Yo Tomita: List of Papers

Conference Papers

• July 2012: Fifteenth Biennial International Conference on Baroque Music, Southampton (11-15 July 2012): "Veiled aspects of Bach Reception in the 19th century exposed through a macro-level examination of prints"
• November 2011: 日本音楽学会第62回全国大会 Tokyo (5-6 November 2011): 『19世紀の出版譜から見るバッハ受容の諸様相』
• August 2011: Fifth Johann Sebastian Bach Dialogue Meeting at Loretto and Edinburgh (12-14 August 2011): "The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier Book Two."
• July 2011: The 1st International Conference on Historical Keyboard Music, University of Edinburgh (1-3 July 2011): "Deciphering J. S. Bach's Performance Hints in his autograph manuscripts"
• July 2010: Fourteenth Biennial International Conference on Baroque Music held at Queen's University Belfast (30 June-4 July 2010): "The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication"
  
• Octobe 2009: ‘Poets, Mothers, and Performers: Considering Women’s Impact on the Music of Johann Sebastian Bach’, Yale Institute of Sacred Music: ‘Anna Magdalena as Bach’s Copyist’
• October 2008: 日本音楽学会第59回全国大会 Tokyo (25-26 October 2008): 『バッハ没後50年間における《無伴奏ヴァイオリンのためのソナタとパルティータ》の伝承と受容に関して』
• July 2008: Thirteenth Biennial International Conference on Baroque Music, Leeds (3-6 July 2008): "Reading soul from manuscripts: some observations on performance issues in J. S. Bach's habits of writing his music"
• January 2008: 3rd Dialogue Meeting of Bach Network UK, Oxford (5-6 January 2008): "Anna Magdalena as Bach's Copyist"
• July 2006: Twelfth Biennial International Conference on Baroque Music, Warsaw (26-30 July 2006): "Reconstructing Bach’s conjugal conversation. Re-assessing the contribution and the musicological value of the work of Anna Magdalena Bach"
• June 2006: 'Editing the Eighteenth Century', CECS workshop, Queen's University Belfast (11 June 2006): "Editing Bach's Well-Tempered Clavier, Part 2"
• May 2006: Biennial Meeting of the American Bach Society, Leipzig (10-13 May 2006) "Most ingenious, most learned, and yet practicable work’: The English reception of Bach’s Well-Tempered Clavier in the first half of the nineteenth century seen through the editions published in London"
• April 2006: 'Which Bach?' Symposium, Charles Darwin University (21-22 April 2006): "Bach Research in the 21st Century"
• October 2005: 56th Annual Conference of the Musicological Society of Japan, Tokyo: "Bach Research in the 21st Century"
• July 2005: Fifth Biennial International Conference on Music in Nineteenth-Century Britain, Nottingham (7-10 July 2005): "The Bach reception in the first half of the nineteenth-century England seen through the manuscript and printed sources of the Well-Tempered Clavier"
• July 2004: Eleventh Biennial International Conference on Baroque Music (14-18 July 2004): "Re-examining the role of Kirnberger in the compilation and dissemination of Bach’s Well-Tempered Clavier II "
• May 2004: Second annual conference of Society for Musicology in Ireland (Queen's University Belfast, 7 and 8 May 2004): "Recently discovered sources of Bach's Well-Tempered Clavier and their implication"
• December 2003: One day conference on the Life and Music of Samuel and Samuel Sebastian Wesley (Nottingham University, 15 December 2003): " Samuel Wesley as editor of JS Bach "
• July 2003: IAML Annual Conference Tallinn, Estonia ( July 6-11, 2003 ): "The online Bach Bibliography: a resource maintained by the global network of scholars" ( PDF + PPT )
• May 2003: First annual conference of Society for Musicology in Ireland ( 2-3 May 200 3 ): "Struggle for correctness: Samuel Wesley as an editor of Bach's keyboard works"
• November 2002: International Congress of the Musicological Society of Japan. (Shizuoka, Japan, 2-5 November 2002): " Breaking the limits: some consideration on an e-Science approach to source studies"
• October 2002 : 情報処理学会第４７回研究会 [SIGMUS47] （北陸先端科学技術大学院大学、25-26 October 2002): 『限界への挑戦：作品資料研究へのe-Science導入にあたって』 (論文はこちらを クリック して下さい)
• August 2002: International Musicological Conference (1-7 August 2002): "Managing a large text-critical database of J. S. Bach’s Well-Tempered Clavier II with XML and relational database" by Yo Tomita and Tsutomu Fujinami
• July 2002: Tenth Biennial Conference on Baroque Music (17-21 July 2002): "The Bach competition of 1801: the battle against time and correctness as seen in the first complete editions of the Well-Tempered Clavier"
• May 2002: Royal Musical Association Conference, Irish Chapter (University College Dublin, 3-4 May 2002): "Samuel Wesley as analyst of Bach's fugues"
• March 2002: The Annual Meeting of the Internationale Arbeitsgemeinschaft fuer theologische Bachforschung in Eisenach (14-17 March 2002): "The translation of twenty-four most recent musical thoughts ? : a new hypothesis on the origin of the preludes in the second book of the Well-Tempered Clavier"
• January 2002 : 4. Internationales Dortmunder Bach-Symposion  (30 January-2 February  2002): "Struggle for correctness: Samuel Wesley as an editor of Bach's keyboard works"
• September 2000: International Bach Symposium Utrecht 2000 (Universiteit Utrecht, Netherlands): "Setting up Research Resources for the future: On-line Bach Bibliography Project and International Collaboration"
• July 2000: Biennial Conference on Baroque Music (Trinity College Dublin): "Bach's "Credo" in England: an early history and reception"
• May 2000: Royal Musical Association Conference, Irish Chapter (Queen's University Belfast): "Mozart's thoughts and editorial principles behind KV 405"
• January 2000: Bach Conference in Leipzig: "Hitherto unknown Bach canons? Some findings from the recent research into the dawn of the Bach movement in England"
• November 1999: Japanese Musicological Society, Annual Meeting " Bach and Dresden "
• May 1999: Royal Musical Association Conference, Irish Chapter (Waterford Institute of Technology): "Transmission of Bach's WTC in England during the second half of the eighteenth century"
• July 1998: Biennial Conference on Baroque Music (Exeter University): "Hitherto unknown musical transcription of Psalms in Bach's Well-Tempered Clavier, Book II? The old question revisited." (Paper is uploaded here )
• May 1998: Royal Musical Association Conference, Irish Chapter (University of Ulster at Jordanstown): "Some considerations on current methods of studying Bach's autograph manuscripts with particular reference to isolating his revisions through the analysis of ink: An interim report"
• May 1997: Weekend Conference on "J. S. Bach and Rhythmic Inequality" (Birmingham Conservatoire) "Reading inspiration from autograph manuscripts".
• February 1997: 日本音楽学会関東支部例会（国立音楽大学）:『１７８０年代ウィーンと《平均律クラヴィーア曲集》第二巻』 (論文はこちらを クリック して下さい)
• November 1996: Royal Musical Association, Study Day (King's College, London): "Assessing a text-critical database using Artificial Intelligence techniques" (Paper is uploaded here )
• May 1996: Royal Musical Association Conference, Irish Chapter (Queen's University of Belfast): "J. S. Bach's Well-Tempered Clavier II in Vienna, 1777-1801: A Unique Reception History"
• April 1996: British Musicology Conference (King's College, London): "A new light shed on the origin of Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II" (Paper is uploaded here )
• December 1994: Royal Musical Association Students Conference (Manchester University): "The History of J. S. Bach's Autograph of Well-Tempered Clavier II reflected in its Layers of Revisions"
• June 1993: A Symposium for "Teaching and Performing Early Organ Music" (Leeds University): "Bach's revision process and its implications for performers"
• December 1989: TAGS day (King's College, London): A Unique Analytical Insight into J. S. Bach ' s Prelude in F# Minor (BWV 883,1)"

