BA|Undergraduate
Anthropology and English
Academic Year 2023/24
ABB
3 years (Full Time)
6 years (Part Time)
QL36
Students undertaking Anthropology and English at Queen’s explore the variety and richness of human experience.
Anthropology is the study of human diversity around the world. In studying anthropology, you will learn how different societies live together and think about such topics as family, sex, religion, art, and economics and gain skills increasingly in demand in a globalized and automated world
Students of English at Queen’s explore literatures in English in the widest sense. From the earliest writings in Anglo-Saxon to contemporary Irish, British, and ‘global’ literatures, students study English in its historical, linguistic, and cultural circumstances.
Together, Anthropology and English open windows onto worlds, real and imagined, that differ from our own.
Anthropology and English Degree highlights
In The Guardian University Guide 2021, Queen's Anthropology was ranked 2nd in the UK.
Global Opportunities
- Undergraduate anthropology students, as part of their training, have carried out ethnographic field research around the world. Projects have focused on orphanages in Kenya; AIDS in southern Africa, education in Ghana; dance in India, NGOs in Guatemala, music in China, marriage in Japan, backpacking in Europe, and whale-watching in Hawaii.
English at Queen’s offers a range of Study Abroad opportunities, from the Erasmus programme with a range of European partners, to the chance to study at a number of partner institutions in the United States.
http://www.qub.ac.uk/International/International-students/Studyabroad/StudyAbroad/
Industry Links
- Anthropology students develop a range of skills (organizational skills, interpersonal skills, information-handling skills, and project management skills) that prepare them for later employment. Many of our students work with NGOs and other organisations (e.g. Operation Wallacea; Belfast Migration Centre) as part of their fieldwork.
- The School of English regularly consults and develops links with a large number of employers including, for example, BBC Northern Ireland who provide sponsorship for our course in Broadcast Literacy (currently offered at postgraduate level but soon to be offered at undergraduate level also).
Career Development
- Anthropology combines an understanding of cultural diversity through human behaviour and expression, with a hands-on method of study that focuses on lived experience.
Queen's offers the only anthropology course in the UK that combines the study of expressivity (through art and music) with thematic strands on conflict, religion, cognition, and business anthropology. - English Studies at Queen’s has an extraordinary heritage, as represented by its globally esteemed writers, such as Nobel Laureate Seamus Heaney and T.S. Eliot Prize recipients Paul Muldoon and Ciaran Carson, among others.
World Class Facilities
- The Performance Room includes a variety of musical instruments from around the world, a collection that has grown since the 1970s when Ethnomusicology was first established as an International Centre at Queen’s by the late Prof John Blacking. These instruments, together with the sprung performance room floor, facilitate music and dance ensembles, enabling our unit to remain one of the leading departments in Ethnomusicology.
Internationally Renowned Experts
- Anthropology at Queen’s has international renown in the following areas: Ethnomusicology and performance; Conflict and borders; Religion; Cognition and culture; Migration and diasporas; Irish studies; Material culture and art; Human-animal relations; The cross-cultural study of emotions.
It also maintains close connections with the following research institutes: Senator George J. Mitchell Institute for Global Peace; Security and Justice; Institute of Cognition and Culture; Institute of Irish Studies.
https://www.qub.ac.uk/schools/happ/subject-area/anthropology/research/
Student Experience
- Our National Student Survey results have returned 100% student satisfaction with the course consistently since 2019.
- From Personal Tutors to peer mentoring, we work closely with students to ensure they are supported at every stage of their degree.
A thriving cultural scene organised by our undergraduate and postgraduate communities, from the English Society and Poetry and Pints to the Lifeboat and the Yellow Nib, makes studying English at Queen’s a unique proposition.
https://www.facebook.com/QubEnglishSociety
‘’Doing an anthropology dissertation is great for allowing you to use your own creativity and actually apply your knowledge rather than simply learning from others. It is a fantastic way of building confidence for any future career as it gives you the opportunity to expand on something independently and looks great on the CV!’'
Genevieve Bigger
NEXT
Course content
Course Structure
Introduction | Anthropology at Queen’s is constructed around four innovative, engaged themes: What Makes Us Human? Key modules explore core elements of anthropology. They examine social groups, from families to nations, and social dynamics, from village politics to globalisation. In understanding social groups we examine individual life trajectories against the background of diverse social expectations. Modules may include: Being Human: Evolution, Culture and Society; World on the Move; How Society Works. Conflict, Peacebuilding and Identity Modules on this theme deal directly with large-scale Global Challenges such as conflict, security, and peacebuilding. Issues such as migration, ethnic conflict, and globalisation will be covered across all three years of the degree, with specialist modules looking at Ireland and at the role of anthropology in policy. Modules may include: Us & Them: Why We Have Ingroups and Outgroups; Why Are Humans Violent? Understanding Violence, Conflict, and Trauma; Migration, Mobilities and Borders. Arts, Creativity and Music Globally renowned for long-standing research expertise in the area of ethnomusicology and the arts, our modules examine issues of sound and music making; art, aesthetics and emotion; and performance and identity around the world. We explore the production, appropriation and use of material artefacts and images in a world of interconnectedness through migration, trade, and digital communication technology. Modules may include: Being Creative: Music, Media and the Arts; Radical Musics: Understanding Sounds of Defiance across Disciplines Morality, Religion and Cognition These modules examine a number of important themes in religion and morality, including the origins of religion, apocalyptic movements, sacred values, and the relationship of emotion and religion. We will explore our moral worlds and beliefs through the socio-cultural, psychological, and evolutionary sciences. Modules may include: Apocalypse!: The End of the World; In Gods We Trust: The New Science of Religion; Human Morality; Love, Hate, and Beyond. |
---|---|
Stage 1 | Anthropology • Being Human: Evolution, Culture and Society • A World on the Move: Anthropological and Historical Approaches to Globalisation • Us and Them: Why Do We Have In-groups and Outgroups? • Being Creative: Music, Media and the Arts • Understanding Northern Ireland English • English in Transition • English in Context • Introduction to English Language |
Stage 2 | Anthropology • How Society Works: Key Debates in Anthropology • Skills in the Field: Dissertation Preparation • Hanging out on Street Corners: Public and Applied Anthropology • Business Anthropology in the Digital Age • Why are Humans Violent? Understanding Violence, Conflict, and Trauma • Human Morality • Radical Musics: Understanding Sounds of Defiance across Disciplines • Apocalypse! The History and Anthropology of the End of the World. English • Foundations for Speech Analysis: The Phonetics of English • Mapping the Anglo-Saxon World • Havoc and Rebellion: Writing and Reading Later Medieval England • Shakespeare and Co • Fiction to Austen (1660-1820) • Inventing America Romantic Poetry (1789-1832) • Enlightenment and its Discontents • The English Language: Language and Power • History of English: Studying Language Change • An Introduction to Critical and Cultural Theory • Modernism and Modernity • Modern American Fiction: Race, Class, Gender, Sexuality • Dickens and the Cult of Celebrity • Irish Literature |
Stage 3 | Anthropology • Dissertation in Social Anthropology: Writing-Up • The Politics of Performance: From Negotiation to Display • Human-Animal Relations • In Gods We Trust: The New Science of Religion • Love, Hate and Beyond: Emotions, Culture, Practice • Music and Identity in the Mediterranean • Ireland and Britain: People, Identity, Nations • Remembering the Future: Violent Pasts, Loss, and the Politics of Hope English • Marvels, Monsters and Miracles in Anglo-Saxon England • Women's Writing 1700-1820 • Contemporary Irish and Scottish Fiction • Televising the Victorians • Shakespeare on Screen • Contemporary US Crime Fiction • Special Topic Irish Writing • Broadcasting and Identity • Speech Worlds: Phonology in Acquisition and Disorder • Language in the Media • The Structure of English • Double Dissertation English Literature • Contemporary Literature: Poetry and Precariousness in the 21st Century • Stylistics: Analysing Style in Language • Restoration to Regency in Contemporary Fiction • Writing Africa: The Colonial Past to Colonial Present • Irish Gothic • Stevens and Bishops • Special Topic Creative Writing • Special Topic Irish Literature • Work-based Learning (Placement) • Dissertation Joint Supervision Note that this is not an exclusive list and these options are subject to staff availability. |
People teaching you
Dr. Ioannis Tsioulakis
Email: i.tsiokanos@qub.ac.uk
Telephone: +44(0)2890975028
Dr. Stephen Kelly
Arts, English and Languages
Email: s.p.kelly@qub.ac.uk
Contact Teaching Times
Personal Study | 10 (hours maximum) Typically 10 hours per module (30 hours per week), revising in your own time |
---|---|
Large Group Teaching | 6 (hours maximum) In a typical week you may have up to 6 hours of lectures, depending on the level of study. |
Medium Group Teaching | 9 (hours maximum) In a typical week, you may have up to 9 hours of practical classes, workshops or seminars, depending on the level of study. |
Small Group Teaching/Personal Tutorial | 6 (hours maximum) In a typical week, you will have 3-6 hours of tutorials (or later, project supervision). |
Learning and Teaching
Examples of the opportunities provided for learning on this course are:
- E-Learning technologies
Information associated with lectures and assignments is often communicated via a Virtual Learning Environment (VLE) called CANVAS. A range of e-learning experiences are also embedded in the degree programme through the use of, for example, interactive support materials, podcasts and web-based learning activities. - Fieldwork
Students who take anthropology as part of their joint degrees have the opportunity to study research methods and carry out anthropological fieldwork for an 8-week period. This crucial period of skill-formation and research forms the basis of a dissertation they write up in the first semester of their third year. - Lectures
Lectures introduce foundation information about new topics as a starting point for further self-directed private study/reading. Lectures, which are normally delivered in large groups to all year-group peers, also provide opportunities to ask questions and seek clarification on key issues as well as gain feedback and advice on assessments. - Self-directed study
This is an essential part of life as a Queen’s student. It is during self-directed study when a student completes important private reading, engages with e-learning resources, reflects on feedback, and completes assignment research and preparation. - Seminars/tutorials
A significant amount of teaching is carried out in small groups (typically 10-12 students). These sessions are designed to explore in more depth the information that has been presented in the lectures. They provide students with the opportunity to engage closely with academic staff, to ask questions of them and to assess their own progress and understanding with the support of their peers. During these classes, students will be expected to present their work to academic staff and their peers.
Assessment
A variety of assessment methods are used throughout the programme
- The assessment methods used include:
• coursework essays (submitted during or at the end of the semester)
• oral presentations by individual students
• video logs
• artwork and performance workshops
• weekly online commentaries on set readings
• written examinations
• dissertations.
Feedback
As students progress through their course at Queen’s, they will receive general and specific feedback about their work from a variety of sources including lecturers, module co-ordinators, placement supervisors, personal tutors, advisers of study and peers. University students are expected to engage with reflective practice and to use this approach to improve the quality of their work.
- Feedback may be provided in a variety of forms including:
- Face to face comment. This may include occasions when you make use of the lecturers’ advertised “office hours” to help you to address a specific query.
- Placement employer comments or references.
- Online or emailed comment.
- General comments or question and answer opportunities at the end of a lecture, seminar or tutorial.
- Pre-submission advice regarding the standards you should aim for and common pitfalls to avoid. In some instances, this may be provided in the form of model answers or exemplars which you can review in your own time.
- Comment and guidance provided by staff from specialist support services such as, Careers, Employability and Skills or the Learning Development Service.
- Once you have reviewed your feedback, you will be encouraged to identify and implement further improvements to the quality of your work.
PREV
Overview
NEXT
Modules
Modules
The information below is intended as an example only, featuring module details for the current year of study (2022/23). Modules are reviewed on an annual basis and may be subject to future changes – revised details will be published through Programme Specifications ahead of each academic year.
- Year 1
Core Modules
Being Human: Evolution Culture and Society (20 credits)Being Human: Evolution Culture and Society
Overview
This course is designed to introduce students to social anthropology through a discussion of the key concepts in the discipline, and a consideration of the principles which underlie family life, kinship, sexuality and gender relations, and gaining a livelihood in different parts of the world.
Learning Outcomes
On completion of this module, students will have been introduced to social anthropology, and should be aware of how social and cultural differences constitute variations on a number of basic themes. Students should also be aware of the ways in which anthropology is useful for the understanding of their own society as well as for the understanding of others.
Skills
Skills in literacy, oral communication, the organisation of arguments, effective presentation of written work, critical reflection on one's own cultural assumptions and biases.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
1
Credits
20
Module Code
ANT1001
Teaching Period
Autumn
Duration
12 weeks
English in Transition (20 credits)English in Transition
Overview
This module is envisaged as introducing students to literary interpretation as conceived by English studies at university level. It aims to provide students with critical skills and technical vocabulary necessary to study poetry and prose for the rest of their degree. The module focuses on a small selection of texts designed to help students make the transition from the critical strategies used at A-level to those of academic English. In turn, the two sections of the module include contributions from the Heaney Centre and creative writing colleagues and the mode of assessment will allow for reflective development of writing skills through resubmission of formative writing for summative assessment.
Learning Outcomes
At the end of this module students will have learned to read and analyze poetry and prose using the techniques, vocabularies and approaches of contemporary academic English studies. They will have made the transition from reading and writing at A-level, having learned the research skills and critical terminologies necessary for the close, contextual reading of prose and poetry and writing about both genres in a suitably academic register. They will be equipped to undertake advanced study of literary works in semester two modules.
Skills
Students will learn to develop: critical and analytical skills; methods of textual analysis appropriate to the genres of poetry and prose; writing and research skills appropriate to degree-level English; oral presentation skills; independent study skills; and an ability to collaborate and work in groups; the ability to read and prepare for weekly lectures and tutorials.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
1
Credits
20
Module Code
ENG1001
Teaching Period
Autumn
Duration
12 weeks
Introduction to English Language (20 credits)Introduction to English Language
Overview
This module offers a broad introduction to key topics in English language. It lays the foundations for the systematic study of the language in all its diversity. Among the topics covered are: common beliefs about “good” and “bad” accents and dialects; phonetics, syntax and morphology; and the social, situational and geographical variation in language, with an emphasis on the history and development of the English language. Another important area of inquiry is how language works in cultural contexts and intersects with issues of power and gender. In summary, the module enables students to move beyond ‘common-sense’ ideas about language towards the academic and analytic perspective appropriate for university level.
