Bach Bibliography
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Buelow, George J.Expressivity in the accompanied recitatives of Bach's cantatas. BachStud 1 1989 18-35
2. Marshall, Robert L.On the origin of Bach's Magnificat: a Lutheran composer's challenge. BachStud 1 1989 3-17
3. Crist, Stephen A.Aria forms in the Cantatas from Bach's first Leipzig Jahrgang. BachStud 1 1989 36-53
4. Brainard, PaulThe regulative and generative roles of verse in Bach's 'thematic' invention. BachStud 1 1989 54-74
5. Chafe, Eric T.The St John Passion: theology and musical structure. BachStud 1 1989 75-112
6. Mann, AlfredBach's parody technique and its frontiers. BachStud 1 1989 115-124
7. Stinson, RussellThree organ-trio transcriptions from the Bach circle: keys to a lost Bach chamber work. BachStud 1 1989 125-159
8. Stauffer, George B.'This fantasia... never had its like': on the enigma and chronology of Bach's Chromatic Fantasia and Fugue in D Minor, BWV 903. BachStud 1 1989 160-182
9. Williams, Peter F.French overture conventions in the hands of the young Bach and Handel. BachStud 1 1989 183-193
10. Siegele, UlrichThe four conceptual stages of the Fugue in C Minor, WTC I. BachStud 1 1989 197-224
11. Brokaw, James A., II.The genesis of the Prelude in C Major, BWV 870. BachStud 1 1989 225-239
12. Franklin, Don O.Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021). BachStud 1 1989 240-278
13. Finscher, LudwigBach in the eighteenth century. BachStud 1 1989 281-296
14. Zenck, MartinTradition as authority and provocation: Anton Webern's confrontation with Johann Sebastian Bach. BachStud 1 1989 297-322
15. Herz, GerhardThe human side of the American Bach sources. BachStud 1 1989 323-350
16. Franklin, Don O. (ed.)Bach Studies. [1] BachStud 1 1989 362p
17. Cameron, Jasmin MelissaThe Crucifixion in Music: An Analytical Survey of Settings of the Crucifixus between 1680 and 1800. ContextBachStud 1 2006 xxiv, 371p

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