Conference Programme

A detailed conference timetable is now available for download.

Click here to download.

The PDF timetable relates to the conference proper, i.e. those days on which papers will be read. For the remaining days, please see the programme outline below.

A draft programme of abstracts is now available for download.

Click here to download.

Delegates who have not yet submitted their revised abstracts may do so by 24 May 2010 , by emailing us at baroque.conference@qub.ac.uk . The online draft will occasionally be updated to include newly submitted revisions. After 24 May 2010, the abstracts will undergo final editing and will be submitted for publication in the Conference Programme Book. No revisions will be accepted after this date.


Programme Outline

Wednesday, 30 June 2010

Registration -- opens at 12.00 noon. Light refreshments will be served.
'Come & Sing'
Welcome reception (supported by Society for Musicology in Ireland)

Thursday, 1 July 2010

Sessions 1-4 *
Traditional Irish pub night

Friday, 2 July 2010

Sessions 5-8
Lunchtime concert

Evening events at Culloden:

Wine reception (supported by BNUK)
Keynote address
Pre-dinner Irish traditional concert
Conference dinner

Saturday, 3 July 2010

Sessions 9-12
Closing concert

Sunday, 4 July 2010

Business meeting
Giant’s Causeway tour

*     *     *

A wide range of books on music will be exhibited and offered for sale by
Rosemary Dooley and Ashgate Publishing.


* Each session consists of 4 parallel strands.

List of Delegates

(last updated: 24 June 2010)