Learning Outcomes
On successful completion of this module, students will have become aware of the levels of structure which make up the spoken and written varieties of a language, the communicative functions of these levels, and of the relevant descriptive and analytical frameworks to analyse and describe them, with regard both to present-day English and to stages in its historical development. Students will also have gained the skills for the confident oral delivery of some of the issues and topics addressed on the Course.
Skills
While Units One and Two focus on theoretical and analytical concepts and frameworks, Units Three and Four provide case studies from ‘real-world’ contexts such as the media and the historical development of the English language, to which students will apply the skills they have gained in Units One and Two. The module incorporates online assessment for Units One and Two, which will account for 30% of the mark and will take the form of online exercises, to be completed by students in weeks 3-6. Units Three and Four will be assessed at the end of the semester as essay assignments, worth 70% in total. Students will write two essays of 1400-1700 words each: one essay will address the issues covered in Unit Three (35%), and the other essay will address the issues covered in Unit Four (35%).
Coursework
70%
Examination
0%
Practical
30%
Stage/Level
1
Credits
20
Module Code
ENL1001
Teaching Period
Autumn
Duration
12 weeks
Issues in Contemporary Fiction: Gender, Race, Ecology
Overview
This module examines a broad sample of recent fiction. In doing so, it raises a set of general questions: 1) whose contemporary experience does this literature address? 2) what economic or political factors lead to a shared sense of the contemporary? 3) how does modern fiction relate to these broader social forces? The module has a three-part structure. Section 1 examines the sociology of contemporary taste; it focuses on the institutions and practices that shape aesthetic judgement. Section 2 analyses literary treatments of contemporary political issues and examines the suitability of literature as a vehicle for political reflection. The final section of the module explores the ways in which recent fiction has raised questions about the nature and function of religion in the modern world.
Learning Outcomes
At the end of this module students will have gained a general understanding of the theoretical and methodological issues that surround the study of contemporary literature. Students will have learned to subject a range of recent fiction to a technical or formal analysis. They will also be able to read texts in context and will have a basic understanding of the social, economic, and political forces that shape these contexts.
Skills
Students will learn to develop a) analytical skills b) methods of textual analysis c) an understanding of meta-critical issues d) a clear and succinct writing style e) oral presentation skills f) a capacity for independent inquiry g) an ability to collaborate and work in groups h) computer skills.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
1
Credits
20
Module Code
ENG1002
Teaching Period
Spring
Duration
12 weeks
Optional Modules
Us And them: Why do we have ingroups and outgroups? (20 credits)Us And them: Why do we have ingroups and outgroups?
Overview
Drawing theoretically on both cognitive and social anthropology and utilizing a wide range of case studies, from personal passions for particular sub-cultures of music and sport to national politics in Northern Ireland to global divides of religion and class, this module will introduce students to social groups.
We will explore what makes human social groups different from those of other animals, psychological explanations of group commitment, and anthropological literature on symbols, rituals, and politics to examine how particular social groups are created and sustained and how some individuals become willing to fight and die for their fellow group members.Learning Outcomes
Be able to describe and consider the implications of:
1) The importance of social groups for individuals.
2) How group identities and traditions are created.
3) How groups continue from generation to generation.
4) The similarities and differences between national, religious, sporting, class, and interest groups.
5) How groups can convince individuals to die for them
6) Why intergroup prejudice and conflict is so common.Skills
The module will help foster the students’:
Ability to consider the findings of multiple disciplines in addressing questions of human society.
Ability to present ideas clearly in both oral and written formats
Ability to research and analyse material from multiple disciplines
Ability to debate and defend arguments
Ability to engage in civil discourse about strongly held convictions
Ability to prepare concise and focused presentationsCoursework
100%
Examination
0%
Practical
0%
Stage/Level
1
Credits
20
Module Code
ANT1007
Teaching Period
Spring
Duration
12 weeks
A World on the Move:Historical and Anthropological Approaches to Globalization
Overview
This modules provides an anthropological introduction to the study of globalisation, using comparative case studies from the contemporary and the historical record, and outlining links with perspectives in the field of history. Among the issues discussed are: global and local linkages in a world of economic, cultural and political connectivity; cultural convergence and the expression of cultural difference; migration, refugees, trafficked people, tourism; diasporas, the idea of home and national borders; transnational family networks in the contemporary world; global and local regimes of power and resistance.
Learning Outcomes
On completion of this module, student should be aware of the complex ways in which globalising forces have influenced people's everyday experiences in different socio-cultural settings and changing historical contexts.
Skills
Students should develop skills in literacy; oral communication; the organisation of logical arguments; effective presentation of written work; and teamwork.
Coursework
80%
Examination
20%
Practical
0%
Stage/Level
1
Credits
20
Module Code
ANT1003
Teaching Period
Autumn
Duration
12 weeks
'Understanding Northern Ireland: History, Politics and Anthropology'
Overview
This level 1 module will use a variety of historical, political, sociological and anthropological perspectives to look at key issues relating to Northern Ireland. The course will provide an overview of the history and politics of the state of Northern Ireland. It will use anthropological understandings of ethnicity and nationalism to examine how Unionism and Irish Nationalism developed. It will look in detail at the various political solutions which have been applied to ‘the Province’, with a particular focus on the Peace Process. It will examine the realities and legacies of the conflict since the signing of the 1998 Agreement. It will explore the development of cultural and political 'traditions' examining, in particular, change and continuity in Irish society.
Learning Outcomes
On completion of this module, students should
•be aware of how to utilise a range of disciplinary approaches (historical, political, sociological and anthropological) in helping to develope an understanding of division and conflict within Northern Ireland.
•be aware of how to examine how contemporary political communities use the past to construct traditions, ideologies and identities.
•understand how to explore the role of history in understandings of Northern Ireland.
•To develop a broad understanding of the politics of the state.
•understand and look at key contemporary issues in Northern Irish society.
•be able to assess and highlight various research approaches to Northern Ireland, and to explore how academic work can be applied.Skills
Students will acquire skills in understanding written material, skills in weighing evidence and skills in debating controversial topics. The ability to read material, weigh judgements and engage with the topics being discussed. They should also develop oral presentation skills, essay writing skills and skills in accessing and analysing information, research evaluation. They will also gain experience of coping with controversial topics.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
1
Credits
20
Module Code
ANT1006
Teaching Period
Spring
Duration
12 weeks
Being Creative: Music Media and the Arts (20 credits)Being Creative: Music Media and the Arts
Overview
Anthropologists have analysed how people with different cultures' express themselves in a variety of ways through sound, text and image. Who is involved in specific expressive practices, who controls these practices, and which media are emphasised by different groups? Can textual, verbal, musical and material forms of expression be communicated across cultural boundaries? How do processes of cultural translation affect their meaning and impact on different lifeworlds? In this module, we will explore performative genres including musical activities and rituals; language-based forms of expression and processes of visual and material expression around artworks, objects and film documentation.
Learning Outcomes
Students should have acquired a basic understanding of key issues relating to the performative dimensions of cultural expression through a comparative analysis of ethnographic studies pertaining to sound, text and image. Students should be able to discuss how anthropology has approached expressive cultures and understand a range of cultural differences between themselves and others in this arena. The module should prepare them for further study in the fields of performative, textual and visual analysis.
Skills
Students should develop skills in literacy; oral communication; the organisation of logical arguments; effective presentation of written work; critical reflection on their own cultural assumptions and biases; and teamwork.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
1
Credits
20
Module Code
ESA1001
Teaching Period
Spring
Duration
12 weeks
- Year 2
Core Modules
Key Debates in Anthropology (20 credits)Key Debates in Anthropology
Overview
This module will examine the theme of culture from an anthropological perspective. Focusing on an assortment of critical thinkers and formative texts, it addresses the relation of culture to race, society, history, practice, embodiment, emotions, power, the politics of identity, the state, and globalization. The course examines some of the foremost anthropologists who have contributed to these topics, drawing on functionalist, structuralist, Marxist, reflexive and other traditions of thought.
Learning Outcomes
One objective of the module is that the students acquire a firm grasp of the key principles and theoretical perspectives of social and cultural anthropology. A second objective is that the students develop an ability to apply these principles and perspectives to a broad range of ethnographic and other materials. In its emphasis on the development of critical thinking, the module will therefore make a larger contribution by equipping students in relation to other anthropology - and non-anthropology - modules to take.
Skills
To develop critical reading skills with respect to anthropological texts, and to develop debating skills in class. To develop the critical faculties of the students with respect to cultural discourses.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
2
Credits
20
Module Code
ANT2022
Teaching Period
Autumn
Duration
12 weeks
Optional Modules
Utopia / Dystopia: The Future in Nineteenth- and Twentieth-Century Literature
Overview
In the late nineteenth century, utopian literature met speculative fiction: the ‘nowhere’ of utopia was reimagined as the future, which was conceived as both the best and worst possible worlds. This course examines a variety of late nineteenth-century utopias and dystopias, but also shows the ways this imaginative tradition shaped literary prediction in the twentieth century (including works by Aldous Huxley, George Orwell and Margaret Atwood). It considers the ways twentieth-century writers both engaged with their literary predecessors and rewrote utopian and dystopian traditions to speak to the urgency of their own political moments. From the dangers and promises of science and technology to the future of feminism, socialism, race and mass culture, we will explore what utopias and dystopias reveal about their own historical moments, and analyze the claim that one person’s utopia is another’s dystopia.
Indicative selection of texts
Edward Bulwer Lytton, The Coming Race
H. G. Wells, The Time Machine
William Morris, News from Nowhere
Catherine Helen Spence, A Week in the Future
Charlotte Perkins Gilman, Herland
E. M. Forster, ‘The Machine Stops’
Aldous Huxley, Brave New World
George Orwell, 1984
Margaret Atwood, The Handmaid’s TaleLearning Outcomes
At the end of this course, students will be able to analyze the evolving generic traits of political fantasy in the nineteenth and twentieth centuries, and will have gained an understanding of utopian, dystopian and speculative fiction as literary forms. They will be able to relate utopian and dystopian fiction to social debates and historical changes in the period in which it was produced (including debates over feminism, socialism, evolutionary biology and eugenics and the future of democracy and mass culture). They will be capable of analyzing the political function of utopian and dystopian literature, and the role of reading communities in the evolution of the genre. Students will be able to use their understanding of genre to reflect on continuities with as well as changes between late Victorian and twentieth-century literature.
Skills
• A demonstrable understanding of the relationship between the political and the literary, and an ability to see the relevance of debates generated by this ‘literature of ideas’ to the present as well as the past
• Transferrable skills in the forms of group discussion, ability to present material to peers and individual research and essay writing skills – the ability to synthesize texts and create a clear analytical argument
• The ability to interweave close and historical reading skills – a demonstrable awareness of the ways historical and cultural change shapes literary form within political fantasy from the nineteenth to the twentieth century
• Ability to apply theoretical and historical debates over genre (utopian and dystopian and speculative fiction) to a range of literary contexts
• An ability to show the ways fiction is shaped by reading communities as well as writers (including socialist and feminist readerships).Coursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
ENG2065
Teaching Period
Spring
Duration
12 weeks
Fiction and the Novel (1660-1820) (20 credits)Fiction and the Novel (1660-1820)
Overview
This module examines the development of prose fiction in English from the later seventeenth century to the early nineteenth century. This is the period in which the novel emerged in its recognisably modern form, establishing itself as an important genre within literary culture. It was also an era of generic experimentation, as writers debated the nature of the novel, took the form in new directions, and grappled with earlier modes of writing in prose, such as romance and picaresque, allegorical and fantastical fiction. In this module, we explore the variety of prose fiction published during this period: from romance and amatory fiction, through works of realism and social comedy, to the sentimental and Gothic modes that emerged in the later eighteenth century. These works engaged closely with contemporary social, cultural and political issues, and we will consider texts that address topics such as travel and empire; science and civilisation; marriage and gender; crime, morality and the state of the nation. By considering these works in their literary and cultural contexts, the module both highlights the diversity of fiction written during this era and charts the early history of the novel up to the sophisticated narratives of Jane Austen.
Learning Outcomes
Having completed this module, students will have developed higher-level knowledge and understanding of prose fiction during the period 1660-1820. They will be able to identify the different kinds and modes of fiction published during this period, including romance and amatory fiction, works of realism and social comedy, the sentimental and Gothic modes. They will be equipped to assess critical arguments concerning the ‘rise’ of the novel as a distinctive literary genre during the ‘long’ eighteenth century. They will also be able to situate this body of fiction more broadly within its literary and cultural contexts. On completing the module, then, students will be able to articulate the key types of fiction in English during the period up to (and including) Austen, theories about the novel’s emergence as a literary form, and the engagement of these works with a range of contemporary issues.
Skills
Having completed this module students will be able to:
• Analyse works of prose fiction published during the ‘long’ eighteenth century, in terms of genre, technique, and social and cultural contexts
• Demonstrate understanding of the variety of forms, modes and styles within fiction during this period, and the pre-history of some of these ways of writing
• Adjudicate critical and theoretical ideas regarding the ‘rise’ or emergence of the novel genre during the period up to Austen
• Demonstrate understanding of the particular issues explored within this body of fiction - from issues such as marriage and travel to concerns about crime, morality and empire
• Demonstrate transferrable skills in the forms of group discussion, written communication, and individual researchCoursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
ENG2061
Teaching Period
Autumn
Duration
12 weeks
Modernism and Modernity (20 credits)Modernism and Modernity
Overview
This module introduces students to the literature and culture of the period 1900-1930, with a focus on the literary movements grouped under the term ‘modernism’. These literary texts will be examined as complicated and ambivalent responses to the experience of modernity. Students will cover key figures of British and Irish ‘High Modernism’, including James Joyce, Virginia Woolf and T.S. Eliot, alongside American modernists and writers of the so-called ‘middle brow’. Particular attention will be paid to the historical contexts in which these texts were produced, and on their conditions of publication and consumption. These contexts include: the aftermath of the Great War; gender politics, from the New Woman to Suffrage and beyond; the politics of race; terrorism and violence; queer sexualities; urban decay and urban development; the relationship between cultural centres and peripheries; poetry and its publics; American cultural politics; media, and the rise of youth cultures. More broadly, the modules will explore theories and manifestations of ‘modernity’, examining the challenges of modern technologies and social formations to literary practice.
