BSc Music Technology and Sonic Arts
Academic Year 2018/19
A programme specification is required for any programme on which a student may be registered. All programmes of the University are subject to the University's Quality Assurance processes. All degrees are awarded by Queen's University Belfast.
Programme Title |
BSc Music Technology and Sonic Arts |
Final Award |
Bachelor of Science |
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Programme Code |
MUS-BSC-SA |
UCAS Code |
J931 |
HECoS Code |
100221 |
ATAS Clearance Required |
No |
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Mode of Study |
Full Time |
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Type of Programme |
Single Honours |
Length of Programme |
3 Academic Year(s) |
Total Credits for Programme |
120 |
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Exit Awards available |
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INSTITUTE INFORMATION
Teaching Institution |
Queen's University Belfast |
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School/Department |
Arts, English and Languages |
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Framework for Higher Education Qualification Level |
Level 6 |
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QAA Benchmark Group |
Music (2008) |
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Accreditations (PSRB) |
REGULATION INFORMATION
Does the Programme have any approved exemptions from the University General Regulations None |
Programme Specific Regulations Students will be notified each academic year of the optional modules being offered in the following academic year. Students are advised that not all optional modules will necessarily be offered in each academic year. Also, the delivery of a module may be subject to a minimum number of enrolments as well as unforeseen circumstances (eg illness of a member of staff). The range and content of optional modules will change over time as degree programmes develop and students' choice of optional modules may also be limited due to timetabling constraints. |
Students with protected characteristics N/A |
Are students subject to Fitness to Practise Regulations (Please see General Regulations) No |
EDUCATIONAL AIMS OF PROGRAMME
To develop a broad range of creative, technological and practical skills to facilitate:
• recording and composing music
• editing, processing, analysing and synthesising sound
• designing sound to accompany other media
To understand the physical and perceptual properties of sound and the design of musical instruments and performance spaces
To foster critical evaluation of technologically mediated music
To enable the acquisition of a wide range of transferable skills in effective verbal and written communication, information technology, teamwork and time-management
To encourage a commitment to professional standards, punctuality, reliability, commitment, self-discipline and self-presentation
Through these means to enrich the experience and foster the personal development of the student
LEARNING OUTCOMES
Learning Outcomes: Cognitive SkillsOn the completion of this course successful students will be able to: |
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Engage with and evaluate a variety of sources (texts, programming code, notated and graphic scores, sound recordings, fixed media sound design and composition, recorded and live performances) |
Teaching/Learning Methods and Strategies Lectures, small group tutorials, rehearsals, workshops, self-arranged study, work experience, seminar presentations. Methods of Assessment Composition, sound design and recording portfolios, written examinations, listening tests, computer programming exercises, projects, experimental design, learning journals. |
Demonstrate independent thinking and critical analysis |
Teaching/Learning Methods and Strategies Lectures, small group tutorials, rehearsals, workshops, self-arranged study, work experience, seminar presentations Methods of Assessment Composition, sound design and recording portfolios, written examinations, listening tests, computer programming exercises, projects, experimental design, learning journals. |
Work independently and as part of a team demonstrated through individual and group work (written and practical) |
Teaching/Learning Methods and Strategies Lectures, small group tutorials, self-arranged study, work experience, rehearsals, class group-work, workshops Methods of Assessment Performances (particularly ensemble performance), composition, sound design and recording portfolios, written examinations, listening tests, computer programming exercises, projects, experimental design, learning journals, seminar presentations, concert reviews |
Learning Outcomes: Transferable SkillsOn the completion of this course successful students will be able to: |
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Demonstrate skilful expression |
Teaching/Learning Methods and Strategies Specific teaching methods of this kind include lectures, small group tutorial, self-arranged study, work experience, seminar presentations, and identification of a role in the context of a group practice. Methods of Assessment The most common method of assessment is throughout projects or continuous assessment of individuals or group presentations, especially in the areas of performance and composition. |
Transmit and interpret knowledge and ideas |
Teaching/Learning Methods and Strategies Music Technology promotes a method of learning with a balance between theory and practice with a considerable degree of practical experimentation and group projects. Methods of Assessment In practice sessions, peer-evaluation of class tasks is an innovative method of assessment, which promotes composition and performance analysis and critical thinking. |
Search for specific knowledge and to conceptualise potential needs and solutions for meeting those needs. |
