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Dominic Bryan is a Professor in Anthropology at Queen’s University Belfast. From 2002-2014 he was Director of the Institute of Irish Studies and is a Fellow of the Senator George J Mitchell Institute for Global Peace, Security and Justice. Research interests include political rituals, symbols, commemoration, public space and identity in Northern Ireland. Dominic specialises in the contemporary history of Belfast and particularly the impact the peace process has had on the city. He works on issues of cultural identity such as flags, parades, bonfires and murals. He is author of Orange Parades: The Politics of Ritual Tradition and Control (Pluto 2000) and co-author of Civic Identity and Public Space: Belfast since 1780 (MUP 2019). In 2014 he was co-author of The Flag Dispute: Anatomy of a Protest and recently was co-author of Flags: Towards a New Understanding. Dominic is also the Chair of Diversity Challenges and co-Chair of the Commission on Flags Identity, Culture and Tradition

Dr Elaine Farrell is a historian of nineteenth- and early-twentieth-century Irish social history, with a specialism in gender history (particularly women’s history) and crime and punishment. She has been involved in a number of public history projects, including museum exhibitions ‘Research in Translation’ (University of Leicester) and ‘Mad or Bad’ (Armagh County Museum). Working with Leanne McCormick (Ulster University), she is currently preparing an exhibition based on their AHRC-funded project ‘“Bad Bridget”: Criminal and Deviant Irish Women in North America, 1838-1918’. She has contributed to a number of television programmes for BBC, Channel 4, RTÉ, and TG4.

Dr Derek Johnston teaches on the broadcast media, with a particular focus on genre studies and on the history of broadcasting. His research to date has tended to look at genres and their development as aspects of cultural change, as expressions of the historical shifts and continuities in popular culture. This focus has been on science fiction on British television, particularly in the period of the BBC monopoly from 1936-1955, and on the seasonal horror story. More broadly, he is interested in the uses of historical narratives, both factual and fictional and including history-made-fantastical, and the ways that they are used and form a part of personal and public history and so influence understanding and conceptualisation of history and its relation to the present.

Keith Lilley is Professor of Historical Geography in the School of Natural & Built Environment at Queen's University Belfast. His particular research interests lie in the history of cartography, urban morphology, and landscape history, and in using maps and mappings to explore past landscapes and geographies as well as visualise how the past connects with the present. He has more than ten years' experience of directing spatial humanities research projects, all using digital 'geospatial technologies' (e.g. GIS) to engage wider public audiences. He is director of an AHRC-funded public engagement centre, "Living Legacies 1914-18: From Past Conflict to Shared Future", which connects academic and community researchers through WW1 heritage projects - including 'citizen history' and community mapping projects. He is also Chair of the Historic Towns Trust, a UK charity that oversees the production of the British Historic Towns Atlas programme.

Fearghal McGarry is professor of modern Irish history at Queen’s University Belfast. He is interested in the theory and practice of public history, particularly in relation to commemoration and other forms of historical memory. Editor (with Jennie Carlsten) of Film, History and Memory (Palgrave Macmillan, 2015), he led two AHRC research projects exploring the relationship between history and film. He acted as historical consultant on several projects marking the centenary of the Easter Rising, including the GPO Witness History interpretive centre. His current AHRC-funded project, A Global History of the Irish Revolution, will involve collaborations with public history partners to mark the centenary of partition and independence. He is also working with the Ulster Museum to redevelop its Troubles gallery.

Current and Recent PhD Students

Dr Jack Crangle completed his PhD at Queen's University Belfast in 2019. His research examined the experience and reception of migrant communities in twentieth century Northern Ireland. His first article, entitled ‘Left to Fend for Themselves’: Immigration, Race Relations and the State in Twentieth Century Northern Ireland', was published in Immigrants and Minorities in 2018. He has delivered his research to numerous public audiences, including a session at the Imagine! Belfast festival and an event commemorating Belfast's Italian community. During his PhD he worked with ArtsEkta in Belfast and the Oregon Jewish Museum and Center for Holocaust Education in the USA.

Savannah Dodd is a PhD candidate in anthropology. Her research aims to understand the processes of constructing photography archives in Northern Ireland, focusing particularly on the employment of ethical regimes when decisions are made in the archival process. Furthermore, by investigating the meaning of truth in photography and in archives, the evidentiary quality of photographs, the affective force of photographs, and the relationships between photographs, archives, and memory, her PhD research will look at the impact of photography archives on how Northern Irish society creates narratives about its history. She is the founder and Director of the Photography Ethics Centre, which seeks to raise awareness of photography ethics through educational training programmes.

Dr Pete Hodson completed his PhD in History at Queen's University Belfast in 2019. His thesis adopted a comparative approach to examine the economic, social and cultural legacies of deindustrialisation in the Belfast shipbuilding and Durham coal industries. He is an oral historian with a particular interest in deindustrial narratives and the politics of urban regeneration, and published on these themes in a recent contribution to History Workshop Journal. His public history experience includes work with BBC Northern Ireland, The Conversation, QUOTE (Queen’s University Oral History, Technology and Ethics), Titanic Foundation and the National Museum of Industrial History, USA.