Learning Outcomes
Having completed this module, students will have developed an appropriate knowledge and understanding of the literature of modernity. They will be able to read a variety of texts from the period 1900-1930, including novels, poems, short stories, novellas, and periodical essays. Students will be able to read these texts in relation to a number of contexts, including political, social, and cultural developments. They will also develop the skills to read these texts with an eye to their formal complexity and ingenuity, tying this experimentation to the dynamic social contexts to which they responded. Students will be introduced to a number of digital resources that will encourage their independent research into the periodical publication of modernist works. Moreover students will be able to interrogate a number of dominant critical frameworks, including: those that have, until recently, elevated modernism above the broader literary culture of the period; those that diminish the influence of Victorian literature on modernism.
Skills
Having completed this module students will be able to:
• Analyse modernist literature in both a historical and critical context.
• Demonstrate an understanding of the complex relationship between formal literary innovation and social transformations.
• Examine the relationship between ‘high’ cultural forms and the so-called ‘middle brow’ works of the period.
• Explore how literary texts challenged dominant understandings of race, gender, and class.
• Demonstrate transferrable skills in the forms of critical thinking, group discussion, written communication, and individual academic research.
• Demonstrate advanced research skills, in particular the use of digital platforms to explore the nature of modernist periodicals.Coursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
ENG2060
Teaching Period
Spring
Duration
12 weeks
Inventing America (20 credits)Inventing America
Overview
This module analyses the historical, literary and philosophical movements that generated the American literary tradition in the nineteenth century. It will introduce students to the key critical and cultural contexts, writers and movements of the American Renaissance as well as the counter narratives (cited in questions of gender, race, slavery as well as US religious and historical legacies) that produced enduring documents of the nineteenth century. In part, the module is a digest of canonical American writing of the period but one that allows students to read through and beyond the texts and into the major debates underpinning the writing from the new world between circa 1830 and 1900. Backgrounding the module’s discussions are key historical events and phenomena particular to the United States (e.g., the 1830s banking collapse; the American Civil War; demographic and population changes) and students will be encouraged to fuse their literary investigations with appropriate knowledge of historical and social contexts.
Learning Outcomes
On completion of this module, students will have a sound knowledge of nineteenth-century American writing, in particular the rise and promise offered by Transcendentalism, the darker pessimism of the American realists, and the narratives and poetry of American discordance registered in slave narratives and texts dealing specifically with gender, race, and the power systems of American society. The developing influence of capitalism, the economic justifications for the horrors of slavery, and the self-conscious development of American individualism all feature as key questions that the module discusses. By moving between a range of genres – philosophical essays, econarratives, poetry, horror fiction, slave narratives, psychological tales, historical fiction – students will be equipped as multi-modal readers and critics of the developing forms of nineteenth-century American writing.
Skills
Students will, on completion of this module, be able to:
• analyse a range of nineteenth-century American writing from different perspectives in terms of genre, historical significance, literary techniques and variations of form;
• demonstrate a good understanding of the period known as the American Renaissance
• identify key aspects of American writing from the nineteenth century
• understand the cross-currents of American literary production set against contemporary debates concerning class, gender and race
• demonstrate a range of transferable skills in the forms of presentation skills, group discussion, individual research and written communicationCoursework
80%
Examination
0%
Practical
20%
Stage/Level
2
Credits
20
Module Code
ENG2172
Teaching Period
Autumn
Duration
12 weeks
Romantic Poetry, 1789-1832 (20 credits)Romantic Poetry, 1789-1832
Overview
The Romantic period (c.1789-1832) witnessed dramatic social and historical change as the effects of major events such as the French Revolution, the Napoleonic Wars, widespread Enclosure and the Industrial Revolution initiated the sense of ‘living in history’. In the midst of these revolutionary changes, poets wrote with new confidence of the importance of the imagination, as a creative and utopian force; of the beauty, fragility and power of the natural world; of political ideals of social justice; of the arguments for gender equality. Poetry became synonymous with the imagination as a force which could unite idealism with social change. This module studies a range of Romantic poetry, including but not restricted to, the work of Anna Laetitia Barbauld, William Blake, Lord Byron, John Clare, Samuel Taylor Coleridge, Mary Robinson, Felicia Hemans, John Keats, Percy Bysshe Shelley, Charlotte Smith, and William Wordsworth. Poems will be studied through the key themes of the revolutionary imagination; the natural world; the language of class; representations of childhood; slavery and feminism. One hour of each week’s seminar time will comprise a close reading of one key poem for that week’s discussion, with the second hour being used for more generalized and broader discussion. The module will also include a specialised library visit and a field trip connected with the natural world.
Learning Outcomes
Students completing this module will have learned to read poetry in terms of its formal techniques and effects and to situate these interpretations in a range of contexts both historical and contemporary. They will be able to read and contextualize poetry of the Romantic period in particular, and to understand its significance for contemporary literature and society. They will be able to distinguish and appreciate a diversity of poetic genres and styles characteristic of the period, and to read and interrogate a range of diverse kinds of poetry in a critical way. Students will be equipped to debate political, aesthetic and social issues in an informed way with regard to their historical development, and their continued development in modern forms. Students will also be able to interrogate constructions of Romanticism and to deconstruct its various claims from contemporary perspectives both supportive and critical of its legacy for the modern world.
Skills
Students who have completed this module will be able to:
• Interpret a range of poems in ways which are attuned to their aesthetic effects and contextual meanings.
• Debate various aesthetic, social and political issues produced in poetry of the Romantic period.
• Show an understanding of formal and generic developments in poetry with regard to intellectual history.
• Examine the ways in which literary texts are implicated in the emergence of dominant understandings of political and social discourses.
• Demonstrate transferrable skills in the forms of critical thinking, group discussion, written communication, and individual academic research.Coursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
ENG2063
Teaching Period
Autumn
Duration
12 weeks
Havoc and Rebellion: Writing and Reading Later Medieval England
Overview
From the Black Death to the Uprising of 1381; from the usurpation and murder of King Richard II to the Oldcastle Rebellion of 1414; from the rise of the Lollard heresy to the Wars of the Roses – how did late medieval writing, from Chaucer’s The Canterbury Tales, Langland’s Piers Plowman, and Gower’s Vox Clamantis, to the work of a range of anonymous poets, dramatists, and chroniclers, respond to several decades of tumultuous social and cultural change? This module introduces students to the vibrancy and vitality of a crucial period in the history of English writing, and it explores the methodological challenges of reading literature historically. Students will engage with key historicist readings of the period’s literature and will consider literature in its material circumstances with reference to online facsimiles of key manuscript books, as well as the museological presentation of the period’s material culture. The key genres, conventions and preoccupations of the period will be explored in relation to the explosive social mobility that followed the devastation of the Black Death. The module will conclude on the eve of the coronation of Henry VIII, when it was assumed that the political and religious tumult of the ‘calamitous fourteenth century’ had finally been settled.
Learning Outcomes
Having completed this module, students will have developed an appropriate knowledge and understanding of late medieval literature and culture (c.1370-1509). They will have learned to address the challenges of reading literature in its historical contexts, and become familiar with the central tenets of historicist critical practice. They will have learned to interrogate critically the re-presentation of texts and artefacts from the Middle Ages in online archival and museological contexts. They will have learned to reflect critically on the idea of the Middle Ages itself and on questions of historical periodisation in general.
Skills
Having completed this module students will be able to:
• Analyse late medieval literature, paying attention to the relationship between texts and contexts assumed by historicist modes of reading.
• Demonstrate understanding of the complex relationship between literary forms and socio-political transformations.
• Situate the literature of this period in the contexts of its influence on literary ideas and modes of transmission, such as authorship and printing, that will be of critical importance to later periods
• Demonstrate enhanced digital capabilities, both in terms of using digital repositories and in working collaboratively on a digital project for assessment.Coursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
ENG2041
Teaching Period
Autumn
Duration
12 weeks
The Northern Ireland Conflict and paths to peace (20 credits)The Northern Ireland Conflict and paths to peace
Overview
What caused the Northern Irish conflict? What factors sustained it? What role did world leaders, paramilitaries, clergy and local politicians play in progressing the peace process? And what role does civil society, arts, culture and heritage play in building social cohesion?
This interdisciplinary, team-taught module will draw on expertise from across the School of History, Anthropology, Philosophy and Politics to explore some of the key themes of the Global Bachelor’s Program. Using Northern Ireland as a case study, it will ask questions about the means through which societies can move from conflict to peace, about the roles that various actors can play in conflict resolution, and about the roles that public representations and explorations of the past can play both in entrenching divisions and in furthering peace and mutual understanding.Learning Outcomes
By the end of this module the successful student should be able to demonstrate in assessed essays, coursework and seminar contributions:
- A familiarity with the major issues and debates around the development of the Northern Ireland conflict, the peace process, and the role of civil society in peace-building. - A sense of the interrelatedness of political, economic, cultural and social forces in shaping the past
- An appreciation of the internal and external forces that contributed to the conflict AND helped build peace
- A heightened sense of the complexity of identity, politics and place in Northern Ireland
- Demonstrable awareness of the role that arts, culture, heritage and public engagement with the past can play in building social integration.Skills
On completion of this module the student should be able to:
- Understand and process complex information
- Engage in sustained and self-directed reading
- Engage in intellectual discussion based on reading and class content
- Communicate complex information effectively and with precision in oral presentation and in writing to an academic audienceCoursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
HAP2001
Teaching Period
Autumn
Duration
12 weeks
Dickens and the Cult of Celebrity (20 credits)Dickens and the Cult of Celebrity
Overview
We are all familiar with people who have recently been quickly catapulted to the heights of fame and public attention. The status of such individuals is often associated with wealth and public exposure, and the rise of mass media makes it much easier for them to gain publicity and recognition instantly, across the world. But has it always been this way?
This module will examine the career and legacy of Charles Dickens, who was first recognised for his extraordinary creativity, in producing the works of literature for which he is best known. He was also, however, a careful and intelligent manipulator of his own public image, to the extent that the catchphrase ‘the man who invented Christmas’ survives to this day. By carefully scrutinising Dickens through fiction, journalism, letters, advertising, biography, photography, and film, students will come to understand just how ‘constructed’ this Victorian superstar was; they will also understand how the means he, his publishers, agents, and advisors, and his inheritors employed to develop and maintain his public image serve as forerunners for the phenomenon of celebrity culture in our own day.
Indicative set texts & other media:
Lee Barron, Celebrity Cultures: An Introduction (Sage, 2015)
Charles Dickens, Oliver Twist
Charles Dickens, A Christmas Carol
Charles Dickens, David Copperfield
Ralph Fiennes, The Invisible Woman (DVD 2013)
Bharat Naluri, The Man Who Invented Christmas (DVD 2017)
Michael Slater, Charles Dickens (Yale UP, 2011)Learning Outcomes
Having completed this module, students will have developed an appropriate knowledge and understanding of the history of celebrity, and the role it has played in shaping cultural values. They will be able to read and engage critically with key Dickens novels from the 1830s-1850s, as well as with his journalism and letters. They will also be able to examine and perform critical assessments on other media that feature Dickens as the central figure, including film, photography, and advertising. Students will be able to analyse and interrogate the ways in which various media project the idea of celebrity in light of their target audiences, and will be able to assess the effects of the strategies employed.
Skills
Having completed this module you will be able to:
• Analyse Dickens’s literary texts in both historical and critical contexts.
• Demonstrate knowledge and understanding of the meaning of ‘celebrity’ and the role it has played in shaping cultural values
• Examine how textual and visual media have had an impact upon the development of celebrity
• Explore the construction of the author as a complex amalgam of creative ability and targeted media manipulation
• Demonstrate how celebrities become brands in their own right, and are used in marketing to promote products and services
• Demonstrate transferrable skills in the forms of critical thinking, group discussion, written communication, and individual academic research.
• Demonstrate advanced research skills, in particular the use of digital platforms to explore the nature of celebrity cultureCoursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
ENG2066
Teaching Period
Spring
Duration
12 weeks
Enlightenment and its Discontents (20 credits)Enlightenment and its Discontents
Overview
This module introduces students to the intellectual arguments and counter-arguments of the period known as the Age of Enlightenment, running through the long eighteenth century and embodied in its literature. As an increasing emphasis on rationality as a means to human understanding came to challenge earlier forms of social and political legitimacy, attitudes to self and identity; science and religion; gender and sexuality; politics and government were significantly reformulated from the eighteenth century onwards, with literature and the arts reflecting and participating in the broad historical movement that this shift in thinking represented. We will introduce and debate some of these key ideas of the Enlightenment (or of the various forms of Enlightenment) in relation to the development of generic categories and poetic forms over the period. The module will be organized around a series of texts and debates implicated in significant cultural and historical developments such as the growth of individualism, consumerism, ideas of political liberty and rights, and of the nation and its overseas empire. The module will include selections of poetry and prose (including literary forms such as the periodical essay, life writings, the political pamphlet, and the novel) to be read in relation to contextual, literary-theoretical, and historical considerations. We will also examine revisionist responses to the Enlightenment, reflecting the interests of contemporary authors seeking to represent the marginalized or silenced voices of the period such as those of women, labouring classes, slaves, and colonial others.
Learning Outcomes
Students completing this module will have gained, through their engagement with literary texts and genres, an understanding of major Enlightenment ideas and their impact on historical development. They will be able to read and contextualize literature of eighteenth century in particular with regard to such ideas, and to discern their significance for contemporary literature and society. They will be able to distinguish and appreciate a diversity of genres and texts characteristic of the period, and to read and interrogate such genres and texts in a critical way. They will be introduced to major digital resources giving them the skills that will enable independent research should they wish to progress further in this area. Students will be equipped to debate political, religious and social issues in an informed way with regard to the emergence of such controversies, and their continued development in modern forms. Students will also be able interrogate constructions of the Enlightenment and to deconstruct its various claims from contemporary perspectives critical of its legacy for the modern world.
Skills
Students who have completed this module will be able to:
• Analyse literary texts with regard to the major intellectual debates and forms of knowledge generated by Enlightenment thinking.
• Debate various religious, social and political issues produced in literature relating to Enlightenment.
• Demonstrate research skills with regard to the use of digital platforms such as Eighteenth-Century Collections Online and British Periodicals with regard to the exploration of such topics.
• Show an understanding of formal and generic developments in literature with regard to intellectual history.
