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2022 Events

Seminar - Bryan Whitelaw: The Devil in the Details

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This seminar grapples with the challenges faced by analysts in discerning standard formal directions within ‘programmatic’ works of the Romantic period. To what extent can abstract musical forms be read as narratives?

Date(s)
November 2, 2022
Location
McMordie Hall, Music Building
Time
13:00 - 14:00

As analysts more readily grapple with the challenges of nineteenth-century forms, a wide range of programmatic works continue to evade current theoretical models. The perspectives of the new Formenlehre have offered much with which to advance the analysis of Romantic music, but there remains a lack of consensus on the viability of reading musical forms as narratives. Dr Whitelaw’s research therefore draws from the literary field of Narratology to develop a typology of trans-textual frames that can be mobilized in the analysis of semantically charged instrumental works. This seminar explores these frames against the backdrop of current research on sonata form, while attempting to address issues of intentionality, listener-response, and allusion through numerous exciting musical examples.

Dr Bryan A. Whitelaw's research centres around interests in nineteenth-century repertoire, theory, and source studies, particularly in the music of Franz Liszt. His PhD dissertation, entitled ‘Franz Liszt’s Sonata Narratives: Large-Scale Forms at the Weimar Court,’ was completed at Queen’s University Belfast in 2021, and focuses on the interplay between Liszt’s literary and cultural influences, and their impact on his compositional output during the Weimar period, c.1848–1861. The study is based on the development of a narratographic musical theory which attempts to bridge the divide between culturally contextual scholarship and the rigorous application of formal theory. Bryan is a serving a second term as an elected Council Member and Trustee of the 2021–2024 Council of the Society for Musicology in Ireland, and has been published by Cambridge University Press.

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