer? [ce]IAOMillenniumBook (2000), 1-14
81. Williams, Peter F.:   Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. MQ 84/4 (Winter 2000), 756-775
82. Williams, Peter F.:   Stop Press: Some questions about JS Bach and his organ music. MTimes 141/1870 (Spring 2000), 34-40
83. Williams, Peter F.:   Sui generis: some fashionable uses to which Bach is put. MTimes 141/1871 (Summer 2000), 8, 10, 12-15
84. Williams, Peter F.:   Decoding Bach 2: Clouds of witness. MTimes 141/1872 (Autumn 2000), 13-15
85. Williams, Peter F.:   Further on Changing Manuals in Works of J. S. Bach. OrganYb 29 (2000), 75-90
86. Williams, Peter F.:   J. S. Bach y la distribución entre las manos derecha e izquierda. Quodlibet 18 (Oct 2000), 68-84
87. Williams, Peter F.:   Bach: The Goldberg Variations. CambridgeMHandb (2001), 101p
Review:
MTimes cxlii/1877 (2001) 65-66 (Yo Tomita)
Yo Tomita, 'On-line Book Review'
Notes lix/2 (Dec 2002) 346-348 (Matthew Dirst)
TimesLiterarySuppl 5163 (15 Mar 2002) 21 (Martin J. Smith)
EarlyKeyboardJ xxi (2003) 113-118 (William Cowdery)
MLetters lxxxiv/1 (Feb 2003) 95-97 (Stephen Rose)
18cM i/2 (Sep 2004) 318-319 (Denis Collins)
88. Williams, Peter F.:   Recent questionable approaches to J. S. Bach. [fs]Tagliavini70 (2001), 553-572
89. Williams, Peter F.:   The Organ Music of J. S. Bach. Second Edition. (2003), x, 624p
Review:
Ian Mills, 'On-line Book Review'
EarlyMReview 97 (2004) 9 (Clifford Bartlett)
MagyarZene xlii/2 (May 2004) 214-216 (Katalin Komlós)
Notes lxi/2 (2004) 430-432 (Lawrence Archbold)
Bach xxxv/2 (2004) 69-71 (Markus Rathey)
MEducatorsJ xcii/3 (Jan 2006) 20-21 (Thomas Zatorski)
90. Williams, Peter F.:   Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope (2003), 140-156
91. Williams, Peter F.:   Some further Thoughts. DortmundBachF 6 (2003), 371-388
92. Williams, Peter F.:   The Life of Bach. (2004), viii,219p
Review:
MTimes cxlv/1886 (Spring 2004) 116-118 (Wilfrid Mellers)
Yo Tomita, 'On-line Book Review'
MagyarZene xlii/2 (May 2004) 214-216 (Katalin Komlós)
EarlyMReview 101 (Jun 2004) 11 (Clifford Bartlett)
BachNotesLBS (Sep 2004) [4] (Margaret Steinitz)
Notes lxi/3 (Mar 2005) 772-774 (Daniel Boomhower)
BachNotesABS 3 (2005) 7-9 (Jan-Piet Knijff)
WeeklyStandard xii/23 (26 Feb 2007) (George B. Stauffer)
93. Williams, Peter F.:   Public Executions and the Bach Passions. BachNotesABS 2 (Fall 2004), 1-4
94. Williams, Peter F.:   More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? OrganYb 33 (2004), 139-143
95. Williams, Peter F.:   Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. [fs]Owen (2005), 53-71
96. Williams, Peter F.:   J.S. Bach: A Life in Music. (2007), xi, 405p
Review:
The New York Sun (Mar 23, 2007) (Benjamin Ivry)
BachNotesLBS (Sep 2007) [2] (Margaret Steinitz)
MTimes cxlviii/1901 (Winter 2007) 108-109 (Patricia Howard)
FontesArtisM lv/1 (2008) 88-89 (Kathryn Lowerre)
MLetters lxxxix/4 (2008) 622-625 (John Butt)
JAMSoc lxii/2 (Summer 2009) 475-482 (Matthew Dirst)
97. Williams, Peter F.:   The music of J.S. Bach: excerpts from the writings of Peter Williams. [fs]Williams70 (2007), 371-381
98. Williams, Peter F.:   Again: Was J.S. Bach an expert on organs? OrganYb 36 (2007), 86-105
99. Williams, Peter F.:   Can editions of Bach or Scarlatti be entirely trusted? RCOJ 1 (2007), 18-28
100. Williams, Peter F.:   J. S. Bach: Ein Leben in der Musik. (2008), 575p
101. Williams, Peter F.:   Johann Sebastian Bach's ideal organ. OrganistsReview 94/2 (May 2008), 7-13
102. Williams, Peter F.:   Frescobaldi's Fiori musicali and Bach. Recercare 24/1-2 (2012)

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