• Examine the ways in which literary texts are implicated in the emergence of dominant understandings of political and social discourses.
• Demonstrate transferrable skills in the forms of critical thinking, group discussion, written communication, and individual academic research.Coursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
ENG2064
Teaching Period
Spring
Duration
12 weeks
Diachronic Linguistics: Exploring language change (20 credits)Diachronic Linguistics: Exploring language change
Overview
This module uses the various stages of the English language from the 5th century through to the present day as the backdrop for the introduction of specific concepts used in the analysis of language change. By exploring key syntactic, morphological and semantic changes in the history of English, students will engage with current theories of diachronic change and be encouraged to apply theoretical concepts to empirical data. Typical topics that will be covered include morpho-phonology in the verbal and nominal domains, changes in word order, grammaticalisation and null subjects (although not necessarily all in each year).
Learning Outcomes
By the end of the module, students will be able to draw on the main stages of the diachrony of the English language to explain the basic mechanisms of language change. Students will also be able to employ appropriate methods for observing and describing language change phenomena in the morphology, with specific reference to syntax, morphology and semantics of English and related varieties.
Skills
By the end of the module, students will be able to draw on the main stages of the diachrony of the English language to explain the basic mechanisms of language change. The students will also be able to employ descriptive methods in order to observe and describe language change phenomena in the morphology, syntax and semantics of English and related varieties.
Coursework
80%
Examination
0%
Practical
20%
Stage/Level
2
Credits
20
Module Code
ENL2003
Teaching Period
Spring
Duration
12 weeks
Hanging out on Street Corners: Public and applied Anthropology
Overview
The course is designed to introduce students to qualitative, ethnographic, methodologies and particularly explore their applied use in the social sciences and policy analysis. It will examine the differences between qualitative and quantitative methodologies, understanding the strengths and weaknesses of each. This will allow students to be able to argue for the utility of ethnographic methodologies in further modules (dissertation).
The course will then look at the utility of ethnography and anthropology in applied situations. In doing so the course will present an understanding of environments in which ethnography can be used in ‘problem solving’ and as a tool for ‘policy’ understanding a critique. The course will look at the possibility of an anthropology of policy and an approach to organisations. It will look at the strengths and weaknesses of ethnography in rapid problem solving. The course will look at specific case studies and examples and students will be asked to develop their own skills through presentations and analysis of case studies. The course will encourage internships and act as a preparation for dissertation modules in semester 2 (year 2) and semester 1 (year 3).Learning Outcomes
To develop awareness of how qualitative/anthropological methods – ethnography and participant observation - might provide skills that have practical applications away from the academy.
To develop and understanding of the strengths and weaknesses of qualitative and quantitative methodologies.
To develop skills necessary in the utilisation of anthropology such as report & proposal writing, team work, presentation and communication skills.
To develop confidence and ability to work within a team and under pressure of time.
To develop a critical understanding of ethnographic research when applied to areas of policy.
To critically analyse ethical issues related to ethnographic fieldwork.
To analyse the relationship between anthropology and other disciplines and professional areas.
To develop early engagement with dissertation topics, possibly through internships.Skills
The module will help foster the students’:
Ability to consider the findings of multiple disciplines in addressing questions of human society.
Ability to utilise interpersonal skills
Ability to work in teams
Ability to present ideas clearly in both oral and written formats
Ability to research and analyse material from multiple disciplines
Ability to debate and defend arguments
Ability to engage in civil discourse about strongly held convictions
Ability to prepare concise and focused presentationsCoursework
80%
Examination
0%
Practical
20%
Stage/Level
2
Credits
20
Module Code
ANT2038
Teaching Period
Autumn
Duration
12 weeks
Irish Literature (20 credits)Irish Literature
Overview
This module introduces students to the extraordinary diversity and achievement of Irish literature, from the Act of Union in 1800 to the late twentieth century. The module is chronologically structured, and places particular emphasis on situating texts in their wider historical contexts, as well as developing their relations to broader European movements and traditions. Encompassing poetry, fiction, and drama, the module considers a range of themes, such as romanticism, gender, the gothic, cultural nationalism, the politics of modernity, liminality and exile, and northern perspectives on an Irish tradition. Writers studied will include W. B. Yeats, James Joyce, Samuel Beckett, and Seamus Heaney.
Learning Outcomes
On completion of this module the student should have an ability to set Irish literature in its historical context; an ability to make connections between differing genres of Irish writing; an ability to scrutinise the politics of Irish writing.
Skills
On completion of this module you should have an ability to set Irish literature in its historical context; an ability to make connections between differing genres of Irish writing and an ability to scrutinise the politics of Irish writing.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
2
Credits
20
Module Code
ENG2081
Teaching Period
Spring
Duration
12 weeks
Shakespeare and Co (20 credits)Shakespeare and Co
Overview
This module introduces students to the drama of the English Renaissance. It explores texts by a wide range of authors, including Shakespeare, Cary, Marlowe, Middleton, Rowley and Webster and examines the forces working on drama in the early modern period. Lectures will provide an introduction to the dramatic form, close readings of the set plays, and readings in relation to contemporary issues such as nationality, authority, desire, religion, sexuality, gender, strangeness, race, identity, social standing, fantasy, magic and taboo.
Learning Outcomes
On completion of this module, students should have learned how to study dramatic form and how to relate a text to its context. Through class discussion and formative assessments, you should have further developed your oral and written communication skills.
Skills
To familiarize students with the range of drama produced during the English Renaissance; to provide students with the knowledge and skills necessary to undertake Renaissance modules in Stage 3.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
2
Credits
20
Module Code
ENG2050
Teaching Period
Autumn
Duration
12 weeks
Language and Power (20 credits)Language and Power
Overview
This module investigates the ways in which language intersects with the social and political reflexes of power and ideology. Students are encouraged to challenge, through exposure and then analysis, the discourse conventions that characterise the language of powerful groups and institutions. This module places particular emphasis on print and broadcast media, legal, political and advertising discourse, and on other forms of institutional rhetoric. Among the topics covered are: The Discourse of Institutions and Organisations; Power and Talk; Language and Gender; Language and Race; Language and the Law; Humour as Power; Political Discourse and the Language of Advertising.
Learning Outcomes
Students should be able to carry out systematic analysis of differing forms of language in different contexts of use. The moudle should help students to analyse a range of texts and practices, understand the ways in which language is used to exercise control, understand the anatomy of texts and text-types, especially print and broadcast media, and advertising discourse. Also analyse critically the interrelation between powerful institutions and the discourses they disseminate in the public sphere. Students should also further develop effective oral and written communication skills.
Skills
Students are invited to think in new ways about the English language in relation to its social and political context. Students should also develop skill in unpacking a variety of spoken and written texts, and in developing arguments about the way language practice is informed by and reinforces relationships of power. It is hoped that the course itself acts as an empowering tool, helping students to interrogate the discourse that surrounds them in everyday social contexts.
Coursework
80%
Examination
20%
Practical
0%
Stage/Level
2
Credits
20
Module Code
ENL2002
Teaching Period
Spring
Duration
12 weeks
Foundations for Speech Analysis: The Phonetics of English
Overview
This module offers you an introduction to the study of speech analysis. We begin by investigating the mechanisms which are used to produce speech and providing a framework for the convenient classification and description of pronunciation features. We then examine accent variation, in terms of aspects such as contextual effects, intonation and voice quality. Finally, the module gives you the chance to acquire an understanding of the acoustic characteristics of speech. Throughout the module, you will be required to develop your oral and aural skills in phonetics by means of various practical and online facilities. While the module concentrates on normal English speech, we may also have the opportunity to consider data from non-English speech and from non-normal speech.
Learning Outcomes
This module should give a practical grounding in phonetics. Knowledge of how speech works is needed for a variety of occupations. Students intending to teach English will find phonetic skills essential in implementing oracy and literacy requirements in the classroom. Drama students can benefit from phonetic knowledge in order to deal with voice production, projection and accent learning. For foreign language learners and teachers, phonetics is invaluable in achieving target pronunciations. Future students of linguistics and communication should find that phonetics complements their study of linguistic communications and, finally, those interested in communication disorders need a detailed knowledge of speech production and perception in order to understand specific impairments and their effects..
Skills
When you have completed this module, you should be able to apply your knowledge of speech production and variation to a variety of communicative and educational situations. By means of your aural and oral training, you should have developed skills in detailed, analytic listening and in accurate perception, production and transcription of various phonetic distinctions. The 50% essay should enable you to acquire and demonstrate ability in critical assessment of, for example, the role of a speaker's phonetic profile in achieving particular communicative ends.
Coursework
70%
Examination
0%
Practical
30%
Stage/Level
2
Credits
20
Module Code
ENL2001
Teaching Period
Autumn
Duration
12 weeks
Skills in the Field: Ethnographic methods (20 credits)Skills in the Field: Ethnographic methods
Overview
Preparing and guiding students for a period of personal research in the long vacation. Includes the selection of a research topic, documentary and bibliographical search, training in quantitative and qualitative research techniques. In addition, students will consider the ethical implications of their research, as well as show awareness of the risk factors involved.
Learning Outcomes
Students should develop the ability to devise an anthropological research topic and plan field research using existing social skills and standard research techniques. Students should also be able to assess the potential risks involved in their chosen research, and assess the ethical implications of their planned work.
Skills
Skills in devising a research proposal and in collecting and sorting information. Students should develop skills in the following areas:
- bibliographical research;
- design a manageable research project;
- assess usefulness of different research techniques
- assess ethical implications of research
- oral and written presentations
- time managementCoursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
ANT2030
Teaching Period
Spring
Duration
12 weeks
Apocalypse! End of the World. (20 credits)Apocalypse! End of the World.
Overview
The aim of the course is to introduce students to historical and anthropological reflection on millennial / millenarian beliefs and movements across space and time. Taking a long view of historical events and using case studies of present-day groups that attend to ideas about the end of the world, taking advantage of the interdisciplinary character of the School, and using a wide range of primary sources, including novels, film, websites, and ethnographic case studies and film, this course will invite students to consider the ancient roots of millennial theory; its foundational texts, exponents / prophets and movements; examples of well-known failed and successful millennial claims and movements, including the Crusades, radical puritans, Mormons, Jewish Zionists, American evangelicals, new religious movements, including UFO and suicide cults, and radical Islamists; the use of millennial theory as presentist critique; the development of millennial majorities, and the social, cultural and political implications of their dominance; millennialism’s place in utopian theory; and a final consideration of theoretical rejoinders, in which the course leaders encourage students to consider whether millennial claims might be right – for example, in terms of global warming – and whether that might change the way in which historians and anthropologists should approach the subject.
Learning Outcomes
An understanding of the broad history and anthropology of millennial movements across space and time; An ability to discuss millennial ideas and movements using heuristic tools from history and anthropology; An ability to use electronic resources and to develop key research skills; Effective communication skills; An ability to write an informed analysis of historical problems discussed in the module; An ability to work independently.
Skills
Enhanced ability to think critically, reason logically, and evaluate evidence; Further develop communication skills, both written and oral; Critical appraisal of, engagement with, and effective use of a variety of historical and anthropological sources.
Coursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
HAP2065
Teaching Period
Autumn
Duration
12 weeks
Mapping the Anglo-Saxon World (20 credits)Mapping the Anglo-Saxon World
Overview
This module aims to map the world of the Anglo-Saxons through their language, literature and material culture. Students will learn about the heroic past and values of the Anglo-Saxons, magical rituals and prognostications, and systems of faith and beliefs. A fascinating range of texts and genres from the period (c. 7th-11th centuries) will be studied in relation to their cultural context and audience. These include: heroic poetry; elegies; riddles, charms and prognostications; historiography; and biblical writings. Students will engage with selected texts in the original language and consider issues of literary interpretation and translation. They will also be introduced to concepts of authorship, gender, genre, time, health, self, otherness and religion. Students will become familiar with the basics of Old English literary and religious vocabulary and acquire a working knowledge of the Old English manuscript tradition.
Learning Outcomes
To introduce the study of Old English; to introduce the world of Anglo-Saxon literature and culture.
Skills
Having completed the module, students should have acquired the basics of Old English grammar and poetics, the ability to translate and discuss critically selected Old English texts and to relate texts to their cultural and historical contexts.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
2
Credits
20
Module Code
ENG2003
Teaching Period
Autumn
Duration
12 weeks
An Introduction to Critical and Cultural Theory (20 credits)An Introduction to Critical and Cultural Theory
Overview
‘Critical and Cultural Theory’ names a panoply of intellectual movements, philosophical currents and political perspectives emerging out of the crisis in European culture and identity precipitated by the pace of political, technological and social change in the nineteenth century. That crisis was exacerbated by the world wars of the twentieth century, the rise of Communism, and the collapse of Western imperialism. This module introduces students to key issues in critical and cultural theory, historicising its emergence and reflecting on its current preoccupations. Beginning with the ‘masters of suspicion’, Freud, Nietzsche and Marx, who are often perceived to have brought the project of Enlightenment humanism to a shuddering halt, the module will trace the development of a variety of important theoretical perspectives, including Marxism, psychoanalysis, structuralism and poststructuralism, historicism, gender studies, and bio-politics and posthumanism. The module will build on the questions asked by the Stage One module ENG xxx Adventures in Literature and the History of Ideas and will complement the approaches taken on other Stage Two modules, given its historicising agenda.
Learning Outcomes
Having completed this module, students will have developed a basic knowledge of a range of theoretical traditions and be better equipped to situate the cultural and political preoccupations of the modern and postmodern literatures they are exploring elsewhere in the curriculum in relation to the intellectual, political and social developments of Western societies from the nineteenth to the twenty-first centuries. They will be better attuned to the intellectual agendas and theoretical affiliations of the critical approaches used by both staff in the School and in the secondary critical materials they are encountering in other modules across their degrees. They will have learned to historicise and synthesise a range of often conflicting intellectual and philosophical traditions.