Teaching/Learning Methods and Strategies Specific teaching methods of this kind include lectures, small group tutorial, self-arranged study, work experience, seminar presentations, and identification of a role in the context of a group practice. Methods of Assessment The most common method of assessment is through projects or continuous assessment of individuals or group presentations, especially in the areas of performance and composition. |
Use interpersonal skills for conflict resolution, relating to and helping colleagues. |
Teaching/Learning Methods and Strategies Interpersonal skills are developed through small-group sessions, seminars and presentations. Methods of Assessment For the most part, this is assessed through group and ensemble projects and performances. |
Learning Outcomes: Knowledge & UnderstandingOn the completion of this course successful students will be able to: |
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Demonstrate a broad range of intellectual and practical skills in music technology, with emphasis in the creative use of its tools. These include especially the areas of software programming for musical applications, sound recording of a variety of music genres and styles, technology applied to musical performance, composition and sound design, digital signal processing of audio materials, the design of new musical instruments and musical interfaces and critical listening. |
Teaching/Learning Methods and Strategies Specific teaching methods include individual and group tutorials, lectures, seminars and resource-based learning. The School provides support for the curriculum by inviting key performers and speakers, and practical tuition where appropriate. Methods of Assessment Assessment methods include projects submitted to a deadline (assessed individually) and on occasion group presentation. |
Learning Outcomes: Subject SpecificOn the completion of this course successful students will be able to: |
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Use and understand programming languages applied to musical applications |
Teaching/Learning Methods and Strategies Programming is taught through lab-based lectures, small group tutorials, online self-directed study. Methods of Assessment Projects, programming exercises, compositions, performances |
Demonstrate a practical knowledge of the latest applications of studio equipment for music creation and sound recording |
Teaching/Learning Methods and Strategies Studio and recording techniques are taught through lecture presentations, practical lab sessions using relevant computer software, small group tutorials in the School's studio spaces, technical listening sessions in the Sonic Lab, and student platform presentations of work in progress. Methods of Assessment Studio and computer software based practical examinations, formative and summative practical projects, listening assessments, written examination. |
Show skills in performance practice |
Teaching/Learning Methods and Strategies Performance is taught through weekly workshops, group lessons with performance tutors, and attendance at concerts, seminars, and master-classes by visiting artists. Methods of Assessment Individual and ensemble formative and summative performances, concert reviews. |
Demonstrate composition and sound design skills |
Teaching/Learning Methods and Strategies Composition and Sound Design are taught through weekly lectures, tutorials, practical lab sessions using relevant computer software, student-led study and attendance at concerts and seminars by visiting artists. Methods of Assessment Practice based continuous assessment. |
Demonstrate an understanding of acoustics, auditory perception, sound synthesis and digital processing of audio signals |
Teaching/Learning Methods and Strategies Acoustics, sound synthesis and digital signal processing are taught through lectures, tutorials, practical lab sessions using relevant computer software. Methods of Assessment Individual and group projects, experimental design, written examination. |
Demonstrate experience of the design and construction of new musical instruments and interfaces |
Teaching/Learning Methods and Strategies Interaction design is taught through weekly lectures and tutorials, self-directed study, and attendance at concerts, seminars and master-classes by visiting artists. Methods of Assessment Group and individual projects, performance, continuous assessment |
MODULE INFORMATION
Stages and Modules
Module Title |
Module Code |
Level/ stage |
Credits |
Availability | Duration |
Pre-requisite |
Assessment | |||||
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S1 | S2 | Core | Option | Coursework % | Practical % | Examination % | ||||||
Composition 3 | MUS3087 | 3 | 40 | YES | YES | 24 weeks | N | YES | 100% | 0% | 0% | |
Electroacoustic Composition II | MTE3003 | 3 | 20 | YES | 12 weeks | Y | YES | 100% | 0% | 0% | ||
Audio Engineering 3 | MTE3009 | 3 | 20 | YES | 12 weeks | Y | YES | 75% | 25% | 0% | ||
Portfolio | MTE3000 | 3 | 40 | YES | 12 weeks | N | YES | 100% | 0% | 0% | ||
Traditional Irish Music: Form, Style and Development | MUS3069 | 3 | 20 | YES | 12 weeks | N | YES | 40% | 10% | 50% | ||
Directed Study | MUS3099 | 3 | 20 | YES | YES | 24 weeks | N | YES | 100% | 0% | 0% | |
Psychoacoustics | MTE3005 | 3 | 20 | YES | 12 weeks | Y | YES | 100% | 0% | 0% | ||
Film and Music: Theory and Criticism | FLM3024 | 3 | 20 | YES | 12 weeks | N | YES | 100% | 0% | 0% | ||
Politics in Popular Song from the French Revolution to Punk | MUS3055 | 3 | 20 | YES | 12 weeks | N | YES | 100% | 0% | 0% | ||
Work-based Learning | AEL3001 | 3 | 20 | YES | YES | 24 weeks | N | YES | 100% | 0% | 0% | |
Designing Musical Interactions | MUS3032 | 3 | 20 | YES | YES | 24 weeks | N | YES | 100% | 0% | 0% |
Notes
Level 3 Students must take 120 CATS points. Students must include MTE3000 Portfolio (a double module) and at least 2 from MTE3003, MTE3005, MUS3032 and MTE3009. The remaining module(s) may be chosen from other optional modules listed above or from other available modules in the Faculty subject to timetabling and module pre-requisites.