Bach Bibliography
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1. Expressivity in the accompanied recitatives of Bach's cantatas. BachStud 1 1989 18-35
2. On the origin of Bach's Magnificat: a Lutheran composer's challenge. BachStud 1 1989 3-17
3. Aria forms in the Cantatas from Bach's first Leipzig Jahrgang. BachStud 1 1989 36-53
4. The regulative and generative roles of verse in Bach's 'thematic' invention. BachStud 1 1989 54-74
5. The St John Passion: theology and musical structure. BachStud 1 1989 75-112
6. Bach's parody technique and its frontiers. BachStud 1 1989 115-124
7. Three organ-trio transcriptions from the Bach circle: keys to a lost Bach chamber work. BachStud 1 1989 125-159
8. 'This fantasia... never had its like': on the enigma and chronology of Bach's Chromatic Fantasia and Fugue in D Minor, BWV 903. BachStud 1 1989 160-182
9. French overture conventions in the hands of the young Bach and Handel. BachStud 1 1989 183-193
10. The four conceptual stages of the Fugue in C Minor, WTC I. BachStud 1 1989 197-224
11. The genesis of the Prelude in C Major, BWV 870. BachStud 1 1989 225-239
12. Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021). BachStud 1 1989 240-278
13. Bach in the eighteenth century. BachStud 1 1989 281-296
14. Tradition as authority and provocation: Anton Webern's confrontation with Johann Sebastian Bach. BachStud 1 1989 297-322
15. The human side of the American Bach sources. BachStud 1 1989 323-350
16. Bach Studies. [1] BachStud 1 1989 362p
17. The Crucifixion in Music: An Analytical Survey of Settings of the Crucifixus between 1680 and 1800. ContextBachStud 1 2006 xxiv, 371p

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