Skills
Having completed this module students will be able to:
• Identify and adjudicate between different intellectual approaches to literature, culture, gender and history
• Analyse and evaluate key critical terminologies and ideas and place them in their historical contexts
• Demonstrate an ability to read ‘secondary’ texts critically and with a view to their underpinning intellectual assumptions and agendas
• Demonstrate transferral skills in the form of group discussion, written communication, oral presentation and collaborative workCoursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
ENG2000
Teaching Period
Autumn
Duration
12 weeks
Business Anthropology for the Digital Age (20 credits)Business Anthropology for the Digital Age
Overview
Business Anthropology for the Digital Age delivers an introduction to the field of business anthropology as both an applied social science and critical understanding of consumer and organisational cultures, digital contexts and engagements and design processes. The course provides a critical reading of ‘anthropology in business’ in concert with providing practical insights into the role of consumer ethnography/netnography in contemporary business practices. It also engages with the ways in which culture shapes institutional and corporate organisations.
Learning Outcomes
1.Understand where anthropology and ethnography can be usefully applied in business settings, in particular in relation to consumer, design, and organisational processes.
2. Understand how digital contexts are changing both the way in which anthropology is utilised and its role in consumer, design, and organisational processes.
3. Learn to critically engage with the place of anthropology in business/corporate practices as an applied social science. Further, understand anthropology’s critique on how such practices take place.
4. Select and make use of ethnographic case studies of business practices in an applied and critical fashion.
5. Understand and engage questions of ethics and responsibility in business practices. Question the issue of ethical limitations in business contexts.
6. Improve interpersonal and team building skills through in class group exercises.
7. Hone technology skills through dedicated assessments.
8.Learn to critically assess anthropology of business scholarly literature whilst also engaging beyond the disciplinary approach through reading business literature and case studies, thereby understanding the multidisciplinary approach to the role of anthropology in business.
9. Understand the role of collaboration in anthropology in business practices.
10. Understand career pathways for anthropologists in business/corporate spaces.Skills
None.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
2
Credits
20
Module Code
ANT2036
Teaching Period
Spring
Duration
12 weeks
Human Morality (20 credits)Human Morality
Overview
Being the most complex social species, human beings possess many competencies to deal with social interaction, including the capacity to make moral judgments that evaluate and regulate human behaviour (i.e., judgments on whether an action is right or wrong, and on whether someone deserves reward or punishment). Drawing from the anthropological and psychological literature on the matter, the module introduces the student to the various aspects of human morality, discussing the following types of issues:
- Are moral judgments totally relative to one’s culture or are there universal components of human morality?
- Is human morality based solely on religion?
- Are moral judgments framed by distinct concerns such as care/harm, justice/injustice, loyalty/betrayal, hierarchy/subversion, and purity/impurity or are they always related to a specific concern with basic human rights?
- Can the configuration of different moral concerns shed light on different political attitudes and ideologies, such as conservatism and liberalism, and their disagreement on a variety of topics, such as abortion, homosexuality, and economic equality?
- Although the intentional causation of harm is normally prohibited, why in many situations (e.g., in the punishment of heinous crimes, in the interrogation of suspected terrorists, or in the context of wars and revolutions) people have conflicting intuitions about the boundaries of such prohibition?Learning Outcomes
Be able to describe and consider the implications of:
- current anthropological and psychological approaches to the various aspects of human morality;
- the interplay between cultural learning and basic psychological dispositions in the domain of morality
- moral judgments to politics and the law.Skills
The module will help foster students’:
- Ability to consider the findings of multiple disciplines in addressing the topic of morality.
- Ability to present ideas clearly in both oral and written formats.
- Ability to research and critically analyse material from multiple disciplines.
- Ability to debate and defend arguments.Coursework
90%
Examination
0%
Practical
10%
Stage/Level
2
Credits
20
Module Code
ANT2039
Teaching Period
Spring
Duration
12 weeks
- Year 3
Core Modules
Optional Modules
Contemporary Literature: Poetry and Precariousness in the Twenty-First Century
Overview
This module investigates the way in which the contemporary era is registered in a range of texts published in the twenty-first century. Precariousness is central to its reflection on the contemporary period and condition. It considers the precariousness of political economies, state security, ecology and social bonds, to ask if and how contemporary literary form registers precariousness, syntactically, structurally and in its modes of speech and address, and what alternatives it might offer to the precarious contemporary condition. Beginning with an introduction to neoliberalism, the module will consider the contemporary period by encompassing debt and accumulation, collective life, contemporary warfare and violence, non-human animals and environments, and networked, digital technologies. It includes satirical short stories, long poems addressing contemporary crises, lyric depictions of modern warfare and violence, individual volumes that examine non-human animals, plant and mineral life, traditional lyric forms and cut and paste poetics.
Learning Outcomes
Having completed this module, students should have a good understanding of the contemporary era and an increased understanding of how precariousness characterises contemporary experience. They should be able to identify prevailing concerns and anxieties in the contemporary period, and the variety of formal responses to such concerns in a range of twenty-first century texts. They will have developed the ability to evaluate the significance of political, social, and ideological contexts in the interpretation of contemporary literature. They will should have honed the ability to relate contemporary texts fruitfully to theoretical and secondary material. They will have developed the special ability to read and analyse individual volumes of poetry and thus read individual lyrics in the context and structure of a whole work.
Skills
Students will develop the ability to read and critically analyse of a number of forms of literary texts, including short stories, long poems, epistolary verse, short-line forms and collage poetry. They will enhance their skills in comparative analysis, and in relating set texts to a variety of approaches to and interpretations of the contemporary period. They will hone their ability to research historical and cultural material, and to bring relevant contextual information to bear on their critical writing. From their acquired knowledge of critical reflections on the contemporary period, they will develop a critical discernment in relation to competing arguments and interpretations of contemporary literature.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
3
Credits
20
Module Code
ENG3184
Teaching Period
Spring
Duration
12 weeks
Irish Gothic (20 credits)Irish Gothic
Overview
This module explores Ireland’s unique contribution to the Gothic through an extraordinary range of texts that encompasses classics of the genre (such as Bram Stoker’s Dracula) alongside lesser-known writers such as Gerald Griffin and James Clarence Mangan. Whilst the reading for the module exemplifies the formal diversity of the genre, particular emphasis is placed on the accelerating use of the short story as a literary vehicle for terror (notably in the work of Sheridan Le Fanu and Elizabeth Bowen). The module pursues several interrelated lines of intellectual inquiry: the longstanding perception of Ireland as a site of Gothic horror; the role of Gaelic folklore and myth in creating supernatural terror; the reception and development of Gothic themes in Irish writing; and current critical debates in the field. In tracing the widespread prevalence of Gothic motifs and themes, the module seeks to delineate the contours of a distinctive aesthetic, and reflects on questions of colonial and gender politics, as well as dilemmas of national and sexual identities as they appear in the dark glass of Irish Gothic writing.
Learning Outcomes
On completing this module, students should have a thorough knowledge of the Gothic genre as it developed in Irish writing, and be able to identify and expand upon the distinctive formal and thematic features of this literary tradition. Students should also be able to situate texts in a range of relevant contexts, relating Gothic motifs and themes to the historical and cultural particularities of their production. Students should also gain good understanding of the current critical debates surrounding Irish Gothic writing.
Skills
Over the course of the module, students should develop/acquire the following skills:
• to analyse primary and secondary material in a scholarly manner;
• to research appropriate critical and historical material on any given literary topic;
• to edit and present scholarly arguments and literary analyses to peers;
• to negotiate a ranging critical field, and situate in relation to it their own analytical perspective.Coursework
80%
Examination
0%
Practical
20%
Stage/Level
3
Credits
20
Module Code
ENG3330
Teaching Period
Spring
Duration
12 weeks
Writing New York, 1880-1940 (20 credits)Writing New York, 1880-1940
Overview
This course explores the development of New York literature, from the social milieu of Washington Square in the 1880s, through to the experimentations of Modernism and the Harlem Renaissance, and finally to the demise of the Urban ideal after the Second World War. Topics covered here include: socio-economic tensions in the Gilded Age; the development of a specifically American Naturalism; the different ways in which those who were marginalised from the city represented their experience; the unique nature of New York impressionist writing; Jazz-Age New York; the emergence of ‘noir’ New York; the ‘death’ of American cities and the nostalgia for the New York of the early twentieth century in the years of the city’s Nadir.
Learning Outcomes
Students completing this module should be able to:
• demonstrate an in-depth understanding of the politics and practice of writing about New York in the period 1880-1940.
• show knowledge of the development of New York literature, as well as the way that literature incorporated and revised European models of writing .
• understand the ways in which different areas of the city have very different literary and cultural practices.
• explore the ways in which marginalized groups (African Americans, European Migrants), negotiated the city and found new ways of representing it.
• undertake research using historical material (literary, social, political, cultural.Skills
• understanding and incorporating critical thinking, including specific terminology, into discussions of texts.
• comparing and contrasting texts within the same socio-historical constraints
• analyzing texts closely and locating them firmly within their socio-historical context.
• presenting within given formats and to a required standard, coherent and well-substantiated analyses and arguments, both orally and in writing.
• studying independently; demonstrating an ability to incorporate tutor feedback into written work.
• engaging in classroom debate and foster a vibrant intellectual environment.
• reflecting on these learning processes.Coursework
100%
Examination
0%
Practical
0%
Stage/Level
3
Credits
20
Module Code
ENG3183
Teaching Period
Autumn
Duration
12 weeks
Further Adventures in Shakespeare (20 credits)Further Adventures in Shakespeare
Overview
The module content is divided generically. Students will read across the whole range of Shakespeare’s works and sample comedy, history, tragedy, the Roman plays, and the romances. There are also sessions on what are termed ‘problem plays’ and ‘unfamiliar Shakespeare’ – texts not often staged or discussed. The rich sample investigated means that a corresponding range of themes and approaches will be identified and explored.
There is no overlap between texts on this module and those taught elsewhere at Stages 2 or 3.
Students will be asked to buy two set texts - The Norton Shakespeare, ed. Stephen Greenblatt (New York: Norton, 1997), which will have been purchased for Introduction to Renaissance Literature, and Stanley Wells and Lena Cowen Orlin, eds, An Oxford Guide to Shakespeare (Oxford: Oxford University Press, 2003).Learning Outcomes
Having successfully completed this module, students should have become familiar with the main genres within which Shakespeare wrote. Students should be able to analyse the Shakespearean text in depth and relate it to its moment of production. Students should have honed their presentational skills and, through regular teamwork, learned the value of collaborative practice.
Skills
Subject specific knowledge (Shakespeare, genre, context)
Close-reading
Oral and written communication skills
Teamwork
Presentational skillsCoursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ENG3182
Teaching Period
Autumn
Duration
12 weeks
Representing the Working Class (20 credits)Representing the Working Class
Overview
This course aims to explore the writing and culture of the working class, to ask how socio-economic distinctions inflect judgements of ‘taste’, and to develop an understanding of the historical role of class in shaping identities across ethno-nationalist lines. A good deal of scholarship in recent decades has signalled a growing awareness of British working-class writing, though Irish Studies, by comparison, has tended to neglect issues of social class. We will therefore engage the more substantial body of scholarship on British working-class literature to inform our discussion of Irish working-class writers, signalling new and exciting possibilities for future scholarship.
Learning Outcomes
On completion of this course, students will have refined their broad critical understanding of key thinkers in cultural materialist and left-wing literary theory. They will have applied this understanding to over a dozen key texts (including films), engaging a range of historical and social contexts across twentieth-century British and Irish writing, analysing the recurrence of key themes and ideas in working-class writing. Students will also have related these readings to developments in postcolonial, postmodern and feminist theories, where applicable, drawing on a broad range of cultural and intellectual perspectives.
Skills
During this module, students will have the opportunity to practise the following skills:
- Critical analysis of key debates in literary and cultural theory;
- Engagement with interdisciplinary debates regarding historiography and the sociology of culture;
- Application of learning to key texts in working-class writing;
- Comparative analysis of literary and filmic representations and conventions;
- Writing critically and reflectively;
- Presentation skills.Coursework
80%
Examination
0%
Practical
20%
Stage/Level
3
Credits
20
Module Code
ENG3064
Teaching Period
Autumn
Duration
12 weeks
Stevens & Bishop (20 credits)Stevens & Bishop
Overview
This module examines in depth the work of two major twentieth-century American poets: Wallace Stevens and Elizabeth Bishop. The work of the module will divide evenly between the two writers, with the first five weeks concentrating on Stevens and the second five on Bishop. Students will engage with two main texts (the collected poems of each poet) and assess their writings either in terms of individual collections or as examples of a longer career in poetry.
Learning Outcomes
Having completed this module, students should have a thorough knowledge of the work of both Wallace Stevens and Elizabeth Bishop within a range of particular contexts: their connection to other poetic movements or schools or traditions; their place within a canon of twentieth-century American poetry; their relation to philosophical movements, both within the United States and further afield; and of how their poems work as poetry. They will also be familiar with other examples of Stevens’ and Bishop’s writing, whether in the form of letters, essays, or in prose and how these assist in the understanding of their poetry within related contexts.
Skills
Students will develop the ability to read and critically analyse poetry in a range of forms and modes: short poems; philosophical poems; narrative poems; long poems. Their skills in assessing fundamental examples of twentieth-century American poetry between 1923 and 1976 will be enhanced by a range of approaches: comparing poems by Stevens or by Bishop from across her/his oeuvre, and/or by comparing the work of both writers; by reading their work in relation to key critical and contextual understandings of their contemporary moments (Modernism, late Modernism, World Wars 1 and 2, the Depression, the Middle Generation). Students taking this module will develop an appreciation of poetry on its own terms as exemplified by two giants of the form in the United States.
Coursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ENG3333
Teaching Period
Spring
Duration
12 weeks
In Gods We Trust: The New Anthropology of Religion (20 credits)In Gods We Trust: The New Anthropology of Religion
Overview
Drawing on new scientific advances, this religion course examines foundational questions about the nature of religious belief and practice.
The course is based on the idea that religion is a naturalistic phenomenon — meaning it can be studied and better understood using the tools of science. Religious belief and practice emerge naturally from the structure of human psychology, and have an important impact on the structure of societies, the way groups relate to each other, and the ability of human beings to cooperate effectively.
Topics to be covered will include traditional and contemporary theories of religion, with a special emphasis on cultural evolutionary models, as well as how scientific and humanistic scholarship can benefit from mutual engagement.