Poster

• December 1995 : NIDevR Day, University of Ulster, Coleraine Campus: "Source Study on J. S. Bach's Well-Tempered Clavier II using Artificial Intelligence Techniques"

Research Seminars & Guest Lectures

• 4 November 2011: Kunitachi College of Music, Tokyo: 『《ロ短調ミサ曲》とバッハ研究： 作品の伝承と楽譜編集史からみる研究上の諸問題』
• 1 April 2011: NUI Maynooth, Ireland: "Reading soul from manuscripts:  some observations on performance issues in J. S. Bach's habits of writing his music."
• 13 July 2010: Kunitachi College of Music, Tokyo:　『《ゴルトベルク変奏曲》の成立をめぐって：　現代におけるピアニストへの一提言』
• 1 October 2009: University College Dublin: "Reading soul from manuscripts:  some observations on performance issues in J. S. Bach's habits of writing his music."
• 14 July 2009: Kunitachi College of Music, Tokyo:　『オリジナル資料から学ぶバッハの《パルティータ》　第2番と第6番』
• 20 April 2009: St Petersburg State Conservatory: "Reading soul from manuscripts:  some observations on performance issues in J. S. Bach's habits of writing his music."
• 17 April 2009: St Petersburg State Conservatory: "Learning to play Bach’s Well-Tempered Clavier from the autograph manuscript: A Lecture for Advanced Performers"
  
• 28 October 2008: 国立音楽大学（東京）: 『バッハの自筆譜から我々は何を学べるか　−　演奏者と研究者の永遠の課題』
  
• 5 December 2007: University of Warsaw: "Mozart’s Bach Awakening and its Background"
• 27 April 2006: Sydney Conservatory of Music: "Bach Research in the 21st Century" and "Anna Magdalena Bach's contributions to Bach's Works"
• 26 April 2006: Wesley Music Centre, Canberra: "Reconstructing Composer's Workshop: Bach and his Well-Tempered Clavier 2"
• 24 April 2006: University of New South Wales, Sydney: "Reconstructing Composer's Workshop: Bach and his Well-Tempered Clavier 2"
• 22 April 2006: Charles Darwin University: "Reconstructing Composer's Workshop: Bach and his Well-Tempered Clavier 2" and "Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988)"
• 13 April 2006: University of Melbourne: "Reconstructing Composer's Workshop: Bach and his Well-Tempered Clavier 2"
• 2 November 2005: DIT Conservatory of Music and Drama, Dublin: "Playing Bach on a Modern Piano: approaching an 'authentic' interpretation"
• 29 November 2002: University of Utrecht: "Breaking the limits: some consideration on an e-Science approach to source studies"
• 3 October 2002: University of Pittsburgh: "Samuel Wesley as analyst of Bach's fugues"
• 27 September 2002: Baldwin-Wallace College, Ohio: "Playing Bach on the modern piano: approaching an 'authentic' interpretation"
• 12 September 2002: Julliard School, New York: "Playing Bach on the modern piano: approaching an 'authentic' interpretation"
• 12 November 1999: JAIST Hokuriku, Japan: "Can the AI technology resolve various problems currently facing Bach source studies?"
• 2 December 1998: Queen's University of Belfast: "Mozart's Bach experience of 1782", jointly given with Phantasm.
• March 1996: Birmingham Conservatoire: "J. S. Bach's desire to more effective performance seen in his revision process of Well-Tempered Clavier II"

Last updated: 30 July 2012