|
TUESDAY The Procession of the Encounter
|
||
|
The main event on Tuesday is the Procession of the Encounter (Procissão do Encountro), also referred to as the Procession of the Stations (Procissão de Passos). This procession, like the one that takes place on Wednesday, makes a series of stops at little chapels known as 'passos' (stations), and one motet is sung at each station. The procession is known as the Procession of the Encounter because it involves two processions, one for the men, who follow the (depositied) image of Our Lord of the Stations, and one for the women, who follow Our Lady of Sorrows. At a specified venue, the two images meet, a dramatic event that elicits tears from some devotees.Between the stations, the town band plays its repertoire of dirges. |
||
|
|
||
|
There are seven stations, including the Cathedral and the Church of Sorrows. Each of the five stations contains a large painting depicting one of the Stations of the Cross, and the choir sings the motet that narrates the episode being represented. The family responsible for the chapel lovingly decorates it with flowers and candles. |
||
| The 1st Station is commemorated at the Church of Sorrows, where the choir sings the 1st Motet of the Stations, Pater mi, in the series by Manoel Dias de Oliveira. The text and translation are as follows: | ||
|
|
||
|
||
| The 2nd Station contemplates Jesus carrying the cross. As the participants in the procession contemplate the painting contained in the chapel, the choir sings the 2nd Motet of the Stations, Bajulans. The text and translation are as follows: | ||
|
||
| The 3rd Station commemorates Jesus's encounter with his mother. Upon arriving at the chapel the choir sings the 3rd Motet of the Stations, Exeamus.The text and translation are as follows: | ||
|
||
|
|
||
| Following the choir's performance, there is a lengthy sermon which culminates in the meeting of the two images, that then process together back to the Cathedral. | ||
|
|
||
| The next Station contemplates the assistance Jesus received from Simon Cyrenian with the motet Angariaverunt. This is actually the 5th motet, but it is sung as the 4th so the text will co-ordinate with the painting in the chapel. | ||
|
||
|
|
||
| The next Station is devoted to Jesus's encounter with Veronica, a non-biblical character who wiped the blood from Christ's face, capturing his image on her cloth. At this station the choir sings the 4th Motet, O vos omnes. | ||
|
||
|
|
||
| The choir perform Filiae Jerusalem at the 6th Chapel. | ||
|
||
| The 7th Station is celebrated at the Cathedral, where the choir sings the 7th Motet of Sorrows, Popule meus. | ||
|
||
|
|
||
|
At the conclusion of the procession, the images are taken
into the Cathedral, and the population wait in turn to bless themselves.
|
||
|
|
||
|
The twelve people chosen to represent the apostles throughout
Holy Week stand honouring the images while the population show their devotion.
|
||