The module will have an emphasis on contemporary issues in the study and practice of religion (e.g. new scientific theories of religion, the current debates between atheists and theists, and the role of religion in violent conflicts).Learning Outcomes
Be able to describe and consider the implications of:
1) Evolutionary and cognitive scientific approaches to the study of religion
2) The origins of religion, and its role in human life
3) How religion relates to morality, spirituality and atheism
4) The role of religion in current events and conflict hotspots around the world
5) The role religion may have played in the origin of civilizationSkills
The module will help foster the students’:
(1) Ability to consider the findings of multiple disciplines in addressing questions of human thought and behaviour.
(2) Ability to present ideas clearly in both oral and written formats
(3) Ability to research and critically analyse material from multiple disciplines
(4) Ability to debate and defend arguments
(5) Ability to engage in civil discourse about strongly held convictions
(6) Ability to prepare concise and focused presentationsCoursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ANT3150
Teaching Period
Autumn
Duration
12 weeks
Anthropology and Roma (20 credits)Anthropology and Roma
Overview
The aim of this course is to offer students a comprehensive introduction to key themes and issues emerging from the anthropological study of Roma, Gypsies and Traveller communities. We will start by critically examining some of the main ideas through which Roma communities have been imagined and represented in popular discourse and academia. We will do this by engaging with key anthropological studies of Roma, highlighting the connection between the study of Roma and central anthropological themes: such as kinship, exchange, personhood and cosmology. We will then look at what happens when broader processes of globalisation and Europeanisation take place, with a focus placed on migration and political mobilisation. Finally, we will engage with new approaches to the anthropological study of Roma, with a focus placed on the analysis of representation, misrepresentation and collaboration between anthropologists and Roma communities. Some of the key themes the course will explore are: cosmology and personhood, marginality and identity, migration and borders, politicisation of Roma issues and religious mobilisation, hybridity and collaboration.
Learning Outcomes
The main objectives of this course are to:
* Enable students to familiarise themselves with ethnographic studies of Roma communities * Enable students to engage with some of the main anthropological themes in the study of Roma and other minority groups * Help students draw on different ethnographically informed studies in order to critically challenge homogenising representations * Use ethnographic studies on Roma in order to engage with anthropological theory and debates in the discipline * Consolidate students’ knowledge of anthropological methodology with a focus on minority groups * Familiarise students with the socio-political changes brought about by the process of Europeanisation in relation to minority groups in Europe * Enable students’ comparative analysis of anthropological themes in relation to marginalised communities * Develop basic conceptual tools for approaching the subject and analysis of the assigned textsSkills
Transferable skills: * Ability to critically engage with ethnographic texts * Develop basic conceptual tools for approaching the subject and analysis of the assigned texts * Develop presentation skills * Ability to research critically and analyse material from multiple disciplines * Ability to debate and construct arguments * Ability to present ideas clearly in both oral and written formats
Coursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ANT3153
Teaching Period
Spring
Duration
12 weeks
Analysing Language: Exploring linguistic structures of English
Overview
By exploring aspects of the grammar and syntax of English, this module will familiarise students with rules, principles, and processes that determine the structure of sentences in language. The course will also equip them with the appropriate methodological skills for the empirical analysis of language data and for the formal representation of data (i.e. phrase structure trees) to display the various operations that they will be introduced to throughout the module. Typical topics that will be covered include phrase structure, argument structure, case, agreement, noun phrase structure, binding and movement (although not necessarily all in each year).
Learning Outcomes
On completion of this module, students will have a solid understanding of core concepts in formal syntactic theory, as well as the fundamentals of empirical enquiry and will be able to apply this theory to natural language data and account for the linguistic variation observed in English and related varieties.
Skills
By the end of the module, students will be able to identify lexical categories, apply syntactic tests for constituency locate clause boundaries in complex sentences and draw trees for basic English sentences. The students will be able to show how a restricted set of principles can account for a wide range of the phenomena of English syntax. Students will also develop critical thinking skills through the examination of different explanatory approaches to problems in the syntax of English and related varieties.
Coursework
80%
Examination
0%
Practical
20%
Stage/Level
3
Credits
20
Module Code
ENL3001
Teaching Period
Spring
Duration
12 weeks
Remembering the Future: Violent Pasts, Loss and the Politics of Hope
Overview
The module will draw on social theory and ethnographic case studies to examine the role of memory in conflict and post-conflict contexts. Most inter-group conflicts involve contestation over competing pasts and losses. Such contestation plays an important role in how and whether societies can move forward, recover from violence, and deal with reparations. Memory therefore is instrumental not only in how the past is mobilized but also how the future is imagined and constructed -as equal or unequal, shared or divided. By looking at relevant concepts such as loss, nostalgia, remembering, forgetting, expectation, and hope, the module will investigate on one hand how memory politics operate in our post-truth era and in phenomena of nationalism, populism, racism, and exclusion. On the other hand, we will look at how social movements, groups, and communities use memory across the world to build sustainable and inclusive futures.
Topics covered in the module will include: The politics of memory and forgetting: ‘Official’ Histories and ‘Voices from the Edge’; Transnational Narratives of Violence and Justice; Nostalgia, Competing Losses, and the Rise of Populism on both sides of the Atlantic; Displacement as Space and Time; On ‘Speaking Out’: Truth Recovery, Transitional Justice and Human Rights; Social Movements, Alternative Futures, and the Politics of Hope.
This is a Faculty-funded international module, bringing together staff and students in HAPP at QUB and in Liberal Arts at Grinnell College to study these issues in ethnographically diverse contexts, including the rise of white supremacy in the US, post-Brexit UK and xenophobia, migrant solidarity movements and environmental protest.
Students will get separate lectures on the weekly topics, but will connect virtually for selected sessions, which will facilitate inter-group discussions and exchanges. The teaching staff will give at least one virtual lecture for both classes and, if possible, spend a week each in the partner institution engaging students and delivering lectures.Learning Outcomes
On completion of this module, students will:
• be familiar with social theory on memory, violence, loss, and futuricity.
• be able to describe and critically engage with ethnographic examples from across the world in relation to these themes.
• understand the role of memory in the construction and mobilization of contested pasts and futures.
• be able to explain some current debates on the role of nostalgia, longing, loss and hope in the construction of collective identities, contestation, and social justice agendas.Skills
By the end of the module, students should have developed the following key skills:
Generic
• Effective presentation of written work at a level appropriate to the year of studies.
• Competency in presenting orally findings from readings and primary research.
• The ability to research both independently and as part of groups.
Module-Specific
• produce written work engaging critically with academic and popular debates on the issues of violence and memory.
• have demonstrated presentational skills both in online and offline learning environments, and learnt how to address different audiences .
• be able to employ fieldwork skills in working in memory sites locally
• have written public engagement pieces for the module’s blog.
• have access to new diverse groups of students in an international context and experience in collaborating within an international learning environment.Coursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ANT3152
Teaching Period
Spring
Duration
12 weeks
Anthropology Dissertation (40 credits)Anthropology Dissertation
Overview
The writing and presentation of a dissertation normally based on first-hand field research.
Learning Outcomes
To organise and analyse research data and to be self-reflexive.
Skills
Students should develop skills in the following areas:
- bibliographical research and documentary analysis;
- organising and retrieving information;
- writing a long piece of work;
- time managementCoursework
100%
Examination
0%
Practical
0%
Stage/Level
3
Credits
40
Module Code
ANT3099
Teaching Period
Autumn
Duration
12 weeks
Stylistics: Analysing Style in Language (20 credits)Stylistics: Analysing Style in Language
Overview
Stylistics is the application of analytical models and methods from linguistics to rhetorical texts, including (but not limited to) fictional and persuasive texts. In this module, the students are introduced to the analytical frameworks used in contemporary Stylistics, which draw on a range of approaches from Pragmatics, Corpus Linguistics and Cognitive Psychology. The frameworks are applied to texts to demonstrate how the linguistic patterns employed lead to stylistic effects. The students will practice applying the models to a variety of texts, identifying the linguistic features that contribute towards style in language.
Learning Outcomes
On completion of this module, students will have an understanding of the key frameworks used in stylistic analysis and the ability to apply them to rhetorical texts. Through practising this application, students will learn to identify patterns in the linguistic features that lead to stylistic effects. Consequently, students will have a heightened awareness of the use of language for artful and persuasive purposes.
As well as subject-specific outcomes, students will gain from this module more generally by learning methods in the qualitative analysis of texts, to write critically and to present an argument clearly.Skills
During this module, students will have the opportunity to acquire the following skills:
Module-specific:
- Linguistic analysis of rhetorical texts
- Criticism of linguistic theory and practice
- Identification of formal linguistic features
Generic:
- Qualitative research methods
- Writing critically and reflectively
- Presentation skillsCoursework
80%
Examination
0%
Practical
20%
Stage/Level
3
Credits
20
Module Code
ENL3011
Teaching Period
Spring
Duration
12 weeks
Contemporary Irish and Scottish Fiction Devolutionary Identities
Overview
The past decades have not only seen an increasing interest in the historical, political and economic crosscurrents between Scotland and Ireland, but they have also witnessed a remarkable literary renaissance on both sides of the Irish Sea. This course explores the transformed literary landscape of Irish and Scottish fiction since the 1980s in relation to the (d)evolutionary processes of cultural and social change in today’s Atlantic archipelago, concerning in particular the Irish Republic’s economic boom in the 1990s (commonly referred to as the ‘Celtic Tiger’), the Peace Process in Northern Ireland, and the movement towards the reconstitution of the Scottish Parliament. We will examine how these changes and the issues that they raise are reflected in an indicative selection of Irish, Northern Irish, and Scottish novels, focusing on the relationship between the formal and stylistic experiments often found in these writings and the concepts of identity, society, the nation, history, and gender that they draw on, resist, and/or give rise to. In this respect, we will pay due attention to ideas about the role of literature, gender, sexuality, class, race, and religion in the (re)construction of national identity; questions of power, authority and authenticity, and the impact of globalization on cultural production; the politics of place and the rural/urban divide; revisions and representations of history, and issues of trauma and memory; the literary use of non-standard English; narrative tropes, techniques, and typographic experiments.
This course aims to establish a comparative framework in order to trace the shared concerns and noteworthy differences that characterise and constitute a significant part of the contemporary Irish and Scottish literary scene. It is designed to introduce students to dominant critical and literary paradigms as well as key debates in Irish and Scottish Studies raised by postcolonialism, postmodernism, (post-) nationalism, gender studies, and feminism. To that end, literary texts will be read alongside theoretical and cultural perspectives in both fields, copies of which will be provided in a course reader.Learning Outcomes
By the end of the module, students will have gained a in-depth knowledge of 11 Irish and Scottish novels and developed an understanding of the corpus of, and crosscurrents between, contemporary Scottish and Irish fiction. The module will introduce students to dominant critical and literary paradigms as well as key debates in Irish and Scottish Studies raised by postcolonialism, postmodernism, (post-) nationalism, gender studies, and feminism. They will be able to apply the knowledge they have gained in textual analysis of contemporary Irish and Scottish fiction, expanding their sense of new developments in subject matter, literary technique, and language use.
Skills
Students will gain a range of subject-specific, intellectual, practical and transferable skills: they will develop their critical assessment of texts and gain deeper analytic and textual competence. They will also hone their presentation and writing skills and learn to present and discuss complex issues with clarity and cogency, both orally and in writing, write clearly and succinctly, and organise study time effectively.
Coursework
80%
Examination
0%
Practical
20%
Stage/Level
3
Credits
20
Module Code
ENG3060
Teaching Period
Autumn
Duration
12 weeks
Renaissance Performance, Gender, Space (20 credits)Renaissance Performance, Gender, Space
Overview
This module will examine gendered dimensions of performance from the late sixteenth century to the Restoration. It will introduce students to ways of reading performance via a range of playwrights, genres and theatrical contexts. Topics will include Shakespeare’s boy actors, the children’s playing companies, female performance, shifting dramatic practices and theatrical innovation. It will raise questions about performance spaces and traditions and the representation of gender, location, status, cross-dressing, the body and the actor on this stage.
Learning Outcomes
Students will gain knowledge of modes of representation on the Renaissance stage. They will become familiar with important developments in theatrical practices in this period. They will be able to critically reflect on the ways in which dramatic texts refract contemporary issues of gender, sexuality, status and location and to evaluate these themes across dramatic genres and performance spaces.
Skills
Students will develop skills of close analysis of texts in relation to Renaissance performance and cultural contexts. They will develop the ability to explore questions of gender, genre, space and performance. The module will improve students’ written and oral communication skills and enhance their abilities to develop an argument independently and through group work.
Coursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ENG3181
Teaching Period
Spring
Duration
12 weeks
The Politics of Performance: From Negotiation to Display
Overview
This module brings together the ecological, sensorial and political relations of performance in comparative analyses of intercultural practices from around the globe. We will explore how human and other-than-human aspects of sound, image and movement generate various modalities of ‘attunement’ between oneself and one’s environment to inform a politics of performance. By attending to the particularities of sound, voice, affect, reaction and resonance, we will analyse differentiated ‘atmospherics’ (Eisenlohr 2011) of negotiation, display and contestation. We will then examine how the politics of sound, image and movement give rise to expressions of resistance, resilience and reconciliation. Central to critically engaged performativity is a diversity of environments, environmental change and the ecological relations that they entail. Taking space, place and the effects of climate change seriously, we will further examine how the politics of being and belonging stem from different ways of knowing, sensing and performing self, other and the ‘other-than-human’ in these environments. Using a series of key settings, the module will reveal the political effects of sound, language, voice, positionality and performativity.
Some case studies that will exemplify this environmental and performative politics include i). an analysis of indigenous protest and resistance in song, theatre and public display, focusing on processes of fragmentation, recombination and reclamation; ii). art as a process of reconciliation, negotiation and spectacle, foregrounding identities, rights and policy agendas; iii). political imagery e.g. street art and graffiti; and iv). improvisatory music-making in refugee camps and conflict zones, addressing tension, liminality and resilience. Finally, the module will take into account the ongoing effects of Covid19 as artists and performers reposition their voices in a digitally interconnected world. We will examine how expanding technologies are transforming the power of performance and reshaping how processes of creativity are politically motivated and communicated.Learning Outcomes
We will be using informal self and group assessment methods during the module to monitor learning outcomes and to reflect on the development of conceptual skills of the following:
• Knowledge of key approaches to the anthropology of the senses, the anthropology of music, arts and performance and music in peacebuilding.
• Ability to discuss critically the importance of multi-sensoriality and performativity in case studies from different cultural contexts.