Dr Sam Manning is a postdoctoral researcher on the AHRC funded European Cinema Audiences project. He was previously an AHRC research fellow at QUB researching the fifty-year history of Queen's Film Theatre. This project's outputs included a commemorative publication and a touring exhibition. He was recently published articles in Cultural and Social History and Media History. His forthcoming book, titled 'Cinemas and Cinema-Going in the United Kingdom: Decades of Decline 1945-65', will be published in the Royal Historical Society's New Historical Perspectives series. His public history experience includes work with BBC Northern Ireland, the McClay Library Special Collections and Archives, and QUOTE. He is currently chairperson of the Oral History Network of Ireland. He completed his PhD at Queen’s University Belfast in 2017.

Dr Emma McAllister completed her PhD thesis entitled ‘Beyond Materiality: Religion and Ritual in Museums and Heritage Sites’ at Queen’s University Belfast in 2022. Her thesis examines the complexities of displaying religion in exhibitions in Ireland, the UK and the Netherlands. She is the current Membership Secretary for the Religion, Collections & Heritage Group. Since completing her PhD, Emma has been a Research Assistant in the Art History and Cultural Policy Department in University College Dublin on a project called ‘Building Capacity for the Cultural Industries: Towards a Shared Island Approach’. She is also Heritage Hub Co-ordinator at Queen’s University Belfast working with academics and heritage professionals across Northern Ireland. Emma has taught undergraduate history and postgraduate arts management and achieved the Associate Fellow of the Higher Education Academy (AFHEA) award in September 2021. She holds an MA degree in Cultural Heritage and Museum Studies from Ulster University and a BA (Hons) degree in Modern History from Queen’s University Belfast.

Dr Rhianne Morgan completed her PhD at Queen’s University Belfast in 2022. She is an oral historian with a particular interest interested in memory, heritage and identity in post-1980s Britain. Her PhD thesis examines how childhood memory, class and sectarianism have impacted upon the memory of Templemore Baths in East Belfast and compares this with the narrative being presented in the current regeneration project at the Baths. Rhianne has spoken to public audiences on her master’s research, which explored the collective memory of the 1984-5 miners’ strike in Aberdare and regularly delivers oral history training to public audiences. She is currently working as Heritage Project Co-ordinator for Corrymeela

Matthew Stanton is a PhD History candidate studying Early-Modern British History. His thesis is titled 'Charisma and Controversy: Benjamin Keach (1640-1704) and the Debate about Congregational Song.' His research focus is Benjamin Keach (1640-1704) concerning his works in the hymn-controversy of the late seventeenth-century. There is a lack of scholarship focused on the development of this controversy, particularly regarding the previous singing disputes found in baptistic congregations. By identifying this as a gap in scholarship, he is looking into the origins of Baptist song. He also considers Keach's hymns by surveying their content and effect later felt by key eighteenth-century English hymn-writers such as Isaac Watts (1674-1748). He is the creator of the Benjamin Keach Journal, an online database.

Katie Tate is a PhD candidate working on the social history of twentieth-century Northern Ireland, with a particular interest in the lives of elite women. Her thesis explores public roles of the five women who were wives to the governors of Northern Ireland in the half century between 1922 -1972. Uncovering their contributions to Northern Irish society between 1922-1972, her thesis explores both the collective and individual experiences of these women. As their stories are currently absent from the historiography, and from the narratives of Hillsborough Castle where these women lived and worked for fifty years and which is now managed as a heritage site by Historic Royal Palaces, Katie’s thesis questions how these women might be rewritten into the history of Northern Ireland through the medium of public history.

Emma Taylor is a History PhD candidate in QUB, and recipient of the John Beecher Memorial Prize for best overall academic performance in the History MA. Her research project is titled 'Vanished Veterans: The multifaceted reasons for minimal historical representation and public commemoration of disguised female American Civil War memorialization. This includes battlefield, monuments, films, noverls, and podcasts. Concurrently, it analyses their position within Civil War historiography. When contrasted, their historiographical absence, and/or negative representation, highlights a significant discriminatory trend within the discipline of history. That is, the exclusionary practice of selecting who/what is deserving of a place in academic and public knowledge.

Dr Lucy Wray was awarded her PhD in history in 2022. Her project entitled, ‘The Photographer and the City: the work of A.R. Hogg in recording social conditions in early twentieth-century Belfast’ works in collaboration with National Museum Northern Ireland. As well as photographic history, her research interests include poverty and welfare, civic space and culture and class. She currently works as a Postdoctoral Research Associate at Ulster University managing the Madill Archive Project.

Dr Lauren Young completed her PhD at Queen’s University Belfast in 2022. Her thesis was an oral history project focusing on the history and lived experience of Type One Diabetes, using Northern Ireland as a case study for interviews. The thesis explored the changing doctor-patient relationship throughout the second half of the twentieth century in light of advancing treatment and changing care within the specialist clinic. Further, it examined how themes in memory studies might impact a diabetic patients' experience and memory of their lives with a chronic illness over time. Other interests include all aspects of the social history of medicine, as well as how public history can be used to explore themes within the history of medicine.

Sinead Burns is a History PhD candidate researching the photographic representation of working-class communities in west Belfast between 1969 and 2005. Her research employs a visual and oral history approach to the examination of a range of photographic collections including press, documentary, community, and family photography. The thesis resituates photography within an active context that considers how photographs engaged with other representations of west Belfast and its people; how they were connected to social, cultural, political, economic, and material systems; and how they engaged with processes like conflict, deindustrialization, and social upheaval. The project addresses the lack of historiography relating to the social history of west Belfast and has used photography to explore important themes including conflict, deindustrialization, community arts, and histories of childhood and the family in working-class communities in this part of the city.

Sinead Burns Headshot