  • Martin Adams (Trinity College Dublin, Republic of Ireland)
  • Rebekah Ahrendt (University of California, Berkeley, USA)
  • Isabel Albergaria (Conservatório de Ponta Delgada, Portugal)
  • William Allen-Dalgleish (Westminster Choir College, USA)
  • Suzanne Aspden (University of Oxford, UK)
  • Claudio Bacciagaluppi (University of Fribourg, Switzerland)
  • Kathryn Baillargeon (University of California, Santa Barbara, USA)
  • Michael Baker (University of Kentucky, USA)
  • Naomi Barker (Blaydon-on-Tyne, UK)
  • Gregory Barnett (Rice University, USA)
  • Manuel Bärwald (Bach-Archiv Leipzig, Germany)
  • Graydon Beeks (Pomona College, USA)
  • Stefaine Beghein (University of Antwerp, Belgium)
  • David Black (University of Cambridge, UK)
  • Marco Aurelio Brescia (L’Université Paris-Sorbonne, France & Universidade Nova de Lisboa, Portugal)
  • Rosana de Moraes Marreco Orsini Brescia (L’Université Paris-Sorbonne, France & Universidade Nova de Lisboa, Portugal)
  • Louis Brouillette (Université de Montréal, Canada)
  • Bella Brover-Lubovsky (Hebrew University & Jerusalem Academy of Music and Dance, Israel)
  • Rogerio Budasz (University of California, Riverside, USA)
  • Donald Burrows (The Open University, UK)
  • John Butt (University of Glasgow, UK)
  • Jennifer Cable (University of Richmond, USA)
  • Luciana Câmara (University of Glasgow, UK)
  • Tim Carter (University of North Carolina, Chapel Hill, USA)
  • Holly Champion (University of New South Wales, Sydney, Australia)
  • Jen-Yen Chen (National Taiwan University, Taiwan)
  • Leon Chisholm (University of California, Berkeley, USA)
  • David Chung (Hong Kong Baptist University, People’s Republic of China)
  • Carrie Churnside (Birmingham Conservatoire, UK)
  • Dalia Cohen (Hebrew University, Jerusalem, Israel)
  • Luigi Collarile (University of Fribourg, Switzerland)
  • Mihaela Corduban (University of Montreal, Canada)
  • David Cranmer (Universidade Nova de Lisboa, Portugal)
  • Elise Crean (Queen’s University Belfast, UK)
  • John Cunningham (University of Leeds, UK)
  • Ivan Curkovic (University of Zagreb, Croatia)
  • Rebecca Cypess (New England Conservatory, USA)
  • João Pedro D’Alvarenga (Universidade Nova de Lisboa, Portugal)
  • Francesco Dalla Vecchia (University of Iowa, USA)
  • Cécile Davy-Rigaux (Institut de Recherches sur le Patrimoine Musical en France, France)
  • Katie De La Matter (City University London, UK)
  • Valeria De Lucca (University of Southampton, UK)
  • Adam Dieffenbach (Queen’s University Belfast, UK)
  • Jennifer Dieffenbach (Queen’s University Belfast, UK)
  • Pieter Dirksen (Culemborg, the Netherlands)
  • Kirill Diskin (N. A. Rimsky-Korsakov State Conservatory of St Petersburg, Russia)
  • Michael Dodds (UNC School of the Arts, USA)
  • José María Domínguez (University of Extremadura, Spain)
  • Rosemary Dooley (Rosemary Dooley, UK)
  • Antonella D’Ovidio (Università di Siena, Italy)
  • Norbert Dubowy (Covington, USA)
  • Alison Dunlop (Queen’s University Belfast, UK)
  • Elizabeth Dyer (University of York, UK)
  • Nobuaki Ebata (Meiji Gakuin University, Japan)
  • Tassilo Erhardt (Roosevelt Academy, the Netherlands)
  • Erasmo Estrada (University of Edinburgh, UK)
  • Don Fader (University of Alabama, USA)
  • Thierry Favier (Université de Bourgogne, France)
  • Gergely Fazekas (Franz Liszt Academy of Music, Budapest, Hungary)
  • Fred Fehleisen (The Julliard School & Mannes College, USA)
  • Candida Felici (Conservatory ‘L. Refice’, Frosinone, Italy)
  • Duncan Fielden (Birmingham Conservatoire, UK)
  • Bruno Forment (Ghent University, Belgium)
  • Korre Foster (Austin Peay State University, USA)
  • Carolyn Gianturco (Edizione Nazionale dell’Opera Omnia di Alessandro Stradella, Italy)
  • Jonathan Gibson (James Madison University, Virginia, USA)
  • Uri Golomb (University of Cambridge, UK)
  • Liam Gorry (Queen’s University Belfast, UK)
  • Massimiliano Guido (Pavia University, Italy)
  • Paulina Halamska (Polish Academy of Sciences, Poland)
  • Anne Hätönen (York, UK)
  • Peter Hauge (The Royal Library, Copenhagen, Denmark)
  • Wendy Heller (Princeton University, USA)
  • Rebecca Herissone (University of Manchester, UK)
  • Corinna Herr (Katholische Akademie Schwerte und Universität Bochum, Germany)
  • Geoff Higgins (Queen’s University Belfast, UK)
  • Thomas Hochradner (Universität Mozarteum, Salzburg, Austria)
  • Peter Holman (University of Leeds, UK)
  • Kerry Houston (DIT Conservatory of Music and Drama, Republic of Ireland)
  • Alan Howard (University of East Anglia, UK)
  • David R. M. Irving (University of Cambridge, UK)
  • Niels Martin Jensen (University of Copenhagen, Denmark)
  • Berta Joncus (Goldsmiths, University of London, UK)
  • Richard D. P. Jones (Oxford, UK)
  • Elizabeth Joyce (Brandeis University, USA)