• Knowledge of the role of performance, poetics in protest, politics, nationalism and expressions of Indigenous rights.
• Ability to work critically with central concepts in the politics of performance.
• Ability to analyse the relationship between different arts/performance genres across distinct performative arenas, e.g. parliamentary, theatrical, ritual and staged events.
• Competence in dealing with issues of cultural diversity in academia.Skills
• Ability to analyse performative issues and their political implications through relevant anthropological and ethnomusicological frameworks.
• Ability to research and critically analyse a range of information sources effectively.
• Demonstrate skills development in conducting music and arts research online.
• Ability to express anthropological ideas clearly and logically.
• Ability to debate and defend arguments.
• Ability to work with other students in groups.
• Experience in musical participation and reflection.Coursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ESA3002
Teaching Period
Autumn
Duration
12 weeks
Double Dissertation English Literature (40 credits)Double Dissertation English Literature
Overview
Students will undertake a piece of independent research and write a dissertation presenting that research and their conclusions. They will have the guidance of a tutor, but the emphasis is on their own independent research and writing. There should be no overlap between the chosen topic and work done for other modules. Students will be expected to develop and exhibit suitable theoretical and methodological frameworks for their chosen topic.
Learning Outcomes
The module will provide an opportunity to explore, to investigate and to identify themes for research within English. Students will be able to draw from a variety of theoretical, textual, analytical techniques, to examine and evaluate a given research problem.
Skills
By the end of the module students will:\n\nhave a developed critical understanding of an area of literary study;\n\nhave developed the skills needed to conduct an independent line of research;\n\nbe able to write a cogent, well-illustrated dissertation, which displays originality of consistent thinking and application of ideas, concepts and theories.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
3
Credits
40
Module Code
ENG3000
Teaching Period
Full Year
Duration
24 weeks
Televising the Victorians (20 credits)Televising the Victorians
Overview
This module aims to raise questions about the relation between works of fiction set in the Victorian period, and made-for-TV reappropriations of these texts. It considers the way that we ‘read’ the Victorian period through visual image, and the impact of technologies of the visual on the written word. It introduces different theoretical approaches to film, and explains, by means of example, the differences between cinema and television. It explores connection between cinematic practice (montage, the shot, editing, sound, space and mise-en-scène) and notions of writing. It will ask questions about the nature of genre, spectatorship, and issues of ideology and effect. The module will concentrate on identifying the range of different resources required to understand the flow of images on the TV screen, and will examine how ‘adaptation’ is conceptualised, particularly the ways in which the comparison of book and film is haunted by notions of faithfulness and the ‘original’ primacy of the literary work.
Learning Outcomes
Having completed this module, you should have refined your ability to analyse literary texts sensitively in relation to films made for TV. You should have developed your skills in constructing written and spoken analyses and arguments, based on assembling appropriate primary and secondary evidence from textual and visual media. You should have developed an ability to conceptualise adaptations, to speak in a theoretically informed manner about reappropriations of works set in the Victorian period, to distinguish between film and television as visual media, and to read visual images in such a way as to appreciate how literature and film work together to produce cultural artefacts.
Skills
This module should enable you to build upon and substantially enhance the skills that you have already acquired during the course of your degree, and in particular should allow you to acquire and demonstrate the following: broad comprehension of modern scholarly debates concerning adaptations; understanding of how Victorian social and cultural contexts are translated or interpreted for the modern age; understanding of the fundamentals of film and television art; the ability to analyse critically the interrelation between works of fiction and their made for tv counterparts, in the process identifying their complexities and contradictions; effective oral and written communication skills.
Coursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ENG3069
Teaching Period
Autumn
Duration
12 weeks
Speech Worlds: Phonology in Acquisition and Disorder (20 credits)Speech Worlds: Phonology in Acquisition and Disorder
Overview
The module focuses on four main areas of phonetics. First, you will refine your existing skills in phonetic description and transcription by expanding your knowledge of articulatory categories and distinctions. We then examine methods of profiling speakers' phonetic and phonological systems, using a range of appropriate models. The third component of the module concentrates on intonational aspects of speech. Here, we will examine recent theoretical developments alongside traditional accounts, and we will assess the role of intonation in various communicative situations. Finally, you will gain knowledge of and practical ability in the acoustic analysis of speech. Building on the basic acoustic skills you acquired in Patterns of Spoken English, you will now move on to understand the role of instrumental analysis in the quantification of speech production characteristics. In each of these four areas, we will analyse speech from a wide range of contexts, including disordered speech and children's speech. Throughout the module, you will be encouraged to develop your aural phonetic skills by means of an audio-tape, specifically designed to accompany the course, along with CD-ROM packages.
Learning Outcomes
This module should equip you with a firm understanding of the role of advanced phonetic study in assessing and profiling speech. You should be in a position to undertake a detailed analysis of a speaker's output and to account for breakdowns in speech production using appropriate and informed explanations. Your experience of this module should encourage you to appreciate the value of detailed phonetic knowledge in, for example, English teaching where a detailed understanding of oracy skills can be central to educational development, in foreign language teaching and learning, and in clinical speech contexts.
Skills
The central aim of this module is to develop your theoretical and practical skills in phonetics. We will achieve this aim by examining the processes involved in the production of speech and describing/ transcribing them in detail; by understanding and evaluating models for phonetic analysis; by applying phonetic and phonological analysis as a means of understanding the structure of normal and disordered speech, and by using techniques of acoustic analysis in investigating phonetic data.
Coursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ENL3003
Teaching Period
Autumn
Duration
12 weeks
Shakespeare on Screen (20 credits)Shakespeare on Screen
Overview
The late twentieth century has seen a proliferation of Shakespeare on screen. This module investigates the phenomenon through the cinematic history of four plays - Henry V, Romeo and Juliet, Hamlet and Othello. It looks at the work of directors such as Laurence Olivier, Franco Zeffirelli, Orson Welles, Kenneth Branagh, Baz Luhrmann, Oliver Parker and Michael Almereyda. Debate will focus upon the following areas; the relationship between the playtext and the film; the malleability of Shakespeare as a cultural icon; the relevance of Shakespeare to a modern audience; the shifting status of Shakespeare as a signifier of gender, race, technology and politics.
Learning Outcomes
This module aims to inculcate an in-depth knowledge of the multifarious ways in which Shakespeare is appropriated in late twentieth-century cinema; to enable students to discriminate between various filmic versions of a play; to gain the confidence and capability to deploy critical and theoretical tools to talk about film constructively; and to reflect upon connections between Shakespearean production and the preoccupations of a particular historical moment.
Skills
Having successfully completed this module, you should have become familiar with a range of ways in which Shakespeare is appropriated in the cinema; you should have learned how to utilise a theoretical filmic vocabulary in the interests of larger analyses; you should be able to discriminate between various filmic versions of a play and to identify some of their cultural and intertextual influences; you should have further honed your presentational skills and, through regular teamwork, learned the value of collaborative practice.
Coursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ENG3087
Teaching Period
Spring
Duration
12 weeks
Double Dissertation English Language (40 credits)Double Dissertation English Language
Overview
Students will undertake a piece of independent research and write a dissertation presenting that research and their conclusions. They will have the guidance of a tutor, but the emphasis is on their own independent research and writing. There should be no overlap between the chosen topic and work done for other modules. Students will be expected to develop and exhibit suitable theoretical and methodological frameworks for their chosen topic.
Learning Outcomes
The module will provide an opportunity to explore, to investigate and to identify themes for research within English. Students will be able to draw from a variety of theoretical, textual, analytical techniques, to examine and evaluate a given research problem.
Skills
By the end of the module students will:\n\nhave a developed critical understanding of an area of language study;\n\nhave developed the skills needed to conduct an independent line of research;\n\nbe able to write a cogent, well-illustrated dissertation, which displays originality of consistent thinking and application of ideas, concepts and theories.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
3
Credits
40
Module Code
ENL3000
Teaching Period
Full Year
Duration
12 weeks
Contemporary US Crime Fiction: the Police, the State, the Globe
Overview
This module examines some of the different manifestations of contemporary U.S. crime fiction since the late 1960s. Beginning with a section on ‘policing the city’ and the ways in which the genre negotiates the complex inter-relationship of race, class and capitalism, the module moves on to consider state violence and public corruption before concluding with an examination of the limitations of state power and the international reach of some crime fiction. Rather than arguing for the genre as a singular, static entity, the module examines its proliferation and diversity in the contemporary era (focusing on novels, TV series and films) and explores connections between crime fiction and other genres (e.g. urban realism and espionage fiction). In doing so, the module aims to situate different kinds of crime fiction as a series of complex negotiations with different forms of political authority (e.g. the police, the state, capitalism etc.).
Learning Outcomes
Having completed this module, students will have acquired the ability to analyse a broad range of exemplary U.S. crime fiction (novels, films, TV programs) in light of their understanding of particular theoretical approaches and different theoretical approaches in the light of their understanding of particular set texts. They will have developed an ability to identify particular generic traits, speak about the genre’s development since the late 1960s in a theoretical informed way and situate this development in relation to particular social, cultural, political and economic circumstances in the U.S and the global realm. They will have developed their skills in constructing written and spoken arguments drawing on appropriate primary and secondary evidence.
Skills
This module will allow students to build upon the skills that they have acquired in first and second year and in particular will allow and permit the following:
- broad understanding of the development and proliferation of U.S. crime fiction since the 1960s;
- understanding of the relationship of crime fiction texts to different forms of political authority;
- an ability to analyse a variety of set texts in the light of particular theoretical approaches and analyse a variety if theoretical approaches in the light of particular set texts;
- an ability to analyse literary and filmic/televisual texts and articulate sophisticated ideas and arguments in a clear, accessible manner in written and spoken assignments;
- an ability to work closely in collaboration with other students.Coursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ENH3008
Teaching Period
Autumn
Duration
12 weeks
Special Topic in Irish Writing: Modern Irish Literature and the Primitive Sublime
Overview
This is a Special Topic module offered by a visiting Fulbright Scholar. This course focuses on contemporary Irish women writers and their depiction of home in light of the poetic duality of scáth, an Irish word that may be translated as either shadow or shelter. This duality of scáth helps capture the complicated nature of home, especially for Irish women, who have historically been caught somewhere between viewing “home” as a sheltered respite or as an imprisoning shadow. After rooting the Irish female literary tradition in Irish myths, we will study both how today’s authors not only describe this paradoxical relationship but also offer models of women who simultaneously resist the shadows and create their own shelters of beauty and hope without denying or ignoring ugly realities. Sample texts include Emma Donaghue’s Room, Anna Burns’s Milkman, and Maggie O’Farrell’s This Must Be the Place.
Learning Outcomes
Students will develop their skills in: close reading of literary texts; analysis of literary texts within cultural, historical, and biographical contexts; oral communication; formulation of critical arguments; research methods; scholarly writing, including the integration of primary and secondary sources and adherence to academic conventions
Skills
To be decided.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
3
Credits
20
Module Code
ENH3020
Teaching Period
Spring
Duration
12 weeks
Special Topic in Creative Writing (20 credits)Special Topic in Creative Writing
Overview
This is a Special Topic module offered by a visiting Fulbright Distinguished Scholar in Creative Writing. The contents of the module, which will change on an annual basis, depending on the area of creative writing expertise of the Visiting Scholar, will provide an opportunity for students to work on a specific aspect of creative writing. The specific module content will be announced as early as possible each academic year. Students who sign up for this module will, as normal, have the right to switch to another module if the content does not suit their academic plans.
Learning Outcomes
On successful completion of this module students will have examined an aspect of creative writing and will have written extensively in the appropriate form or genre. Objectivity about their own creative practice will have been further fostered by the writing of a self-reflexive commentary to accompany their final submission. Students should have come some way towards developing their own creative voice.
Skills
To be decided.
Coursework
100%
Examination
0%
Practical
0%
Stage/Level
3
Credits
20
Module Code
ENH3019
Teaching Period
Spring
Duration
12 weeks
Marvels, Monsters and Miracles in Anglo-Saxon England
Overview
The very nature of marvels insists on their subjectivity: they are defined by the experience of their viewer. To marvel from the Latin mirari or to wonder from the Germanic wundar is to be filled with awe, surprise, admiration or astonishment. When we try to generalise about the meaning of marvels and the use of wonder in the Middle Ages, we are confronted with multiplicity. How do we read marvels? What’s their role in medieval texts? Are monsters and miracles to be read as marvels? One of the most critical tools for discussing the nature of difference that is central to the marvellous is the idea of the ‘Other’ which offers both psychological and political means of analysing the experience of wonder. The Anglo-Saxons were fascinated by the idea of encounters with strangeness and difference – a fascination that expressed itself in a rich and diverse rang of textual, artistic and geographical representations of such imaginings. Difference was considered both marvellous and monstrous; terrifying and fascinating; disgusting and desirable.
This module examines the perceptions of the marvellous and monstrous in the literature of the Anglo-Saxons. It investigates the nature of those phenomena which the Anglo-Saxons experienced as marvels, how they interpreted their experiences of astonishment and how they recreated them for others. It analyses the importance of ‘marvellous difference’ in defining ethnic, racial, religious, class and gender identities, as represented in different genres including historiography (i.e. The Anglo-Saxon Chronicle), travel narratives (Wonders of the East, Alexander’s Letter to Aristotle etc), hagiography (i.e. The Life of St Christopher) and other literary texts including Beowulf, Judith, Genesis B.
Texts in Latin, Old Norse and Middle English may be used for comparative purposes. Modern English translations will be provided for all the texts. Students are also expected to be able to engage with texts in Old English.Learning Outcomes
On completion of the module students should be able to:
-Demonstrate a critical awareness of a variety of early medieval concepts and constructions of otherness and difference;
-Show a familiarity with a range of medieval texts, genres and cultural concepts;
-Demonstrate the ability to engage with both contemporary critical concepts and their applicability to pre-modern texts;
-Show evidence of independent research and study skills;
-Use relevant electronic databases to further their written work;
-Demonstrate a consistent level of contribution to seminar discussions.Skills
This module will enable students to:
-Develop an informed sense of the complexity of concepts such as monstrosity, marvellous, superstition, miracle, religion, otherness;
-Consider and evaluate how difference (racial, religious, gender, national) was conceptualised in early medieval English culture;
-Acquire an understanding of various literary texts in relation to their cultural context and audience;
-Develop an ability to engage critically with the primary material as well as familiarity with modern scholarly and critical approaches;
Apply independent thought and academic research skills.Coursework
90%
Examination
0%
Practical
10%
Stage/Level
3
Credits
20
Module Code
ENG3011
Teaching Period
Spring
Duration
12 weeks
Human-Animal Relations: An Anthropological Perspective
Overview
Anthropology is 'the study of Man', but this module sets out to explore the boundaries of 'humanity'. The focus is on human relationships with animals in different societies and cultures around the world. We shall look at useful animals, at harmful animals, and at symbolic animals. We shall also look at animals as objects (which are exploited in myriad ways) and at animals as persons (with which humans enter into intimate relations). These themes will be examined by means of a number of detailed ethnographic case studies of human-animal relations in different societies.
