Creating Audio Responses
Eoin Bannon discusses the making of his podcast in response to the play.
Roan Guiney explains how his sound response took some unexpected turns.
Brian McCarley explains how his sound interpretation piece focused on a quickening pace and rhythm - inspired by militant marching and galloping horses.
Caolan discusses the concept of 'setting against' and disassociation applied in her sound interpretation.
Eoghan O’Connor shares his 'sonic response' methodology.
Paul Campbell shares his audio package production
Simon Porter's soundscape production.
How the rallying speech, "I want to be King" morphs into John Thorp's incongruous sound monologue.
Aaron Willoughby shares his sound production
Ovalle Zanker presents his audio workshop production.