  • Deborah Kauffman (University of Northern Colorado, USA)
  • Hisako Kawana (Rikkyo University, Japan)
  • Cordula Knaus (University of Graz, Austria)
  • Jelena Knešaurek Caric (University of Zagreb, Croatia)
  • Metoda Kokole (Slovenian Academy of Sciences and Arts, Slovenia)
  • Tanja Kovacevic (Queen’s University Belfast, UK)
  • Ursula Kramer (University of Mainz, Germany)
  • Eva Kuhn (Rutgers University, USA)
  • Jeffrey Kurtzman (Washington University, St Louis, USA)
  • Robin Leaver (The Julliard School, USA & Queen’s University Belfast, UK)
  • David Ledbetter (Royal Northern College of Music, UK)
  • Michael Lee (Queen's University Belfast, UK)
  • Raphaelle Legrand (Université de Paris Sorbonne Paris IV, France)
  • Joyce Lindorff (Temple University, USA)
  • Nicholas Lockey (Princeton University, USA)
  • Sophie Lumley (Ashgate Publishing Ltd, UK)
  • John Lutterman (University of California, Davis, USA)
  • Aneta Markuszewska (University of Warsaw, Poland)
  • Matjaž Matošec (Utrecht University, the Netherlands)
  • Naomi Matsumoto (Goldsmiths College, University of London, UK)
  • Michael Maul (Bach-Archiv Leipzig, Germany)
  • Giuseppina Mazzella (Royal College of Music Library, UK)
  • Niall Mc Bayly (Belfast, UK)
  • Sarah McCleave (Queen’s University Belfast, UK)
  • Eleanor McCrickard (University of North Carolina at Greensboro, USA)
  • Sarah Meyer (McGill University, Canada)
  • Michael Middeke (Boydell & Brewer Ltd, UK)
  • Ian Mills (Queen’s University Belfast, UK)
  • Sakurako Mishiro (University of Manchester, UK)
  • Paul Murphy (State University of New York, Fredonia, USA)
  • Barbara Nestola (Centre de Musique Baroque de Versailles, France)
  • Sarah Noble (Ashgate Publishing Ltd, UK)
  • Masahiro Niitsuma (Queen's University Belfast, UK)
  • Mary Oleskiewicz (University of Massachusetts, Boston, USA)
  • Noel O’Regan (University of Edinburgh, UK)
  • Samantha Owens (Martin-Luther-Universität-Halle-Wittenberg, Germany & University of Queensland, Australia)
  • Szymon Paczkowski (University of Warsaw, Poland)
  • Kimberly Parke (Mahidol University, Thailand)
  • Theodora Psychoyou (Université de Paris-Sorbonne, France)
  • Rodrigo Teodoro de Paula (Universidade Nova de Lisboa, Portugal)
  • Markus Rathey (Yale University, USA)
  • Robert Rawson (Canterbury Christ Church University, UK)
  • Joshua Rifkin (Boston University, USA)
  • Michael Robertson (University of Leeds, UK)
  • Matthias Röder (Harvard University, USA)
  • Stephen Rose (Royal Holloway, University of London, UK)
  • Dominik Sackmann (Zurich University of the Arts, Switzerland)
  • Graham Sadler (University of Hull, UK)
  • Alberto Sanna (University of Oxford, UK)
  • Alon Schab (Trinity College Dublin, Republic of Ireland)
  • David Schulenberg (Wagner College, USA)
  • Hendrik Schulze (University of Illinois, Urbana-Champaign, USA)
  • Burkhard Schwalbach (University of Oxford, UK)
  • Idith Segev (Hebrew University, Jerusalem, Israel)
  • Yael Sela (Hebrew University Jerusalem, Israel)
  • Eleanor Selfridge-Field (Stanford University, USA)
  • Maxim Serebrennikov (N. A. Rimsky-Korsakov State Conservatory of St Petersburg, Russia)
  • Tatiana Shabalina (N. A. Rimsky-Korsakov State Conservatory of St Petersburg, Russia)
  • Peter Smaill (Bach Network UK)
  • Jan Smaczny (Queen’s University Belfast, UK)
  • Kenneth Smith (University of Nicosia, Republic of Cyprus)
  • Joel Speerstra (University of Gothenburg&GoArt, Sweden)
  • Winnie Starke (University of Heidelberg, Germany)
  • Janice B. Stockigt (University of Melbourne, Australia)
  • Peter Strauven (Catholic University of Louvain, Belgium)
  • Reinhard Strohm (University of Oxford, UK)
  • John G. Suess (Case Western Reserve University, USA)
  • Marjo Suominen (University of Helsinki, Finland)
  • Michael Talbot (University of Liverpool, UK)
  • Rachel Talbot (DIT Conservatory of Music and Drama, Ireland)
  • Ruth Tatlow (Stockholm University, Sweden)
  • Atte Tenkanen (University of Turku, Finland)
  • Shirley Thompson (Birmingham Conservatoire, UK)
  • Colin Timms (University of Birmingham, UK)
  • Yo Tomita (Queen’s University Belfast, UK)
  • Robert Torre (University of Wisconsin, Madison, USA)
  • Mário Marques Trilha (Universidade de Aveiro, Portugal)
  • Bettina Varwig (King’s College London, UK)
  • João Vaz (University of Évora, Portugal)
  • Steffen Voss (Sächsische Landesbibliothek—Staats- und Universitätsbibliothek Dresden, Germany)
  • Bryan White (University of Leeds, UK)
  • Harry White (University College Dublin, Republic of Ireland)
  • Peter Wollny (Bach-Archiv Leipzig, Germany)
  • Silas Wollston (The Open University, UK)
  • Andrew Woolley (University of Leeds, UK)
  • Lawrence Zazzo (Queen’s University Belfast, UK)