Learning Outcomes
Students should have developed a critical understanding of the relationship between humans and animals across time and space a sound knowledge of the relevant ethnographic and comparative research in these areas. The module introduces students to theoretical approaches to understanding human-animal relations as a complement to their training in anthropological theory and methodology acquired in their other courses.
Skills
To develop critical analytical skills and presentational skills both oral and written. Bibliographic search skills and the ability to develop written argument.
Coursework
40%
Examination
60%
Practical
0%
Stage/Level
3
Credits
20
Module Code
ANT3027
Teaching Period
Spring
Duration
12 weeks
Women's Writing 1680-1830 (20 credits)Women's Writing 1680-1830
Overview
This module considers how women writers have been constrained by but have also exploited literary traditions and traces the indexes of conformity and subversion in their writing by placing them in contexts of prevailing discourses on femininity. In order to situate women's writing of this period, we will also examine constructions of femininity in visual art and conduct writings. Key texts will include fiction by Eliza Haywood, Mary Wollstonecroft Jane Austen, poetry by Aphra Behn, Anne Finch, Anna Laetitia Barbauld and labouring women poets such as Mary Leapor and Ann Yearsley, the 'Turkish Embassy' letters of Lady Mary Wortley Montagu and scandal memoirs by Margaret Leeson.
Learning Outcomes
Students should be able to address the ways in which literary productions by women have been marginalised by traditional syllabi and to redress the balance, so that the importance of women's writing in literary history can be examined and understood; to examine both the ways in which women writers have adopted literary traditions and the cultural meanings of femininity in the eighteenth century; to situate women's writing in a range of contexts - the material contexts of patronage and publishing, political and discursive contexts concerning class, gender and nationality.
Skills
In taking this module, students should acquire a knowledge of major concerns in eighteenth-century women's writing and will be expected to communicate their understanding of the relationships between literary form and production and the social and political issues of proper femininity, class and nationality. Seminars and assessments should require students to address specific issues and to articulate conclusions from their reading clearly and confidently, demonstrating an awareness of the critical debates surrounding women's writing of this period and independent engagement with these debates.
Coursework
80%
Examination
0%
Practical
20%
Stage/Level
3
Credits
20
Module Code
ENG3020
Teaching Period
Spring
Duration
12 weeks
PREV
Course content
NEXT
Entry Requirements
Entrance requirements
A level requirements ABB including A-level English Note: for applicants who have not studied A-level English then AS-level English (grade A) would be acceptable in lieu of A-level English. A maximum of one BTEC/OCR Single Award or AQA Extended Certificate will be accepted as part of an applicant's portfolio of qualifications with a Distinction* being equated to grade A at A-Level and a Distinction being equated to a grade B at A-level. |
Irish leaving certificate requirements H3H3H3H3H3H3/H2H3H3H3H3 including Higher Level grade H3 in English |
Access/Foundation Course Successful completion of Access Course with an average of 70% to include an average of 65% in Literature modules. |
International Baccalaureate Diploma 33 points overall, including 6,5,5 at Higher Level, including English |
Graduate A minimum of a 2:2 Honours Degree, provided any subject requirement is also met |
Selection Criteria
In addition, to the entrance requirements above, it is essential that you read our guidance below on 'How we choose our students' prior to submitting your UCAS application.
Applications are dealt with centrally by the Admissions and Access Service rather than by individual University Schools. Once your on-line form has been processed by UCAS and forwarded to Queen's, an acknowledgement is normally sent within two weeks of its receipt at the University.
Selection is on the basis of the information provided on your UCAS form. Decisions are made on an ongoing basis and will be notified to you via UCAS.
For entry last year, applicants for this degree offering A-Level/ BTEC Level 3 qualifications or equivalent must have had, or been able to achieve, a minimum of 5 GCSE passes at grade C/4 or better (to include English Language). The Selector will check that any specific entry requirements in terms of GCSE and/or A-level subjects can be fulfilled.
Offers are normally made on the basis of 3 A-levels. Two subjects at A-level plus two at AS would also be considered. The offer for repeat applicants is set in terms of 3 A-levels and may be one grade higher than that asked from first time applicants. Grades may be held from the previous year.
Applicants offering two A-levels and one BTEC Subsidiary Diploma/National Extended Certificate (or equivalent qualification), or one A-level and a BTEC Diploma/National Diploma (or equivalent qualification) will also be considered. Offers will be made in terms of the overall BTEC grade(s) awarded. Please note that a maximum of one BTEC Subsidiary Diploma/National Extended Certificate (or equivalent) will be counted as part of an applicant’s portfolio of qualifications. The normal GCSE profile will be expected.
For applicants offering Irish Leaving Certificate, please note that performance at Irish Junior Certificate is taken into account. Applicants must have a minimum of 5 IJC grades C/ Merit. The Selector also checks that any specific entry requirements in terms of Leaving Certificate subjects can be satisfied.
BTEC Extended Diplomas/National Extended Diplomas or equivalent, Higher National Certificates, and Higher National Diplomas can be considered, provided the subject requirements for entry to English are also fulfilled.
The information provided in the personal statement section and the academic reference together with predicted grades are noted but, in the case of BA degrees, these are not the final deciding factors in whether or not a conditional offer can be made. However, they may be reconsidered in a tie break situation in August.
A-level General Studies and A-level Critical Thinking would not normally be considered as part of a three A-level offer and, although they may be excluded where an applicant is taking 4 A-level subjects, the grade achieved could be taken into account if necessary in August/September.
Applicants are not normally asked to attend for interview, though there are some exceptions and specific information is provided with the relevant subject areas.
If you are made an offer then you may be invited to a Faculty/School Open Day, which is usually held in the second semester. This will allow you the opportunity to visit the University and to find out more about the degree programme of your choice and the facilities on offer. It also gives you a flavour of the academic and social life at Queen's.
If you cannot find the information you need here, please contact the University Admissions Service (admissions@qub.ac.uk), giving full details of your qualifications and educational background.
International Students
Our country/region pages include information on entry requirements, tuition fees, scholarships, student profiles, upcoming events and contacts for your country/region. Use the dropdown list below for specific information for your country/region.
English Language Requirements
An IELTS score of 6.5 with a minimum of 5.5 in each test component or an equivalent acceptable qualification, details of which are available at: go.qub.ac.uk/EnglishLanguageReqs
If you need to improve your English language skills before you enter this degree programme, INTO Queen's University Belfast offers a range of English language courses. These intensive and flexible courses are designed to improve your English ability for admission to this degree.
- Academic English: an intensive English language and study skills course for successful university study at degree level
- Pre-sessional English: a short intensive academic English course for students starting a degree programme at Queen's University Belfast and who need to improve their English.
International Students - Foundation and International Year One Programmes
INTO Queen's offers a range of academic and English language programmes to help prepare international students for undergraduate study at Queen's University. You will learn from experienced teachers in a dedicated international study centre on campus, and will have full access to the University's world-class facilities.
These programmes are designed for international students who do not meet the required academic and English language requirements for direct entry.
INTO - English Language Course(QSIS ELEMENT IS EMPTY)
PREV
Modules
NEXT
Careers
Career Prospects
Introduction
Skills to enhance employability
Studying for an Anthropology and English degree at Queen‘s will assist you in developing the core skills and employment-related experiences that are increasingly valued by employers, professional organisations and academic institutions. Through classroom modules, optional placements and your own anthropological fieldwork, you will gain valuable skills in critical thinking, cross-cultural understanding, researching, interviewing, writing, and presenting.
Employment after the Course
Career pathways typically lead to employment in:
• User Experience
• Consultancy
• Civil Service
• Development, NGO work, International Policy, Public Sector
• Journalism, Human Rights, Conflict Resolution, Community Work
• Arts Administration, Creative Industries, Media, Performance, Heritage, Museums, Tourism
• Market Research
• Public and Private Sector related to: Religious Negotiation, Multiculturalism/Diversity
• Teaching in schools
• Academic Teaching and Research
• Human Rights, Conflict Resolution, Community Work, Journalism
Employment Links
A growing number of internship opportunities will match dissertation students with organisations and institutions relevant to their career paths by building on local and international staff networks and professional connections.
Current placement partners include
• Operation Wallacea, which works with teams of ecologists, scientists and academics on a variety of bio-geographical projects around the globe.
• Belfast Migration Centre offers students of the module ‘Migration, Displacement and Diasporas’ internship opportunities in their ‘Belonging Project’.
Professional Opportunities
International Travel
As part of undergraduate training, students have the opportunity to use practice-based research skills during eight weeks of ethnographic fieldwork in areas of their specialisation, which can entail working with organisations around the globe.
Additional Awards Gained(QSIS ELEMENT IS EMPTY)
Prizes and Awards(QSIS ELEMENT IS EMPTY)
Degree plus award for extra-curricular skills
In addition to your degree programme, at Queen's you can have the opportunity to gain wider life, academic and employability skills. For example, placements, voluntary work, clubs, societies, sports and lots more. So not only do you graduate with a degree recognised from a world leading university, you'll have practical national and international experience plus a wider exposure to life overall. We call this Degree Plus. It's what makes studying at Queen's University Belfast special.
PREV
Entry requirements
NEXT
Fees and Funding
Tuition Fees
Northern Ireland (NI) 1 | £4,710 |
Republic of Ireland (ROI) 2 | £4,710 |
England, Scotland or Wales (GB) 1 | £9,250 |
EU Other 3 | £18,800 |
International | £18,800 |
1 EU citizens in the EU Settlement Scheme, with settled status, will be charged the NI or GB tuition fee based on where they are ordinarily resident. Students who are ROI nationals resident in GB will be charged the GB fee.
2 EU students who are ROI nationals resident in ROI are eligible for NI tuition fees.
3 EU Other students (excludes Republic of Ireland nationals living in GB, NI or ROI) are charged tuition fees in line with international fees.
All tuition fees quoted relate to a single year of study and will be subject to an annual inflationary increase, unless explicitly stated otherwise.
Tuition fee rates are calculated based on a student’s tuition fee status and generally increase annually by inflation. How tuition fees are determined is set out in the Student Finance Framework.
Additional course costs
All Students
Depending on the programme of study, there may be extra costs which are not covered by tuition fees, which students will need to consider when planning their studies.
Students can borrow books and access online learning resources from any Queen's library.
If students wish to purchase recommended texts, rather than borrow them from the University Library, prices per text can range from £30 to £100. A programme may have up to 6 modules per year, each with a recommended text.
Students should also budget between £30 to £75 per year for photocopying, memory sticks and printing charges.
Students undertaking a period of work placement or study abroad, as either a compulsory or optional part of their programme, should be aware that they will have to fund additional travel and living costs.
If a final year includes a major project or dissertation, there may be costs associated with transport, accommodation and/or materials. The amount will depend on the project chosen. There may also be additional costs for printing and binding.
Students may wish to consider purchasing an electronic device; costs will vary depending on the specification of the model chosen.
There are also additional charges for graduation ceremonies, examination resits and library fines.
Anthropology and English costs
Students are required to take the Social Anthropology dissertation module. This will involve undertaking fieldwork in the summer vacation period between years 2 and 3. The cost will vary depending on the location of the fieldwork, ranging from £100-£500. The School will provide financial support up to a maximum of £300.
How do I fund my study?
There are different tuition fee and student financial support arrangements for students from Northern Ireland, those from England, Scotland and Wales (Great Britain), and those from the rest of the European Union.
Information on funding options and financial assistance for undergraduate students is available at www.qub.ac.uk/Study/Undergraduate/Fees-and-scholarships/.
Scholarships
Each year, we offer a range of scholarships and prizes for new students. Information on scholarships available.
International Scholarships
Information on scholarships for international students, is available at www.qub.ac.uk/Study/international-students/international-scholarships/.
PREV
Careers
NEXT
Apply
How and when to Apply
How to Apply
Application for admission to full-time undergraduate and sandwich courses at the University should normally be made through the Universities and Colleges Admissions Service (UCAS). Full information can be obtained from the UCAS website at: www.ucas.com/students.
When to Apply
UCAS will start processing applications for entry in autumn 2023 from 1 September 2022.
Advisory closing date: 25 January 2023 (18:00). This is the 'equal consideration' deadline for this course.
Applications from UK and EU (Republic of Ireland) students after this date are, in practice, considered by Queen’s for entry to this course throughout the remainder of the application cycle (30 June 2023) subject to the availability of places.
Applications from International and EU (Other) students are normally considered by Queen’s for entry to this course until 30 June 2023. If you apply for 2023 entry after this deadline, you will automatically be entered into Clearing.
Applicants are encouraged to apply as early as is consistent with having made a careful and considered choice of institutions and courses.
The Institution code name for Queen's is QBELF and the institution code is Q75.
Further information on applying to study at Queen's is available at: www.qub.ac.uk/Study/Undergraduate/How-to-apply/
Terms and Conditions
The terms and conditions that apply when you accept an offer of a place at the University on a taught programme of study. Queen's University Belfast Terms and Conditions.
Additional Information for International (non-EU) Students
- Applying through UCAS
Most students make their applications through UCAS (Universities and Colleges Admissions Service) for full-time undergraduate degree programmes at Queen's. The UCAS application deadline for international students is 30 June 2023. - Applying direct
The Direct Entry Application form is to be used by international applicants who wish to apply directly, and only, to Queen's or who have been asked to provide information in advance of submitting a formal UCAS application. Find out more. - Applying through agents and partners
The University’s in-country representatives can assist you to submit a UCAS application or a direct application. Please consult the Agent List to find an agent in your country who will help you with your application to Queen’s University.
PREV
Fees and Funding