2023 “’Hammered by the Image’: Exceptional Experiences of Art as Aesthetic Impact,” in Petra
Rethmann and Helena Wulff (eds.), Exceptional Experiences: Engaging with Jolting Events in Art and
Fieldwork. Oxford: Berghahn, pp. 172-188.
2022 ”Ambiguous Arrival: Emotions and Dislocations in the Migrant Encounter with Sweden,”
in Bo G. Ekelund, Adnan Mahmutović and Helena Wulff (eds.), Claiming Space: Locations and
Orientations in World Literature. London: Bloomsbury, 217-235.
2020 ”Foreword,” in Cicilie Fagerlid and Michelle A. Tisdel (eds.), A Literary Anthropology of
Migration and Belonging: Roots, Routes, and Rhizomes. New York: Palgrave Macmillan, pp. vii-xii.
2019 Writing Truth to Power: Jonas Khemiri’s Work in Stockholm and New York - Wulff - Anthropology and Humanism - Wiley Online Library
2018 “Disaporic Divides: Location and Orientations of ’Home’ in Pooneh Rohi’s Araben,” in
Stefan Helgesson, Annika Mörte Alling, Yvonne Lindqvist and Helena Wulff (eds.), World
Literatures: Exploring the Cosmopolitan-Vernacular Exchange. Stockholm: Stockholm University Press,
2018 “Diversifying from Within: Diaspora Writings in Sweden,” in Morten Nielsen and Nigel
Rapport (eds.), The Composition of Anthropology: How Anthropological Texts are Written. London:
Routledge, pp. 122-136.
2018 “Dance, Anthropology of,” The International Encyclopedia of Anthropology. Edited by Hilary Callan. Oxford: JohnWiley & Sons.
2017 “Stories of the Soil: In the Irish Literary World”, in Diarmuid Ó Giolláin and Martine
Segalen (eds.), Irish Ethnologies. Notre Dame: University of Notre Dame Press, pp. 141-157.
2017 “Greater than Its Size: Ireland in Literature and Life,” in Ulf Hannerz and Andre Gingrich
(eds.), Small Countries: Structures and Sensibilities. Philadelphia: University of Pennsylvania Press, pp.
2017 ”Manhattan as a Magnet: Place and Circulation among Young Swedes,” in Virginia R. Dominguez and Jasmin Habib (eds.), America Observed: On an International Anthropology of the United States. Oxford: Berghahn, pp. 31-50.
2015 “The Pains and Peaks of Being a Ballerina in London,” in Ilana Gershon (ed.), A World of
Work: Imagined Manuals for Real Jobs. Ithaca: Cornell University Press, pp. 207-220.
2015 “Dance, Anthropology of,” in James D. Wright (ed-in-chief), International Encyclopedia of the
Social and Behavioral Sciences, 2nd edition, Vol. 5. Oxford: Elsevier, pp. 666-670.
2014 “Anthropologist in the Irish Literary World: Reflexivity through Studying Sideways”, in Thomas Hylland Eriksen, Christina Garsten and Shalini Randeria, (eds.). Anthropology Now and Next: Essays in Honor of Ulf Hannerz. New York: Berghahn, pp. 147-161.
2013 “Ethnografiction and Reality in Contemporary Irish Literature,” in Marilyn Cohen (ed.),
Novel Approaches to Anthropology: Contributions to Literary Anthropology. New York City: Lexington
Books, pp. 205-225.
2013 “Dance ethnography,” in Oxford Bibliographies Online. New York: Oxford University Press.
2013 “Ways of Seeing Ireland’s Green: From Ban to the Branding of a Nation,” The
Senses and Society, 9(2): 233-240.
2012“Ballet Culture and the Market: A Transnational Perspective,” in Hélène Neveu-
Kringelbach and Jonathan Skinner (eds.), Dancing Cultures: Globalisation, Tourism and Identity. Oxford: Berghahn, pp. 46-59.
2012 “Color and Cultural Identity in Ireland,” in Marilyn DeLong and Barbara Martinson (eds.),
Color and Design. London: Berg/Bloomsbury, pp. 101-109.
2012 “An Anthropological Perspective on Literary Arts in Ireland,” in Ullrich Kockel, Máiréad
Nic Craith and Jonas Frykman (eds), Blackwell Companion to the Anthropology of Europe. Oxford:
2010 ”Costume for Dance.” Berg Encyclopedia of World Dress and Fashion, West Europe, volume 8:
498-502. London: Berg/Bloomsbury.
2010 “Colm Tóibín as Travel Writer.” Nordic Irish Studies, 9: 109-116.
2009 “Ethnografiction: Irish Relations in the Writing of Éilís Ní Dhuibhne,” in Rebecca Pelan (ed.), Éilís Ní Dhuibhne: Perspectives. Galway: Arlen House, pp. 245-261.
2009 “Ways of Watching: Dance Photography, Performance and Aesthetics.” in Ina-
Maria Greverus and Ute Ritschel (eds.), Aesthetics and Anthropology. Berlin: LIT, pp. 207-221.
2008 “Literary Readings as Performance: On the Career of Contemporary Writers in the New
Ireland,” Anthropological Journal of European Cultures, 17: 98-113.
2008 ”Ethereal Expression: Paradoxes of Ballet as a Global Physical Culture,” Ethnography, 9(4):
2008 “To Know the Dancer: Formations of Fieldwork in the Ballet World,” in Narmala
Halstead, Eric Hirsch and Judith Okely (eds.), Knowing How to Know: Fieldwork and Ethnographic
Present. Oxford: Berghahn Books, pp. 75-91.
2007 “Longing for the Land: Emotions, Memory and Nature in Irish Travel Advertisements,”
Identities 14(4): 527-544.
2006 “Experiencing the Ballet Body: Pleasure, Pain, Power,” in Suzel Ana Reily (ed.), The Musical
Human: Rethinking John Blacking's Ethnomusicology in the 21st Century. Aldershot: Ashgate Press, pp.
2005 “’High Arts’ and the Market: An Uneasy Partnership in the Transnational World of Ballet,” in David Inglis and John Hughson (eds.), The Sociology of Art. Basingstoke: Palgrave, pp. 171-182.
2005 “Memories in Motion: The Irish Dancing Body,” Body & Society, issue on “the dancing
body,” (ed.) Bryan S. Turner, vol. 11(4): 45-62.