FROM RESISTANCE TO RECONCILIATION
This project investigates the effects of sound (including sonic arts, participatory music-making and storytelling in theatre) and their distribution through digital media activities. We are analysing how sounds project and ameliorate community experiences, memories and narratives of conflict across cultures and different conflict/post-conflict settings of resistance through to reconciliation.
Dr. Aoife McGrath (Drama) is PI on this major H2020-funded project, working with Marie Curie Reseaarch Fellow, Dr. Shonagh Hill. The ability of all women to realise maximum political, economic and personal empowerment is a cornerstone of gender equality. From the First Wave of feminism in the late 18th century and through the 19th and 20th centuries to today’s Fourth Wave, the movement, the actors and the issues have evolved considerably. With this in mind, the EU-funded GenFem project examines the embodied experiences of different generations of women in Northern Ireland, as well as their differing relationships to feminism: both feminist movements and feminist ideas as they circulate within culture. Specifically, through performance the project will study the working practices that address the tensions and solidarities of intergenerational relationships. It will bring together critical and practice-based methods to generate pioneering research.
Paul Murphy (Drama) and Michaela Clarke (DARO) working with Deirdre Wildy (Special Collections & Archives) are leading a major project focussing on the heritage and legacy of the writings of Brian Friel, Northern Ireland's most acclaimed dramatist, short story writer and founder member of the Field Day Theatre Company. Friel was NI’s leading playwright and is widely recognised as one of the greatest dramatists of his generation. Friel Reimagined is funded by the National Lottery Heritage Fund (NLHF) and The Steel Charitable Trust. The funding is enabling the University and its staff to digitise an important selection of the Friel archives, in collaboration with the National Library of Ireland (NLI), who hold the archives on behalf of the Friel Literary Estate.
Two major recent investments have positioned SARC_Immerse at the centre of immersive technology research in Northern Ireland:
1) A Central Research Infrastructure Fund of £100k by Queen’s University Belfast, and
2) the £13 million investment by the AHRC, with co-funding from the industry sector, to secure the future of the creative industries in NI. This ‘Future Screens NI’ bid is the largest single investment in the creative industries in NI: https://goo.gl/vUiPV8.
People working as part of SARC_Immerse are:
Prof Michael Alcorn
Dr Trevor Agus
Dr Zeynep Bulut
Mr Christopher Corrigan
Dr John D'Arcy
Dr Declan Keeney
Mr Michael McKnight
Dr Matilde Meireles
Dr Miguel Ortiz
Prof Pedro Rebelo
Dr Koichi Samuels
Dr Franziska Schroeder
Prof Paul Stapleton
Dr Maarten Van Walstijn
Dr Simon Waters
Dr Kurt Werner
EXPERIENCE ANOTHER WORLD IN THE HEART OF BELFAST
The Soundscape Park Project is a permanent sound installation located in a community garden in East Belfast. Speakers hidden all around the garden are constantly projecting different soundscapes throughout the day. Integrated technology allow visitors to interact with the sounds using motion detection and their smart phones.
- Whether AfR is achieving conflict transformation
- The distinctive strategies and practices of AfR
- How we can improve practice and promote the values of AfR
Stefano Baschiera (Film), along with AEL colleagues Dominique Jeannrod (French) and Andrew Pepper (English), leads the Queen's strand of this major international research project, funded by EU H2020. The project addresses the formation of European cultural identity as a continuing process of transformation fostered by the mobility of people, products and representations across the continent. Because of the extraordinary mobility of its products, popular culture plays a decisive role in circulating representations that constitute a shared cultural asset for large sectors of the European society.
The Sonic Arts Research Centre has been commissioned to install and develop content for three sound gardens for the re-built Northern Ireland Hospice building on Somerton Road, Belfast.
The project will help contribute to create a calm, yet uplifting atmosphere, engage patients and visitors through changing sound environments and create sensory garden spaces through soundscapes.
Director of Research, Professor Pedro Rebelo and SARC Technical Coordinator, Mr Craig Jackson will lead the project which began in August 2015 and will continue into the beginning of 2016 when building work is due for completion.
The audio in each of the three spaces will have different design treatments to reflect their architecture and use. The development of sonic materials will be based on a participative process with current patients and staff. This will allow us to make use of sound in a reflective manner, triggering sonic memories or transporting listeners to another place. For example the seaside, or birdcalls at dawn.
Multiple loudspeakers will be located in each of the gardens, carefully located to immerse each of the spaces in an ambient cloud of sound. This might include loudspeakers hidden in planting or positioned at at height.
Undergraduate and PhD students at SARC will be contributing to the creation of the sound environments. They will also be undertaking research into the appropriate use of different soundscapes in this type of setting by performing several workshops with patients and staff.
This project has developed from another SARC installation, The Soundscape Park Project. A permanent sound installation in Bridge Community Garden, East Belfast (www.soundscapepark.org). It is anticipated that SARC will continue to feed into these sonic garden installations and continue to develop new and immersive sounds to make pleasurable outdoor environments.
Music making is known to have benefits for social cohesion. As a social practice, music depends on personal interaction, dialogue, agreement on conventions and trust. Previous work on music and conflict has illuminated the different roles that music and sound play in conflict situations (from exacerbating conflict to mitigating it). Moreover, recent scholarship has highlighted the transformative power of music, demonstrating how music making activities could have a direct and positive impact on conflict resolution, peacebuilding and reconciliation by non-violent means.
This research project aims at contributing to these ongoing debates by exploring the possibilities of music and sound in conflict transformation in Mozambique through a participatory case study rooted in sonic art methodologies.
In 2015, the first collaboration between SARC and DMNI aimed to enable musicians with physical disabilities and learning difficulties to independently compose and perform their own music through custom-built music technology devices. The event was held under the theme “Designing Inclusive Interactions” and brought together student interaction designers with disabled musicians to collaboratively design accessible musical interfaces and perform improvised music with them in an inclusive ensemble performance.
SARC put together an exciting programme in 2016 to continue their collaboration with DMNI under the theme “Performance without Barriers”. The programme involved a 6-month long collaborative design project, which started with a design event at SARC (7th - 9th June 2016). Five interaction designers worked with pupils from local special educational needs schools and brain injury rehabilitation charity to collaboratively design customised accessible musical interfaces. Two subsequent phases of this project involved going to the participants to show them progress of the designs and gather feedback. The project ended on November 27th with a showcase performance at The Sonic Lab, SARC. Alongside the design project, an international networking meeting for partners working in the area of inclusive music making, digital design, disability and well-being also took place on 10th June 2016.
This collaboration has impacted positively on the quality of life of disabled musicians across Northern Ireland. Participants’ composition and performance skills are enhanced by using accessible musical interfaces through a collaborative design process that matches physical and cognitive abilities to an appropriate gestural interface. Designers and musicians alike are given the opportunity to express their creativity on equal terms as collaborating improviser musicians.
Performance without Barriers 2016 design project culminated in a public performance at Ireland’s longest running contemporary music festival, the Sonorities Festival of Contemporary Music.
This case study, led by Pedro Rebelo, demonstrates how new approaches to collaborative sonic arts lead to increased awareness of the role of sound and its relationship to place in everyday life.
Recomposing the City is a collaborative research group. Our mission is to bring together artists, architects, planners and others in investigating the relationship of sound to urban space. We explore various questions on urban sound through seminars, events, publications, and design projects. Our ultimate aim is to support new design and development projects, and to improve the understanding of sound within architecture studies and architectural practice.